An opportunistic Russian businessman tries to pass a mysterious impostor as the Grand Duchess Anastasia. But she is so convincing in her performance that even the biggest skeptics believe her Read more
| Starring | Ingrid Bergman, Yul Brynner, Helen Hayes, Akim Tamiroff |
|---|---|
| Director | Anatole Litvak |
| Genres | Drama |
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An opportunistic Russian businessman tries to pass a mysterious impostor as the Grand Duchess Anastasia. But she is so convincing in her performance that even the biggest skeptics believe her
| Starring | Ingrid Bergman, Yul Brynner, Helen Hayes, Akim Tamiroff, Martita Hunt, Felix Aylmer |
|---|---|
| Director | Anatole Litvak |
| Studio | 20TH CENTURY FOX HOME ENTERTAINMENT |
| Certificate | |
| Genres | Drama |
| Language | DVD: English |
| Dubbed | French, German, Italian, Spanish |
| Hearing-impaired | English, German |
| Released | DVD: 02 Jun 2003 Production year: 1958 |
| Format | DVD |
Ingrid Bergman gives an exceptional, Oscar-winning performance in this gripping tale of a refugee passed off as the Romanov Grand Duchess by cunning Yul Brynner. A clever, insightful script puts flesh on the bones of an already intriguing mystery, but it is Bergman who makes this one a minor classic. She portrays vulnerability and dignity in equal measure with a rare screen intelligence, and Helen Hayes is also very fine as Anastasia's grandmother.
Slick, highly theatrical entertainment for the upper classes; it dazzles and satisfies without throwing any light on history. The film marked Bergman's Hollywood comeback after some years in Europe under a cloud for her 'immoral' behaviour.
Anastasia.
Five stars. This film was highly watchable, very enjoyable, and left me with a collection of different feelings, most of which were pleasant. Although it was based on a stage play the film was not caged by simple sets and ranged widely with indoor and outdoor scenes. The settings were very well chosen and the furnishings and extras fitted the time exactly. Acting was of a very high quality throughout ? Ingrid Bergmann (Anastasia) especially, but also Yul Brynner and Helen Hayes (Dowager Empress). Bergmann changed completely believably from fright and total uncertainty to aristocratic poise , and back again. But in addition to the performances and the surroundings there were constant echoes and whispers of ideas which filled out the basic story: the middle class refugees hoped for return to the good old days in Petersburg, the Dowager Empress lived in the past but knew it had all gone. Millions in the Bank of England vaults gave hope of extending the fantasy life of old Russia, but the attractions of a real life for two people overcame that temptation. Of course it was all based just on a rumour, but the film provides a very satisfying account which dissolves into thin air without leaving a sense of anti-climax or disappointment.
RR Cirencester