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Fracture

Rated - 4 stars

Fracture

'Does it bother you that I call you "Willy"?', Ted Crawford (Anthony Hopkins) demands of prosecuting attorney Willy Beachum (Ryan Gosling). Gosling/Beachum laughs and shakes his head. No.

'Very well then, Willy' Hopkins teases out every ounce of absurdity in the name. A boy's name, not a name for a high-powered attorney, surely?

The two men don't actually pull down their trousers and compare sizes, but there's that too, in the background. Crawford is a brilliant engineer, wealthy, drives a sports car - fast. But he's also a cuckold who shoots his wife for her sins. He appears to confess everything, but something isn't right. The arresting officer is the wife's lover. When it comes time to enter a plea it's Not Guilty - and he announces he means to represent himself in court.

The prosecution has the confession, and a gun; but not the gun. Before he knows it, Beachum's air-tight case is unraveling right there in open court. It's embarrassing, and worse, it could easily cost him that corporate sector job he has lined up. Crawford has set the scene, and he seems to have cast our Willy as his patsy.

Fracture - written by Glenn Gers and Daniel Pyne (who did such a good job on the Manchurian Candidate remake) is one of those twisty courtroom dramas that seem to propagate themselves like worms. Cut one up, you have two more on your hands.

Fracture

Stop to think about it too long, it would take some swallowing: not just Crawford's elaborate but highly risky 'perfect murder', but the idealistic-bordering-on-idiotic notion that a homicide trial might be scheduled at just a couple of days' notice (thus allowing Beachum to take the case a mere week before he jumps ship for the big bucks). The plot also hangs on a crucial trick yours truly saw coming several years before it occurs to Gosling's supposedly hotshot lawyer (though it does get points for more Freudian symbolism).

Normally these flaws might weigh heavily against this kind of movie. But in this case not so much. Director Gregory Hoblit (Primal Fear) allows that it's a game, and fashions what is essentially a male ego contest: the killer, practically purring, he's so sure he's the smartest guy in the room; and the lawyer, Beachum, desperately trying to prove he's as good as he thinks he is - all evidence to the contrary notwithstanding.

With Hopkins as a criminal mastermind, there's bound to be a whiff of Hannibal Lecter around. But instead of the Cannibal's aloof, cerebral stillness, Crawford affects a jocular, blokey demeanour, even a vague British accent. He's all smirks and winks and outrageous provocations.

Fracture

'I've got a good dick,' he murmurs to the Judge (Fiona Shaw), in reference to the private eye who has been assigned to him. He's got him investigating the assistant DA too. 'Well, you're investigating me, aren't you?' he reasons.

Perhaps it was acting against Ryan Gosling that put Hopkins in such a playful mood. Like Jodie Foster's Clarice Starling, Gosling's Willy Beachum is an over-achiever from the wrong side of the tracks ('I didn't work this hard to stay where I belong,' he informs his boss, the DA (David Strathairn), justifying his decision to swap the public sector for the big money. (Strathairn can be a dour presence but even he has a spring in his step and a half smile on his face in this picture.)

Wearing a lucky horseshoe ring, popping jellybeans in his mouth, Gosling is hungry and confident, but clearly not quite at home yet in a tux and bow-tie. The price of selling out is a succinct ethical quandary he has to work out for himself. Another is how far he's willing to go to put a guilty man behind bars.

Classy stuff. If you like a good thriller, you're in for a treat.

Tom Charity
tom.charity@lovefilm.com

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Critics' Reviews

Anna Smith, Time Out

Ryan Gosling is Willy Beachum, a hot-shot prosecutor who shows up for what he believes is an open-and-shut case. Ted... read more on www.timeout.com

Members' Reviews

Reviews Voted Most Helpful

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Rated - 5 starssuperb

williamsgwynfa [Highly rated reviewer] , 19/04/2007

this film is superb. When Ted Crawford played by Anthony Hopkins discovers that his beautiful younger wife, Jennifer played by Embeth Davidtz, is having an affair, he plans her murder…the perfect murder.

Amongst the police officers arriving at the crime scene, is hostage negotiator Detective Rob Nunally played by Billy Burke, the only officer permitted entry into the house, as Ted knows full well that Rob is the man, his wife has been cavorting with

Surprisingly, Crawford readily admits to shooting his wife, but Nunally is too stunned to pay close attention, when he recognizes his lover, whose true identity he never knew, lying on the floor in a pool of blood.

Although Jennifer was shot at point blank range, Nunally soon realizes that she is not dead.

Crawford is immediately arrested and arraigned after confessing to Jennifer's murder - but now is charged with attempted murder.

this becomes a seemingly slam-dunk case, for hot shot assistant district attorney, Willy Beachum played by Ryan Gosling, who has one foot out of the door of the District Attorney’s office, on his way to a lucrative job in high-stakes corporate law. his conviction record is seamless.

With Willy distracted by his overblown confidence and his new boss Nikki played by Rosamund Pike, Ted who is representing himself in court, begins to manipulate the system, so that Willy's slam-dunk case quickly turns into an air ball.

during one interrogation, Ted tells Willy a story. The story is about sorting eggs on a farm when he was a boy, and about putting aside 300 eggs that all had minute cracks or imperfections. The moral is that everything has a weakness if you look closely enough. Hopkins is using the story to warn Gosling, that his near perfect conviction record, is about to be tested like never before.

