A man who specializes in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror. Read more
| Starring | John Cusack, Samuel L. Jackson, Mary McCormack, Jasmine Jessica Anthony |
|---|---|
| Director | Mikael Hafstrom |
| Genres | Horror |
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Mike Enslin (John Cusack) gave up writing novels a long time back (though it's surprising how many people have good things to say about the first one). Now he churns out bestsellers for the... read more »
A polished Stephen King adaptation from Swedish director Mikael Håfström (Derailed), whose taut psychological... read more on Time Out
I was sure i'd like this film i love Cusack, i love Kings books and i love horror!
Trouble was that this is more of a fantasy film than a horror.
Dont get me wrong it started very well and some of the earlier scenes in the hotel room were very unsettling. Cusack was amazing as always but when the horror turned more to fantasy it was hard to take the film seriously.
It turned from a really creepy horror to a 'Tales of the Unexpected' episode. This is probably not a bad thing for some people but i paid my cash for a horror so was very disapointed.
In the end not scary not original, not Kings best, not Cusack's best and a bit too long. Wait for TV
I've never seen a film quite like 1408. Could be one of the best horror movies ever made. Let me tell you, 1408 is different. John Cusack plays cult writer Mike Enslin, a man who visits supposed haunted spots in order to debunk their reputations in the mildly-successful books he writes. When the room 1408 at the Dolphin Hotel in New York is brought to his attention, research tells him that the death tally in the room is in the double digits.It always feels like Stephen King--if you've ever read him, you know what I'm talking about. There are moments in this film of such mind-gnawing anxiety, such high-adrenaline terror that I had to tell myself, 'Calm down, it's just a movie.' Director Mikael Håfström never takes his audience's intelligence for granted. We're never beaten over the head with the same thing; the film is always headed somewhere new and exciting. The innovative ideas here are just terrific. John Cusack is brilliant as the cynical writer with a tragic past. He's never unbelievable, and he always nails the character down perfectly. There was never a time when I wasn't rooting for Mike Enslin in 1408. There was never a time when I did not want him to get out of the room. Samuel L. Jackson gives a chilling performance as a manager who is intent on not letting Mike enter room 1408. His determination to convince Mike not to enter the room only fuels Mike's determination to enter it. His warnings give us chill bumps but leave enough open so that we still don't know what we're in for. There are, of course, those who will be disappointed by 1408--because when all is said and done, they will find it's not a movie about a freaky hotel room, but rather the man who's trapped in that hotel room and what he finds there.
For me finding a REAL scary movie has been as elusive as the search for El Dorado, that is until the night of the 14th September when I made the fateful decision to go to the cinema and see 1408. What followed was by far one of the most convincing horror films I have seen for a while, the suspense was just right, and without spoiling it, releases for about ten minutes to lull you into a false sense of security so that even you yourself start to wonder what is real and what is not. I read some negative views before hand and being a fan of the original story I was myself a bit sceptical, after all the dire Pet Sematary films did shake my confidence that anyone could bring King to the screen as effectively as Kubrick did in the classic (and still scary) The Shining. It also didnt help my nerves that they were locking the cinema up and I was one of the last ones there! A definite must see if you love Kings true books (not that Dark Tower rubbish, what happened there Stephen?) and have been searching for that horror with the special chill up the spine. See it, if you dare.
John Cusack really has always been stereotyped as a slightly weird intellectual and this is no exception. I'm not adverse to his stereotype as generally his movies are pretty gritty and well acted and this is no exception. Good story, nice twists and Samuel Jackson in reserve..
Well worth a watch!
I watched this at the cinema, and I was extremley scared.. Very good, John Cusack is Brilliant.. One of the weirdest films I have seen in a long time. If you like the Stephen Kings Novels you will absolutley LOVE this..
I was sure i'd like this film i love Cusack, i love Kings books and i love horror!
Trouble was that this is more of a fantasy film than a horror.
Dont get me wrong it started very well and some of the earlier scenes in the hotel room were very unsettling. Cusack was amazing as always but when the horror turned more to fantasy it was hard to take the film seriously.
