Writer-director Cameron Crowe brings the 1970s music scene to life with his semiautobiographical story of a teen journalist who goes on the road with a rock band. Uncool 15-year-old William Miller (Patrick Fugit) is living every teenager's dream. He's touring with Stillwater, an up-and-coming rock band featuring lead singer .. Read more
| Starring | Billy Crudup, Kate Hudson, Frances McDormand, Jason Lee |
|---|---|
| Director | Cameron Crowe |
| Genres | Drama |
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Writer-director Cameron Crowe brings the 1970s music scene to life with his semiautobiographical story of a teen journalist who goes on the road with a rock band. Uncool 15-year-old William Miller (Patrick Fugit) is living every teenager's dream. He's touring with Stillwater, an up-and-coming rock band featuring lead singer Jeff Bebe (Jason Lee) and charismatic lead guitarist Russell Hammond (Billy Crudup) and writing about it for Rolling Stone magazine, whose editors are unaware of his young age. Though Miller's mentor, legendary rock critic Lester Bangs--portrayed with humor and heart by Philip Seymour Hoffman--cautions him not to befriend the musicians, Miller takes it a step further and befriends both the band and the Band-Aids--the girls who hang around with the band because they love the music. Newcomer Fugit is the perfect William Miller: baby-faced, slightly gawky, and an awestruck observer. Kate Hudson sparkles as Penny Lane, the leader of the Band-Aids, and Frances McDormand delivers a stellar performance as Elaine, Miller's protective and mildly paranoid mother. In the tradition of SAY ANYTHING and JERRY MAGUIRE, Crowe's coming-of-age tale is intelligent, well written, and infused with humor in unlikely places.
| Starring | Billy Crudup, Kate Hudson, Frances McDormand, Jason Lee, Noah Taylor, Fairuza Balk, Philip Seymour Hoffman |
|---|---|
| Director | Cameron Crowe |
| Studio | COLUMBIA TRI-STAR HOME VIDEO |
| Run time | DVD: 1 hr 58 mins Blu-ray: 1 hr 58 mins |
| Certificate | |
| Genres | Drama |
| Language | DVD: English Blu-ray: English |
| Dubbed | Spanish |
| Subtitles | DVD: English, Spanish, Portuguese |
| Released | DVD: 10 Sep 2001 Blu-ray: 11 Feb 2008 Production year: 2000 |
| Format | DVD |
Writer/director Cameron Crowe followed up his acclaimed Jerry Maguire with this funny and touching coming-of-age movie, based on his own experiences as a teenage rock journalist in the early 1970s. Fifteen-year-old William Miller (Patrick Fugit) escapes from the clutches of his delightfully overprotective mother (Frances McDormand) when he's hired to write about rock band Stillwater for Rolling Stone magazine. Joining the group on tour, William struggles to meet his looming deadline as he's sucked into a chaotic world of parties, drugs and clashing egos, falling under the spell of self-styled band aid Penny Lane (Kate Hudson) and lead guitarist Russell Hammond (Billy Crudup). The haircuts are typically awful, the soundtrack is peppered with great songs from the period and Philip Seymour Hoffman contributes a telling cameo as William's mentor, real-life hack Lester Bangs. It loses its way slightly towards the end, but this is still an entertaining and affectionate evocation of growing up in an era before rock 'n' roll was hijacked by marketing men.
"...[Patrick Fugit] is remarkable in his first film role....Ms. Hudson and Mr. Crudup inhabit their roles with such mellow ease that the film opens up around them....In addition to Ms. McDormand and Mr. Hoffman, [Jason Lee and Fairuza Balk] are especially memorable..."
Totally enjoyable movie about a young under-age journalist with the Mother-from-Hell, who somehow becomes part of the 1973 Stillwater Tour on his first assignment for Rolling Stone magazine where he befriends the Queen of the Groupies - Kate Hudson - and portrays wisdom and insight far beyond his years ... Very watchable. Very seventies. Highly recommended.
While far from the worst movie in the world, this decidedly predictable story of a young boy in a world of rock and roll lacks the charm, wit or intelligence to make you care about anyone or anything depicted.
It comes across as a mindless paean to a narrowly defined notion of "cool". However, it doesn't even achieve this convincingly. If people think they are cool, that's fine by me eventhough I am not interested in the slightest. But don't make a "cool" movie that looks so dorky.