A.I. - Artificial Intelligence
A.I. ARTIFICIAL INTELLIGENCE is the story of David (Haley Joel Osment), the first mecha (a futuristic term for a mechanized human being) designed with the ability to love. A couple whose son is in a coma "adopts" David to help them recover from their loss. Naturally, things do not go as planned, and David is forced to leave the mother (Frances O'Connor) he's been "imprinted" to love, and make his way in the world. Traveling with Teddy, a hi-tech stuffed bear, David escapes the Flesh Fair, where angry humans destroy mechas to "purge artificiality," and unexpectedly befriends Gigolo Joe (Jude Law in a wry performance), a robot designed to pleasure women. Joe agrees to help David in his quest to become human.
Director Stanley Kubrick originally developed A.I., at one point asking Spielberg to direct it. When Kubrick passed away, Spielberg took the reins. Using a treatment and thousands of drawings commissioned by Kubrick, Spielberg wrote his own screenplay (his first since 1979's CLOSE ENCOUNTERS OF THE THIRD KIND). Osment, perhaps the only pre-teen actor who can effectively convey existential angst, gives a marvelous performance, helping Spielberg create a gorgeous futuristic fairy tale that questions the very nature of what we call life.
A.I. - Artificial Intelligence
(2001)
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Critic's review of A.I. - Artificial Intelligence
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Overlong, often spectacular, but fuzzy updating of the story of Pinocchio. Beneath its surface gloss, and sentimental whimsy, there is a darker theme of the end of humankind: the narrative equates love with biological imprinting and prefers mechanical fa
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31440
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- Halliwell's Film Guide
- 02 Mar 2006 at 15:42
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Most helpful member's review of A.I. - Artificial Intelligence
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A.I. comes under one of those films that you will either love or hate and I will explain in a moment. For me I enjoyed this film with good characters and ...
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[Highly rated reviewer]
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Most recent members' reviews of A.I. - Artificial Intelligence
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A fairly tale, beautifully acted, elaborately presented and shot with panache, this is a movie which deserves to be thought about. It is too easy to dismiss ...
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1111453
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I love this film. It is AMAZING. I can't begin to say how intelligent and how deep this film goes. I've seen it before but had forgotten what a ...
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1111276
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- Em1981
- 108 reviews
- London
- 15 Apr 2012 at 12:56
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I loved this film. The main character is a robot and to begin with i was freaked out by how much of a robot he was. However by the end he was more human than id...
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1106024
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- Stuart86
- 11 reviews
- 27 Mar 2012 at 08:52
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Steven Spielberg's Great Escapes
"It's all about escapism." Steven Spielberg, discussing his trade, November 2011 In his 1982 documentary Room 666, Wim Wenders set up a camera in a hotel room in Cannes and invited his colleagues to come in, sit down and talk to the (unmanned) camera for five minutes about the future of cinema. There was no interviewer, no other prompt – it was entirely up to the filmmakers to speak their piece. Godard talked (brilliantly) about television and digital. Herzog took off his shoes and...
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