A Japanese legend... Living dolls in a peach orchard... A deadly snow fairy... A haunted war survivor... Van Gogh painting crows... A terrifying nuclear disaster... Miserly ogres... And the village of the watermills... Eight visions of breathtaking beauty. Eight powerful moments revealing human nature. Read more
| Starring | Akira Terao, Mitsuko Baisho, Toshie Negishi, Mieko Harada |
|---|---|
| Director | Akira Kurosawa |
| Genres | World Cinema |
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This is one of the Japanese master's weakest films, despite (or, as some might say, because of) the presence of several Hollywood luminaries. Though still demonstrating the stylistic versatility and genius for composition that characterises his previous works, the 80-year-old Kurosawa here reveals a regrettable tendency towards self-indulgence and political naivety. Although his environmentalism is heart-felt, the messages contained in the eight vignettes that make up the film are muddled and often pompously expressed. There is great beauty to be found, however, notably in the vibrant colours of the Crows segment (featuring Martin Scorsese as Vincent van Gogh) and in the haunting tune accompanying the funeral procession during the concluding Village of the Watermills.
Depicting, rather indulgently, a number of dreams vaguely intended to reflect Kurosawa's life and abiding obsessions,... read more on Time Out
This is one of the finest of all Kurosawa's films.
If you like dreams;you'll love 'Dreams'!
The film is pure beautiful art.
While watching this you'll either think you're asleep having the best (& worst)
of dreams or you're having a very strange day dream.
Top stuff.
This is one of the finest of all Kurosawa's films.
If you like dreams;you'll love 'Dreams'!
The film is pure beautiful art.
While watching this you'll either think you're asleep having the best (& worst)
of dreams or you're having a very strange day dream.
Top stuff.
This is one of the Japanese master's weakest films, despite (or, as some might say, because of) the presence of several Hollywood luminaries. Though still demonstrating the stylistic versatility and genius for composition that characterises his previous works, the 80-year-old Kurosawa here reveals a regrettable tendency towards self-indulgence and political naivety. Although his environmentalism is heart-felt, the messages contained in the eight vignettes that make up the film are muddled and often pompously expressed. There is great beauty to be found, however, notably in the vibrant colours of the Crows segment (featuring Martin Scorsese as Vincent van Gogh) and in the haunting tune accompanying the funeral procession during the concluding Village of the Watermills.
Depicting, rather indulgently, a number of dreams vaguely intended to reflect Kurosawa's life and abiding obsessions,... read more on Time Out