The Shawshank Redemption
Ten years ago I reviewed a Tim Robbins movie for London's Time Out magazine. It was written and directed by a man I'd never heard of (Frank Darabont was his name) and it was based on a novella by Stephen King I'd never read. I liked the movie well enough. It struck me as intelligent, engrossing and beautifully acted, and I said so. But I balked at the big spiritual wallop of the climax, and I was sceptical that the friendship between an African-American prisoner and a white man would have proved unproblematic (to the guards or the other prisoners) in the 1940s and 50s. When I drew up my top ten list of the year, The Shawshank Redemption wasn't on it.
Evidently I was mistaken. A hit on the big screen, it became a phenomenon on video. On the internet movie database, it is ranked the second greatest film ever made (LOVEFiLM members currently rate it sixth). And ten years later, here it is again, rereleased in an anniversary edition with enough extra features to keep a lifer happy. As a tribute to Shawshank, we've prepared a little quiz on the subject of prison movies... films set in or around the pen, the slammer, stir, porridge, the big house, the farm... well, you get the general idea. It's just for fun, but be warned, it does carry the risk of brain torture, hard labour, and humiliation... Tom Charity More information about The Shawshank Redemption » Critics' ReviewsRe-released on its tenth anniversary, this deeply moving version of Stephen King's story Rita Hayworth and Shawshank Redemption from first-time director Frank Darabont is one of the best adaptations of the novelist's work. Tim Robbins plays Andy Dufresne, a Maine banker sent to Shawshank State Prison for murdering his wife and her lover. Regularly brutalised by the inmates and the penal system in general, his existence improves when he befriends fellow lifer and prison fixer Red, played by Morgan Freeman. Under Darabont's inspired direction, Robbins and Freeman both rise to the challenge of portraying world-weary dignity against the odds, while the severity of the prison system is underlined in the poignant performance of James Whitmore as a veteran convict trying to make it on parole, but ill-equipped to do so.
A melodrama of wasted lives and male bonding with a twist ending, more enjoyable for the performances than the narrative, which veers unpredictably between toughness and sentimentality. New York Times "...A slow, gentle story of camaraderie....THE SHAWSHANK REDEMPTION has its own brand of iconoclasm..." Members' ReviewsReviews Voted Most HelpfulMost Recent Reviews |