Staggeringly versatile director Michael Winterbottom follows up his epic Western THE CLAIM with a period piece of a completely different variety. A sprawling, visceral tribute to the legendary Manchester music scene that flourished between the years of 1976 and 1992, 24 HOUR PARTY PEOPLE recreates that influential era with .. Read more
| Starring | Steve Coogan, Keith Allen, Jim Cartwright, Lennie James |
|---|---|
| Director | Michael Winterbottom |
| Run time | 117 mins |
| Genres | Comedy |
loading...
Prolific director Michael Winterbottom is unafraid of mythologising a slice of recent musical/cultural history in this comedy drama, which tells the story of the rise and fall of Manchester's Factory Records and the world-famous Hacienda nightclub. Using TV presenter and Factory impresario Tony Wilson to tell the tale — often directly to camera — is the movie's masterstroke. Wilson, played with relish by Steve Coogan, is in real life a self-publicist of gigantic proportions, so when he compares shambolic Happy Mondays singer Shaun Ryder (an uncanny impersonation by Danny Cunningham) to WB Yeats, you take it with a pinch of salt but buy into it anyway. Unlikely to make sense to anyone who didn't experience the music and mania of the Madchester years — and yet bound to enrage those who were there with its flippant abuse of documentary truth — this is an infectious, well-cast blend of evocative energy, fine vintage music and irreverent humour.
A true story, of drugs and rock, of pop success and business failure, that is treated as low comedy; it will be enjoyed by those who can relate to the music and the brief years when Manchester bands were significant.
As a student in the 1980's I remember the Factory Records phenomena and was a passionate fan (still am) of Joy Division and New Order and this film was 2 hours of nostalgia heaven for me. Everything seemed to blend and work well. The actors (especially Danny Cunningham as Shaun Ryder and John Simm as Bernie Sumner) bore an uncanny resemblence to their characters physically and Steve Coogan has never been better. Move over Alan Partridge and Paul Calf. A special mention must also go to Frank Cottrill Boyce's script for it's authenticity and the ever excellent Robby Muller's photography for it's grimy views of Manchester. I also think Michael Winterbottom has not made a finer film.
Yet it's the music that makes the film.For Brits like myself it's like time travel. For anyone else it's a chance to learn the story behind some of the best music of the 80's and how 'Madchester' became 'Gunchester'. The film doesn't sugarcoat everything. The gang warfare in Manchester was frightening and the film conveys the decline of the Hacienda well. There are no Hollywood happy endings here, no stars. It's often unflinching but is so unmistakably British and so well acted it should and deserves to do well in America. One film everyone must see this year. No film is perfect but this one comes bloody close.
This film tells the story of Factory Records and the Hacienda club through a mixture of documentary-style footage, drama and tongue-in-cheek, post-modern narration to camera by various characters, all the time aware that they can only present a version of events and that things may not have happened the way they seem to on screen.
A brilliant, hilarious, ironic film. Steve Coogan is perfectly cast as Tony Wilson, playing him as visionary and buffoon. One of the funniest and most telling moments is when god appears to him in his own image on the roof.
I loved this film! Contrary to what many other reviewers have said, you do not need to have been there or even have heard of the bands featured - I didn't know much about Joy Division before this film, but I do now! It spent a little too long with the Happy Mondays who aren't quite as interesting as New Order, but otherwise the way the film charts the changing styles of music from punk to dance is fascinating for anyone with an interest in music.
Colin Firth has claimed that he has no objection to being offered father roles, as he finds them more interesting to play than younger characters. He made the comments at the premiere of his latest film Genova, in which he portrays a university lecturer moves to the Italian town with his daughters to try and get over the death of his wife. "I'm a dad, it's about a dad," he said. "I've reached the time of life where father roles are coming my way and they're a hell of a lot more... Read more