A.I. ARTIFICIAL INTELLIGENCE is the story of David (Haley Joel Osment), the first mecha (a futuristic term for a mechanized human being) designed with the ability to love. A couple whose son is in a coma "adopts" David to help them recover from their loss. Naturally, things do not go as planned, and David is forced to leave the .. Read more
| Starring | Haley Joel Osment, Frances O'Connor, Sam Robards, Jake Thomas |
|---|---|
| Director | Steven Spielberg |
| Genres | Sci-Fi/Fantasy |
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A.I. ARTIFICIAL INTELLIGENCE is the story of David (Haley Joel Osment), the first mecha (a futuristic term for a mechanized human being) designed with the ability to love. A couple whose son is in a coma "adopts" David to help them recover from their loss. Naturally, things do not go as planned, and David is forced to leave the mother (Frances O'Connor) he's been "imprinted" to love, and make his way in the world. Traveling with Teddy, a hi-tech stuffed bear, David escapes the Flesh Fair, where angry humans destroy mechas to "purge artificiality," and unexpectedly befriends Gigolo Joe (Jude Law in a wry performance), a robot designed to pleasure women. Joe agrees to help David in his quest to become human.
Director Stanley Kubrick originally developed A.I., at one point asking Spielberg to direct it. When Kubrick passed away, Spielberg took the reins. Using a treatment and thousands of drawings commissioned by Kubrick, Spielberg wrote his own screenplay (his first since 1979's CLOSE ENCOUNTERS OF THE THIRD KIND). Osment, perhaps the only pre-teen actor who can effectively convey existential angst, gives a marvelous performance, helping Spielberg create a gorgeous futuristic fairy tale that questions the very nature of what we call life.
| Starring | Haley Joel Osment, Frances O'Connor, Sam Robards, Jake Thomas, Jude Law, William Hurt |
|---|---|
| Director | Steven Spielberg |
| Studio | WARNER HOME VIDEO |
| Run time | DVD: 2 hrs 25 mins |
| Certificate | |
| Genres | Sci-Fi/Fantasy |
| Language | DVD: English |
| Released | DVD: 18 Mar 2002 Production year: 2001 |
| Format | DVD |
Steven Spielberg takes the story of Pinocchio, gives it a daring twist and decks it out with terrific special effects in this ambitious, dark-toned fable for the new millennium. Haley Joel Osment (The Sixth Sense) plays an android child, programmed to love and allocated to a couple whose own critically ill son has been cryogenically frozen. When the real son recovers, the robot boy is left to fend for himself in a brutal world that doesn't want him. In a difficult role, Osment proves once again what a fine young actor he is, while Jude Law gives a showy performance as his guide-cum-protector in the dangerous land of mechanised outcasts. The Brian W Aldiss story on which the film is based caught Stanley Kubrick's imagination more than 20 years ago, yet even before his death he had commented that Spielberg would be the ideal director for the project. There's a nod to Spielbergian cuteness in the shape of a talking teddy bear who accompanies the robot, but this is no feel-good romp in the ET vein — it is one of the director's bleakest works and Osment's desperate quest to become a real boy and win back the love of his human mother is a disturbing one.
Overlong, often spectacular, but fuzzy updating of the story of Pinocchio. Beneath its surface gloss, and sentimental whimsy, there is a darker theme of the end of humankind: the narrative equates love with biological imprinting and prefers mechanical fa
A.I. comes under one of those films that you will either love or hate and I will explain in a moment. For me I enjoyed this film with good characters and equally good acting. The script is very well put together and Speilberg does (as usual) a good job of telling the story. John Williams provides the score and as you would expect is up to his usual standard. Although the film is maybe half an hour to long it doesnt lose its way and will keep you gripped. Now the ending is why I say this film may be a hit or miss with you. It does take a dramatic turn and goes in a direction that you will not expect. It does work but some may think this was a step too far. On the whole a good solid film and worthy of a try.
After 40 minutes of scene setting and character development I really care about the relationship between a couple and David, a robotic child designed to replace their cryogenically frozen son. When the real son recovers David's role is under question. Can the mother continue to develop real feelings for the creation that substituted for her child? Will David be allowed to develop and make mistakes if those around him are at risk? After a near drowning incident, David is dumped in the wilderness by his mother and the film as we are experiencing it is put on hold.
Cue music video city of the future where David meets a pleasure droid, visits a carnival where robots are executed, begins a quest to find the blue fairy
One moment Im watching a smart, sensitive and incredibly detailed and stylish film, the next were in the middle of some bizarre Mad Max Thunder Dome, Blade Runner, Wizard of OZ, Pinocchio collage. Where did the movie I was enjoying go?
The story progresses and David finds his creator in a post apocalyptic underwater Manhattan. The mood, light and tone are reminiscent of the opening scenes. Its dark, puzzling, exciting and Im starting to care about Davids fate again. Hey, were back in the original movie! From here on parts are mesmerising, ideas challenge, confuse and move me
if only we could get them to stylistically link the beginning to the end!
Currently ranked at number 19 in the Internet Movie Database list of the top 250 films ever made, WALL-E arrives on our shores riding a wave of rave reviews and box office success. No mean accomplishment for a movie about a trash compactor. WALL-E can’t even talk, though he does manage an ingratiating burble and squeak. The latest from Pixar has been in development for a long time, as far back as the first Toy Story (which writer-director Andrew Stanton has a script credit on). Even for... Read more
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