Shy, reclusive girl Pinky starts work at a solarium and becomes emotionally attached to her fellow worker... Read more
| Starring | Shelley Duvall, Sissy Spacek, Janice Rule, Robert Fortier |
|---|---|
| Director | Robert Altman |
| Genres | Drama |
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Shy, reclusive girl Pinky starts work at a solarium and becomes emotionally attached to her fellow worker...
| Starring | Shelley Duvall, Sissy Spacek, Janice Rule, Robert Fortier, Ruth Nelson |
|---|---|
| Director | Robert Altman |
| Studio | CINEMA CLUB |
| Run time | DVD: 1 hr 58 mins |
| Certificate | |
| Genres | Drama |
| Language | DVD: English |
| Released | DVD: 26 Jun 2006 Production year: 1977 |
| Format | DVD |
This very personal Robert Altman movie based on a dream is, nevertheless, as enthralling as it is entertaining, with keen insights into feminine psychology. An enigmatic chamberwork, as opposed to the orchestrations of the original MASH or his masterpiece, Nashville, this is about the transference of personality. Shelley Duvall is vapidly splendid as the gossipy therapist into whose flat moves the adoring Sissy Spacek, while tongue-tied Janice Rule is the painter formulating fears of male aggression into mythic murals. This is the kind of allusive spellbinder that only cinema can achieve. Every time I make a movie, it's like jumping off a cliff, Altman says. Be there to pick up the miraculous pieces.
One of Altman's most enigmatic and personal films, this study of three women who exchange personalities (based on a... read more on Time Out
Thrilling, even excruciating performances by both Spacek and Duvall. Not at all a sappy chick-flick, as the title might suggest. But as it's Altman in the diretor's chair, and an early work, it would be a shame not to watch it. It's become permanently fixed on my personal top-ten list.
Of the many bizarre examples of Robert Altman self-indulgence, this must surely be the most obscure example. Seemingly inspired by one of the director's dreams, and performed from an improvised script, it seems to be about the transferrence of personality as the child-like Spacek falls under the spell of her self-deluded co-worker Duvall at an old people's convalescent home in the Californian desert. That it veers off into all sorts of weird directions is a given, just don't expect much of it to make any sense. Still, if you want to see a quintessential Altman movie, this is as good an example as any.
See the entire LOVEFiLM Bergman Collection here Checkmate. Death has finally taken the great Swedish master, Ingmar Bergman, as he always knew it must. No filmmaker wrestled longer and more painfully with the knowledge of his own mortality. His father was a severe Lutheran minister, and a figure who cast a long shadow over Bergman's films, including his premature swansong, Fanny and Alexander (1982), and perhaps his purest masterpiece, Winter Light (1962), a portrait of a pastor who has lost... Read more