Shy, reclusive girl Pinky starts work at a solarium and becomes emotionally attached to her fellow worker... Read more
| Starring | Shelley Duvall, Sissy Spacek, Janice Rule, Robert Fortier |
|---|---|
| Director | Robert Altman |
| Genres | Drama |
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This very personal Robert Altman movie based on a dream is, nevertheless, as enthralling as it is entertaining, with keen insights into feminine psychology. An enigmatic chamberwork, as opposed to the orchestrations of the original MASH or his masterpiece, Nashville, this is about the transference of personality. Shelley Duvall is vapidly splendid as the gossipy therapist into whose flat moves the adoring Sissy Spacek, while tongue-tied Janice Rule is the painter formulating fears of male aggression into mythic murals. This is the kind of allusive spellbinder that only cinema can achieve. Every time I make a movie, it's like jumping off a cliff, Altman says. Be there to pick up the miraculous pieces.
One of Altman's most enigmatic and personal films, this study of three women who exchange personalities (based on a... read more on Time Out
This is one of those great dusty, lowbudget '70's movies that draws you in with their weird atmosphere, ... more
This 'lesser' Altman film is a dreamy meander through a vague, almost slow-mo narrative. Despite sparce dialogue and loose plot, I found it hard to stop... more
This is one of those great dusty, lowbudget '70's movies that draws you in with their weird atmosphere, ... more
This movie appears to have no plot - apparently Altman himself is not sure what the end was about. Still, visually striking and highly watchable.
If this film was released as a new film today, with say Scarlett Johansson and directed by Richard Linklater the critics would be climbing all over theirselves ... more
It's almost 20 years since I saw this film which is quite hard to find (beware an Israeli film of the same name). Robert Altman is a stinking genius and ... more
This very personal Robert Altman movie based on a dream is, nevertheless, as enthralling as it is entertaining, with keen insights into feminine psychology. An enigmatic chamberwork, as opposed to the orchestrations of the original MASH or his masterpiece, Nashville, this is about the transference of personality. Shelley Duvall is vapidly splendid as the gossipy therapist into whose flat moves the adoring Sissy Spacek, while tongue-tied Janice Rule is the painter formulating fears of male aggression into mythic murals. This is the kind of allusive spellbinder that only cinema can achieve. Every time I make a movie, it's like jumping off a cliff, Altman says. Be there to pick up the miraculous pieces.
One of Altman's most enigmatic and personal films, this study of three women who exchange personalities (based on a... read more on Time Out