Spider-Man 3
More! More! More! In this season of the three-quel it seems only fitting that Spider-Man faces a triple threat. First, his old friend and rival Harry Osborn (James Franco) aka New Goblin, still swears he will avenge his father's death. Escaped convict Flint Marko (Thomas Haden Church) aka Sandman doesn't have a personal grudge against Spidey until Peter discovers he's the guy who really killed his uncle way back in the first movie and beats the crap out of him in the city sewer. Then there's Eddie Brock (Topher Grace), aka Venom, an ambitious newspaper photographer who fakes an incriminating snapshot of Spider-Man to get ahead and winds up fired and humiliated. For one of life's good guys Peter sure has a way of picking up enemies. He even manages to alienate MJ (Kirsten Dunst), who suffers a big career set-back just as her boyfriend is being handed the keys of the city by Gwen Stacy (Bryce Dallas Howard). He can't resist replicating his famous upside down smooch with Gwen just for the photo op. Seems like Peter's head is getting just a little too big for his mask these days. Actually there's a fourth villain, the most treacherous of all, and that's Peter himself. The duality of good and evil has been the running theme of this series: Peter flirted with vengeance in the first film, and wondered about throwing in the towel in the second. Here a dose of something resembling cosmic rubber (Peter knits it into a nifty new black outfit) sends his ego on a power trip.
Even for a film stretching to 2 hrs 20 minutes this is a lot of plot to pack in, and there is ample evidence that Sam Raimi, the film's director, has decided to sacrifice the coherence of the screenplay (by Sam and Ivan Raimi) to keep things bouncing. Spider-Man's fall from grace, for instance, is over almost before it's begun, and Harry's off-again, on-again memory lapses are more abrupt than they might have been. Still, it's equally clear that Raimi has been building up this story from the first. The story arc spanning the six and a half hours of the three films is built on the twin pillars of Peter's romance with MJ and his friendship with Harry. Surprisingly, perhaps, it's the latter that does the heavy lifting at the end. When all is said and done, poor Kirsten Dunst has been left hanging yet again, the archetypal damsel in distress. Harry, on the other hand, gets not one but three big fight scenes, and comes to illustrate the films' solidly redemptive moral: clothes don't make the man, it's all about choice. (But if you choose black fetish gear - watch out!) As comic strip blockbusters go Spider-Man has maintained a high level of consistency and pizzazz. This third installment probably bites off too much to be completely satisfying, but it's amazing how much the special effects have improved over the five years since the first film (though that might be a function of money more than time). Although Alfred Molina's Doc Oc remains the most engaging personality among the series' villains, Sandman is a triumph of CGI wizardry, a full flesh and blood character who doesn't actually have flesh or blood. (Thomas Haden Church, from Sideways, helps too, making Flint Marko unexpectedly sympathetic.)
Good as 3 is, and sure as you can already hear box-office records falling, this feels like the parting of the ways. Sam Raimi has already said as much, and if the franchise is to carry on it would do well to re-invent itself with a new creative vision. It must surely be the end of the road for Tobey Maguire too. In 2002 he could still just about pass for a high school kid, but he turns 32 in June. Time to move on before he becomes the oldest swinger in town. Tom Charity More information about Spider-Man 3 » Critics' Reviews
Its an odd response to such a mammoth movie, but Spider-Man 3 feels a bit like watching a TV season box-set... read more on www.timeout.com Members' ReviewsReviews Voted Most HelpfulMost Recent Reviews |