Action, adventure and romance are the key elements in this story of an ex-football player hired to find the erstwhile lover of a powerful man. The quest takes him to the jungles of Mexico where he not only finds the woman and falls in love with her, but becomes involved in murder.... Read more
| Starring | Jeff Bridges, Rachel Ward, James Woods, Richard Widmark |
|---|---|
| Director | Taylor Hackford |
| Genres | Action/Adventure, Thriller |
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Action, adventure and romance are the key elements in this story of an ex-football player hired to find the erstwhile lover of a powerful man. The quest takes him to the jungles of Mexico where he not only finds the woman and falls in love with her, but becomes involved in murder....
| Starring | Jeff Bridges, Rachel Ward, James Woods, Richard Widmark, Alex Karras, Jane Greer, Dorian Harewood |
|---|---|
| Director | Taylor Hackford |
| Studio | UCA |
| Run time | DVD: 1 hr 56 mins |
| Certificate | |
| Genres | Action/Adventure, Thriller |
| Language | DVD: English |
| Dubbed | French, German, Italian, Spanish |
| Subtitles | DVD: Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hindi, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish |
| Released | DVD: 13 Oct 2003 Production year: 1983 |
| Format | DVD |
A terrific heist movie, grimly told and well performed, with a tough racist subtext that makes for compulsive viewing. Executive produced by Harry Belafonte and directed by master craftsman Robert Wise, it benefits from a high-octane cast headed by Belafonte himself, with Robert Ryan as the bigoted ex-con at his throat. There's also fine nervy back-up from Shelley Winters as Ryan's wife, Gloria Grahame as his mistress and Ed Begley as the disgraced ex-cop who has the idea for the robbery. While the cast vividly brings William P McGivern's dime novel to life, it is the edgy score by Modern Jazz Quartet pianist John Lewis and the editing of Dede Allen, who would later work on The Hustler and Bonnie and Clyde, that make the movie memorable. Interesting, too, that Ryan, a real-life liberal, is largely recalled today for his roles as a bigot in both this movie and in Crossfire.
This places itself in much the same category as Jim McBride's Breathless - a glossy remake of an old and much loved... read more on Time Out
Story - Jeff Bridges is hired to find James Woods ex-girlfriend Rachel Ward, and they fall in love = trouble. Big whoop. Dull is the word that describes this modern film noir. Oh so very, very dull. Strange really, its got lots of plot twists, a most amazingly ripped Jeff Bridges and some nice Mexican locations. But its soooo boring. Ward is very stiff and gives the men absolutely no motivation for being in love with her - other than the fact she's beautiful, obviously. Plus, Woods has a weird and distracting Mr Spock-style haircut and a 1920's bathing costume! I didn't know what was going on with that, but it was very wrong and I didn't like it. To summarise, I think the moment that will stay in my memory is the incongruous featured performance by Kid Creole & the Coconuts, whose backing singers sport some truly startling underarm hair. This is not the main reason it stays in my memory though. You see, as I was sitting there thinking 'What the hell is 'camp as Christmas' Kid Creole doing in a modern film noir?!' the director cut to Jeff Bridges face as he was watching the performance. From the superb look on his face of bewildered disgust, I can only assume he felt the same way I did.
Story - Jeff Bridges is hired to find James Woods ex-girlfriend Rachel Ward, and they fall in love = trouble. Big whoop. Dull is the word that describes this modern film noir. Oh so very, very dull. Strange really, its got lots of plot twists, a most amazingly ripped Jeff Bridges and some nice Mexican locations. But its soooo boring. Ward is very stiff and gives the men absolutely no motivation for being in love with her - other than the fact she's beautiful, obviously. Plus, Woods has a weird and distracting Mr Spock-style haircut and a 1920's bathing costume! I didn't know what was going on with that, but it was very wrong and I didn't like it. To summarise, I think the moment that will stay in my memory is the incongruous featured performance by Kid Creole & the Coconuts, whose backing singers sport some truly startling underarm hair. This is not the main reason it stays in my memory though. You see, as I was sitting there thinking 'What the hell is 'camp as Christmas' Kid Creole doing in a modern film noir?!' the director cut to Jeff Bridges face as he was watching the performance. From the superb look on his face of bewildered disgust, I can only assume he felt the same way I did.