AVPR: Aliens vs Predator � Requiem
"Requiem" is right: this deadly sequel could kill off a horror franchise that goes back nearly three decades. As someone who grew up with the Alien series (hell, I don't mind telling you I misted up at Alien 4) it's depressing to see just how far the mighty have fallen. Course, as soon as they announced the first AVP flick, it was obvious the aliens had already lost the battle. Certainly in terms of prestige, it was game over - you can't mix it up with trash like the predators and retain even a semblance of dignity. The trouble with this monster mash is that it's hard to root for either camp. The Predator gets the lion's share of the point-of-view shots and the cool prototype Pentagon technology. As far as I could follow the story, he (It?) comes down to Earth in pursuit of some rampaging alien spawn, incurring considerable human collateral damage in the process. But how much respect can you give a creature who painstakingly pours invisible juice over two corpses, then moments later leaves a third hanging in plain view?
I doubt the filmmakers intended that the cardboard stereotypes passing for earthlings in Requiem should make the extra-terrestrial psychopaths seem sympathetic, but that's how it pans out. There's the underdog pizza delivery guy who fancies the hot girl with the bully bf; his ex-con brother; the good guy sheriff. The acting in this movie is an embarrassment, almost without exception. (The dude in the rubber predator suit was okay.) If the acting is bad, that's only a reflection of the direction, which is terrible. Sfx guys Colin and Greg Strause haven't helmed a movie before and it shows. Scenes are barely coherent; none of the relationships are developed properly and motivations are sketchy at best. Half the time the actors don't seem to know which way to look, and the action is confusing, with most of the hackneyed "scare" moments falling distinctly flat. Even the camerawork is wretched, with lots of murkily lit, uncomfortably close two shots predominating (cinematographer Daniel Pearl is also responsible for Pathfinder and Captivity: three dogs in the space of 12 months).
Sure, it has a few pleasingly cheesy moments. There's a good scene when the young daughter of a returned female Iraq veteran uses the night vision goggles mommy has given her and sees monsters lurking in the garden. "Oh, honey, there aren't any monsters" her doomed dad assures her. But such macabre wit is in wretchedly short supply. Cheap and nasty, AVPR is a sorry excuse for a movie no matter how low your expectations may be. Tom Charity More information about AVPR: Aliens vs Predator � Requiem » Members' ReviewsReviews Voted Most HelpfulMost Recent Reviews |
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