It turned from a really creepy horror to a 'Tales of the Unexpected' episode. This is probably not a bad thing for some people but i paid my cash for a horror so was very disapointed.
In the end not scary not original, not Kings best, not Cusack's best and a bit too long. Wait for TV
I've never seen a film quite like 1408. Could be one of the best horror movies ever made. Let me tell you, 1408 is different. John Cusack plays cult writer Mike Enslin, a man who visits supposed haunted spots in order to debunk their reputations in the mildly-successful books he writes. When the room 1408 at the Dolphin Hotel in New York is brought to his attention, research tells him that the death tally in the room is in the double digits.It always feels like Stephen King--if you've ever read him, you know what I'm talking about. There are moments in this film of such mind-gnawing anxiety, such high-adrenaline terror that I had to tell myself, 'Calm down, it's just a movie.' Director Mikael Håfström never takes his audience's intelligence for granted. We're never beaten over the head with the same thing; the film is always headed somewhere new and exciting. The innovative ideas here are just terrific. John Cusack is brilliant as the cynical writer with a tragic past. He's never unbelievable, and he always nails the character down perfectly. There was never a time when I wasn't rooting for Mike Enslin in 1408. There was never a time when I did not want him to get out of the room. Samuel L. Jackson gives a chilling performance as a manager who is intent on not letting Mike enter room 1408. His determination to convince Mike not to enter the room only fuels Mike's determination to enter it. His warnings give us chill bumps but leave enough open so that we still don't know what we're in for. There are, of course, those who will be disappointed by 1408--because when all is said and done, they will find it's not a movie about a freaky hotel room, but rather the man who's trapped in that hotel room and what he finds there.
For me finding a REAL scary movie has been as elusive as the search for El Dorado, that is until the night of the 14th September when I made the fateful decision to go to the cinema and see 1408. What followed was by far one of the most convincing horror films I have seen for a while, the suspense was just right, and without spoiling it, releases for about ten minutes to lull you into a false sense of security so that even you yourself start to wonder what is real and what is not. I read some negative views before hand and being a fan of the original story I was myself a bit sceptical, after all the dire Pet Sematary films did shake my confidence that anyone could bring King to the screen as effectively as Kubrick did in the classic (and still scary) The Shining. It also didnt help my nerves that they were locking the cinema up and I was one of the last ones there! A definite must see if you love Kings true books (not that Dark Tower rubbish, what happened there Stephen?) and have been searching for that horror with the special chill up the spine. See it, if you dare.
when will people realise that stephen kings books should stay just that - BOOKS. tranfer to tv or film and they are rubbish
I was told by a friend this was really good.......................I no longer have this friend lol.
Was rubbish, boring and all over the place.
Dont bother, no idea what the people who liked it are on about ???
...1408! This films starts really well. It had my attention immediately. Great build up. Samuel L Jackson is superb, and John Cusack is pretty good too if you like his gormless, bed-wetting acting style. However, after about 25mins the film descends into complete and utter fantasy - and not in a good way.
I don't think for a moment that realism was the intended goal here, but for the love of God, if you're going to make a surreal fantasy sequence (in this case, the last two thirds of the film), at least make it captivating and different. Here you will find derivative, vapid tosh which I am shocked, having read some of the more positive reviews here, that any sane movie-goer would find in the least bit interesting.
I have never written an online review in my life, but having just watched this film I feel I must vent my spleen and hopefully deter any prospective renters from losing 94 mins they will never ever get back again.
Stephen King is hit and miss for me but this is so off the mark that I genuinely feel as if I have just been violently robbed!
A great adaptation of the SK book, with an expected lesson in acting from john cusack and a short but memorable turn from Samuel L. Jackson. I dont need to tell you the story, i will say that it is very scary if a bit predictable for the hardcore scary movie fans out there, a couple of twists that you think will spoil the film actually makes it better. i really enjoyed this and felt it lasted more than an hour. (??)
Mike Enslin (John Cusack) gave up writing novels a long time back (though it's surprising how many people have good things to say about the first one). Now he churns out bestsellers for the... read more »
A polished Stephen King adaptation from Swedish director Mikael Håfström (Derailed), whose taut psychological... read more on Time Out