The always elliptical Peter Greenaway once again creates a beautiful film-as-puzzle. This tale concerns twin zoologist brothers whose wives are killed in a freak car crash involving a rare swan. The brothers form an unusual and strangely close relationship with Alba, the woman who was driving the car, now an amputee. .. Read more
| Starring | Andrea Ferreol, Joss Ackland, Brian Deacon, Eric Deacon |
|---|---|
| Director | Peter Greenaway |
| Genres | Drama |
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The always elliptical Peter Greenaway once again creates a beautiful film-as-puzzle. This tale concerns twin zoologist brothers whose wives are killed in a freak car crash involving a rare swan. The brothers form an unusual and strangely close relationship with Alba, the woman who was driving the car, now an amputee. Preoccupied with death and decomposition, the brothers organise elaborate studies on the decomposition of animals, making time-lapse films of dalmatians and zebras to chart the decay. Cue the scurrying hoards of snails and Michael Nyman's thrilling frenetic score. When Alba herself dies, the twins decide to join her in death, and set about filming their own decaying human bodies. Greenaway's fascination with the Dutch painter Vermeer, is evident in A ZED & TWO NOUGHTS, particularly in the lighting.
David Cronenberg made his own version of the story in 1988 as DEAD RINGERS with Jeremy Irons playing the twins.
| Starring | Andrea Ferreol, Joss Ackland, Brian Deacon, Eric Deacon, Jim Davidson, Geoffrey Palmer, Frances Barber |
|---|---|
| Director | Peter Greenaway |
| Studio | BFI VIDEO |
| Run time | DVD: 1 hr 52 mins Watch now: 1 hr 52 mins |
| Certificate | DVD: |
| Genres | Drama |
| Language | DVD: English Watch Online: English |
| Subtitles | DVD: Dutch, French |
| Released | DVD: 23 Feb 2004 Watch now: 10 Jul 2009 Production year: 1985 |
| Watch now | Subscribe and watch this as part of an unlimited package. |
| Format | DVD |
British director Peter Greenaway is one of those cinematic luminaries who provoke extreme reactions in people. Some fervently regard his highly stylised, elliptical films as works of deep and majestic genius while others think Greenaway is a classic case of the Emperor's New Celluloid Clothes. A Zed and Two Noughts is a perfect example of the latter. Concerned with the behaviour of two zoologist brothers after the bizarre demise of their wives, it looks wonderful, hints at hidden, even subterranean depths, but is so painfully slow and visually driven that this is merely a painting on a cinema screen.
A car accident caused by a swan outside Rotterdam Zoo leaves ex-Siamese twin brothers (Brian and Eric Deacon, the two... read more on Time Out
Peter Greenaway is arty. Painfully so. However he readily admits that this film is 'self-conscious', 'manufactured' and he says that all cinema is probably as 'artificial' a form as you can get.
This film is beautiful to look at. Greenaway was inspired, visually, by paintings of the mid 17th century, particularly those of Vermeer. Almost every shot is composed like a painting. Many of the shots are symmetrical, walls are filmed flat so that the horizontal lines are parallel with the top and bottom of the frame. Objects are placed on tables as if subjects for a still life. Lighting is used in an alternation of light, shade,light,shade receding to the back of the picture, which is a signature of the type of 17th century, Western art that Greenaway is paying homage to.
The substance of the film follows weighty themes, all of which are explained in great detail through the director's commentary: evolution, light and twinship.
What is lacking is emotion. This is a cerebral film. Your emotional reaction to it will be through the imagery, be it beautiful or repulsive. You will not engage with the characters on an emotional level. You'll find them hard to relate to. The performances are stilted and amateur theatrical. It is fortunate, then, that Michael Nyman provides a fantastic score (present on almost every scene and almost outstaying its welcome) which prevents the dialogue (the script leaves a lot to be desired too) rendering everything flat.
Rent this if you enjoy visuals for their own sake, if you wear spectacles and if you like holding your chin in your hand and frowning. I qualify on all those points, so I enjoyed it a great deal.
Extra points for an extraordinarily thorough director's commentary which serves to pull out all the hidden depths. Though one could make the point that an explanation that adds so much extra understanding leaves you feeling that the film failed adequately to convey much of what was intended.
Easter eggs (worth seeing):
http://www.dvd.net.au/hidden.cgi?movie_id=10484
[4 stars out of 5]
bodnotbod
A peculiar mix of excellent music & the strange study of life and decay. The characters seem to fall apart as the film moves on, much as the shots of decaying flora and fauna do.