Dead Man's Shoes
British as a chip butty, Shane Meadows is just about as tasty (and probably about as good for you). His A Room for Romeo Brass is one of the underrated gems of the last ten years - and if you haven't seen it yet, you should. It's when Meadows has tried to step up from the quirky personal films he does so well and make something more commercial that he comes unstuck - most notably with the disappointing Once Upon a Time in the Midlands, a campy Nottinghamshire western which just wasn't tough enough to carry its lorry-load of B-list stars and C-list jokes. That failure hasn't put Meadows off British westerns, but it has sent him back to basics. Dead Man's Shoes is High Plains Drifter in Derbyshire. The script is by Meadows' old mucker Paddy Considine, who also stars as Richard, a squaddie who returns to the small town where he grew up to wreak revenge on the local thugs who abused his simpleton brother, Anthony (Toby Kebbell).
Like most revenge movies, the structure is simple. We watch Richard putting the fear of God into his adversaries, picking them off one by one, while flashbacks gradually reveal the reason for his rampage. What's shocking about Dead Man's Shoes is the strain of black comedy which makes us complicit in Richard's actions. A sequence in which he freaks out his none-too-bright, none-too-sober targets by putting on a gas mask is ghoulish and disturbing, but also grotesquely funny. For a while there, we're not quite sure what kind of film this is, and just how far Considine is going to go. He's a riveting actor, and this time, Meadows doesn't pull his punches. Dead Man's Shoes isn't quite the shock to the system that A Room for Romeo Brass delivers - the denouement feels a bit too pat for that - but it's definitely on the right track. Tom Charity More information about Dead Man's Shoes » Critics' ReviewsFollowing his spaghetti western homage, Once Upon a Time in the Midlands, British writer/director Shane Meadows turns his hand to horror. A grimy, naturalistic subversion of the slasher genre, this morally ambiguous shocker marries the style of 28 Days Later … with gallows humour of the blackest hue. In an uncomfortably matter-of-fact performance, co-writer Paddy Considine plays a tortured ex-army man who returns to the rural Midlands village of his youth to take revenge on a drugs gang who used and abused his younger, mentally challenged brother (Toby Kebbell). With many of the cast being non-actors and much of the dialogue improvised, there's a strong sense of realism that makes the violence portrayed so much more horrific. Initially, events are sweetened somewhat with acerbic wit and dark slapstick, but edgy laughs soon degenerate into grim brutality. It's an abrupt shift that unfortunately destroys the rising tension and turns a powerful, claustrophobic chiller into just another nasty exploitation flick.
Slow-paced drama, set in shabby suburbia and grubby rooms; there's a fault at its heart: the villains are so limited in their pleasures and aspirations that a more satisfying revenge would have been to allow them to continue with their squalid lives. Time Out With his autistic brother at his shoulder, accompanied by the wistful strum of Smogs Vessel in Vain and... read more on www.timeout.com Members' ReviewsReviews Voted Most HelpfulMost Recent Reviews |