Waitress
Sweet yet surprisingly tart, this summer sleeper is one of the feel-good movies of the year - or it would be, if it didn't come with such a sad back-story. We'll get to that later, let's talk about the film first. The lovely Keri Russell (best known for her long-running US series Felicity) plays Jenna, one of three waitresses at Joe's Diner, an old fashioned joint on some dusty southern road. In particular, the regulars cherish Jenna's pies, especially the daily special, which has a way of reflecting her state of mind at the time. The film is punctuated with Jenna's recipes, which also tell the story: I Hate My Husband Pie: Take bittersweet chocolate and don't sweeten it. You make it into a pudding and drown it in caramel. Pregnant Miserable Self-Pitying Loser Pie: Lumpy oatmeal with fruitcake mashed in. Flambé of course. I Can't Have No Affair Because It's Wrong And I Don't Want Earl To Kill Me Pie: Vanilla custard with banana. Hold the banana. The affair she can't have (but can't resist) is with the handsome new town doctor, Dr Pomatter (Nathan Fillion), who is also her obstetrician. He's also close to the opposite of her boorish, controlling, aggressively jealous husband Earl (Jeremy Sisto), a character so unappetizing it's hard to imagine how Jenna ever came to marry him. Earl is so sick he's even jealous of the baby inside her, and makes her promise she'll still love him best.
The movie also serves up a couple of tasty side dishes in the form of Jenna's workmates, Becky (Cheryl Hines, from Curb your Enthusiasm) and Dawn (writer-director Adrienne Shelly), both of whom have their own romantic liaisons going on. Dawn's latest conquest is a free-style poet, Ogie (Eddie Jemison, from Ocean's 13), who celebrates his devotion in doggerel. The women's friendship is a solid building block for the picture, even if it does feel like leftovers from the Martin Scorsese film Alice Doesn't Live Here Anymore, and the sitcom it belatedly spawned, Alice. More original is the conception of Jenna: a decent, hard-working, uneducated woman who rules out the abortion option without a pause but who can't help resenting the unwanted and unexpected baby that makes her escape from Earl seem all the more unlikely. Russell plays her as pissed off with her lot, as well she might be, but she can't quite hide a natural ebullience that breaks through the clouds with a mile-wide smile when she finally admits to herself she's fallen head over heels in love.
Is this a feminist movie - or maybe it's post-feminist? Well, you shall be the judge, but more importantly I think it stays true to its characters, celebrates their virtues, forgives their foibles, and insists on some give and take between men and women. Maybe the ending is a bit of a fairytale, but tragically it's tempered by the knowledge that Adrienne Shelly was murdered late last year shortly after completing the film, when an altercation with a labourer turned violent. Shelly - a pixie-like presence in Hal Hartley's first films The Unbelievable Truth and Trust, also appeared in Factotum and several more indie pictures. This was her third feature as writer and director, and easily her most successful. By rights it should have presaged a long and fruitful career. Her daughter Sophie appears as Jenna's daughter Lulu in the last shot of the movie. Tom Charity More information about Waitress » Critics' Reviews
Her husbands a frightening, chauvinist pig, her boar-faced boss at the diners a monosyllabic tyrant and shes... read more on www.timeout.com Members' ReviewsReviews Voted Most HelpfulMost Recent Reviews |