Based on the popular Broadway show, CHORUS LINE is the story of a group of young dancers auditioning for a part in the program. The film, starring Michael Douglas, includes such song hits as "What I Did for Love;" "Dance 10, Looks 3;" and "Surprise, Surprise." Read more
| Starring | Michael Douglas, Audrey Landers, Vicki Frederick, Terrence Mann |
|---|---|
| Director | Richard Attenborough |
| Genres | Music/Musical |
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Based on the popular Broadway show, CHORUS LINE is the story of a group of young dancers auditioning for a part in the program. The film, starring Michael Douglas, includes such song hits as "What I Did for Love;" "Dance 10, Looks 3;" and "Surprise, Surprise."
| Starring | Michael Douglas, Audrey Landers, Vicki Frederick, Terrence Mann, Janet Jones, Alyson Reed |
|---|---|
| Director | Richard Attenborough |
| Studio | MOMENTUM PICTURES |
| Run time | DVD: 1 hr 52 mins |
| Certificate | |
| Genres | Music/Musical |
| Language | DVD: English |
| Released | DVD: 20 May 2002 Production year: 1985 |
| Format | DVD |
The highly successful Broadway show on which this is based was so relentlessly theatrical in all senses — the auditions that comprise the narrative took place on the stage itself, with the director located at the back of the stalls — that it was generally considered impossible, and certainly imprudent, to film. In fact, numerous directors, including the show's brilliant originator Michael Bennett, failed to find a way to transfer its dynamic intensity to the big screen. Richard Attenborough had already succeeded with a similar work, Oh! What a Lovely War, creating a truly cinematic musical from a resolutely theatrical piece. Unfortunately, A Chorus Line resisted him. The strength of the show remains, but, by incorporating flashbacks and, crucially, substituting songs and choreography, the original is undermined, not enhanced. Nevertheless, since this is effectively a record of one of the greatest works of musical theatre, there is much of merit, especially Alyson Reed, who's touching as key dancer Cassie, and ex-Dallas regular Audrey Landers, who does well by one of the great show stoppers. Particularly noteworthy, too, is the talented contribution of British editor John Bloom, while Michael Douglas puts in a sharp performance as the show's producer.
Overpraised musical drama which took nine years to reach the screen because nobody could figure out how to 'open it up', despite Universal's payment of 5.5 million dollars for the rights. The present team has not solved the problem.
'A Chorus Line' is, surprisingly, a film I come back to more frequently than any other. I don't think it's the greatest film out there, but I touch base with it for several reasons. I do love the song-and-dance numbers, including 'Tits and Ass', 'She's the One', and 'I Can Do That'. Maybe this last song is the clue to the film's appeal for me: the idea that even the members of a show's chorus can do extraordinary things, that their ordinary human spirit is 'special'. This movie cheers me up.
'A Chorus Line' is, surprisingly, a film I come back to more frequently than any other. I don't think it's the greatest film out there, but I touch base with it for several reasons. I do love the song-and-dance numbers, including 'Tits and Ass', 'She's the One', and 'I Can Do That'. Maybe this last song is the clue to the film's appeal for me: the idea that even the members of a show's chorus can do extraordinary things, that their ordinary human spirit is 'special'. This movie cheers me up.
It may take a swallow to make a summer, but the season is never complete without a turkey or two. This year that would be Land of the Lost, a big screen adventure based on a tacky but unpretentious Saturday morning TV show that probably cost about six bucks to make back in the 1970s. Today, of course, Hollywood realises the true value of dinosaurs, time travel, aliens, and cheesy special effects: the producers invested $100 million to get it just so. And US box office has flatlined at less... Read more