The battle of wills between the two leads is central to the movie, and their combat is electrifying. one major problem for Willy is - where is the gun, used to shoot Jennifer?

When Willy can not find any evidence proving Crawford is guilty, everything turns into an all-out psychological fight for proof.

Fracture is a superior psychological thriller that keeps you guessing, right until the end.

well worth watching.

  170 out of 190 people found this review helpful

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Rated - 1 staryet another two hours of life wasted!!!

A customer from scotland , 27/08/2007

what a truly awful film!Quite simply put 'it flatters to deceive'. I am sure for many this film will be both witty and intriguing,the acting superb and the casting perfect,but something is seriously missing with this entire picture.Perhaps it's because you get the feeling that the script was actually conceived with sir anthony in mind for the lead role,or that he's been down this road one time to many and that it's just not working anymore,or maybe it's the fact that even he couldn't seem to make anything of his character?hence the weird irish/welsh borderline scots tongue?some kind of futile attempt to bring passion to the proceedings, who knows?As for the script,it borders on the absurd,with the plot so transparent that anyone with half a brain will have it worked out within the first half hour and then have a further hour with which to watch it drag out so predictably they'll think their nostrodamus!!!all in all very poor and this coupled with an unlikable ,almost pathetic excuse for a supporting cast simply compounded the sheer apathy i felt towards this film.In all honesty you'll get more out of an afternoon spent with quincy re-runs,if nothing else at least he makes you laugh!

  44 out of 55 people found this review helpful

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Rated - 4 starsPretty good, could have been excellent...

PaulaWestwood from Ashton-Under-Lyne [Highly rated reviewer] , 07/05/2007

This gets off to a cracking pace, it really is both entertaining, clever and also humerous, up to half way in... Then it changes somehow, it seems to run out of its first sharp 'clever' steam, and that does dull its edge a bit. The first half has you thinking the clever so and so, then it sort of gets watered down in some way and the ending that should have been quite spectacular sort of trails off. It is still a really good movie nevertheless, well worth its 4 star rating, but it just missed out a little. I would recommend it.

  33 out of 42 people found this review helpful

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Rated - 2 starsPredictable court room drama

A customer from Scotland , 23/08/2007

This was a slow film and was just like watching another Hannibal Lecter saga.

Antony Hopkins played Ted Crawford his character was exactly like Hannibal's.

The supporting actor Ryan Gosling who played Willy Beachum the prosecutor was not a strong actor and he let down the plot.

The storyline is predictable and i found the ending had no surprises it was just like watching an episode of Ironside.

  28 out of 37 people found this review helpful

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Most Recent Reviews

Rated - 3 starsMalice aforethought?

Getuthere from Oakham , 05/05/2008

Hopkins again in his dark and chilling Mr H Lector guise playing mind games with a young prosecutor played well by Ryan Gosling. A clever,quirky and absorbing thriller.

  1 out of 1 person found this review helpful

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Rated - 2 starsMildly intruiging potboiler posing as a serious psychological thriller

Northernsky Northernsky from Halifax [Highly rated reviewer] , 10/01/2008

Fracture is not so much a whodunit? as much as a we know he did it but errr how did he do it and then more pertinently get away with it? It's an intriguing premise for a film and in the right hands could have been a serpentine thriller worthy of David Mamet at his finest. Fracture though never moves beyond the intriguing into the genuinely intense or absorbing experience it could have been.

Aeronautics engineer Ted Crawford(Anthony Hopkins) a very precise fellow as we are soon to find out , has discovered that his wife Jennifer is having an affair with Rob( Billy Burke) who just happens to be a cop. Ted confronts her with measured sibilant tones , she gives him the brush off so Ted tells her he loves her then shoots her in the head. This is the films jump off point as it then develops into a cat and mouse battle of wills and strategy between Ted and Willy Beachum(Ryan Gosling) the cocky young prosecutor from the District Attorneys office who had taken this as his last case before entering the big leagues in private law firm.

Willy rapidly learns that Ted has all the bases covered and before long his case is shot to pieces, no pun intended ,along with his carefully constructed reputation too. This doesn't impress his hot boss to be (Rosamund Pike) or his soon to be ex-boss Joe Lobruto(David Strathiarn) so he faces an agonising struggle for true justice to be done and for his career to be saved.

Fracture the idea , written by Daniel Pynne and Glenn Gers is far superior to Fracture the movie. Director Gregory Hoblit concentrates on the lawyer but the film sags badly when Hopkins, doing his best Lecktor lite impression, isn't around. The romance between Beachum and his new boss is completely irrelevant .There are plot developments that make absolutely no sense what so ever especially the twist ending which given what we know of Hopkins fastidious, meticulous character just seems to lazy convenient writing in order to achieve the conclusion the film wanted. As a piece of mildly absorbing entertainment Fracture is fine, but a serious , psychological, labyrinthine thriller? .....Give me a break, pun very much intended that time.

  3 out of 4 people found this review helpful

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