Woody Allen cowrote, directed, and stars in this award-winning film as a kvetchy Brooklyn comedian wistfully recalling his bygone relationship with flighty, adorable, and irrepressibly midwestern (read: not Jewish) Annie Hall. The film marked a transition from Allen's earlier absurdist comedies to a richer vein of thoughtful .. Read more
| Starring | Woody Allen, Diane Keaton, Tony Roberts, Carol Kane |
|---|---|
| Director | Woody Allen |
| Genres | Comedy, Romance |
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Although Woody Allen had still to acquire great technical strength as a film-maker, this was the movie where he found his own singular voice, a voice that echoes across events with a mixture of exuberance and introspection. Peppered with hilarious, snappy insights into the meaning of life, love, psychiatry, ambition, art and New York, this comic delight also gains considerably from the spirited playing of Diane Keaton as the kooky innocent from the Midwest, and Woody himself as the fumbling New York neurotic. The narrative runs parallel to the real-life relationship between the two leads (Keaton's father's name was Hall), and the film scooped four Oscars, including best film and screenplay (co-written with Marshall Brickman) for Allen, and best actress for Keaton.
Semi-serious collage of jokes and bits of technique, some of the former very funny and some of the latter very successful. For no very good reason it hit the box-office spot and turned its creator, of whom it is very typical, from a minority performer to
These were the days when Allen was still a comedian who happened to make films, rather than the comic film-maker he... read more on Time Out
For anyone who's ever hated himself, and wondered why ... watch Annie Hall.
Let's face it, regardless of flaws and inconsistencies, it's worth watching pretty much any Woody Allen movie just for the few classic one-liners that are bound to be in there. With Woody playing basically himself here, he delves into past loves, metaphysics and lobsters with more of those classic lines than you can shake a stick at.
Although I think generally Woody is infinitely more talented as a stand-up comedian than as a filmmaker, I admit that I do have something of a soft spot for 'Annie Hall'. Mostly it's just the sheer simplicity of the storyline that just allows Woody to go ahead and revel in his trademark self-deprecative, depressive humour -- constantly self-referencing, coming out with witty remarks and amusing sketches as only he can. Also, it's just so INVENTIVE. You get a real sense of a director who is simply improvising, almost like watching Woody himself on stage in front of a live audience. It's a quality that very few of his movies I've seen have possessed, and that's why I think this is easily his best work.
Was disappointed by this film it drags and doesn't ever quite seem to get to the point.
I would not recommend this unless you are a Woody Allen fan.
Up until this, I had only ever seen Woody Allen films that I was disappointed with, films that were almost funny, almost touching, but definitely missing something. Annie Hall completes the picture for me, I now understand why Allen is so well regarded, and why each new film breeds the anticipation that this could be his comeback to form, his comeback to Annie Hall.
The film is very amusing, very human and very easy to identify with. I challenge anyone not to think this film is really about them. It has become one of my favourite films.
A great experience to watch Woody explain all the thoughts and emotions, brilliant when he turns to camera and talks directly to you. Funny and extremely satisfying. Felt good!
Boring self-indulgent pants. Autobiographical for Woody Allen, dull for the rest of us. Mainly an excuse for him to talk to camera about himself. I can't think of anything to commend it.
For anyone who's ever hated himself, and wondered why ... watch Annie Hall.
Let's face it, regardless of flaws and inconsistencies, it's worth watching pretty much any Woody Allen movie just for the few classic one-liners that are bound to be in there. With Woody playing basically himself here, he delves into past loves, metaphysics and lobsters with more of those classic lines than you can shake a stick at.
Although I think generally Woody is infinitely more talented as a stand-up comedian than as a filmmaker, I admit that I do have something of a soft spot for 'Annie Hall'. Mostly it's just the sheer simplicity of the storyline that just allows Woody to go ahead and revel in his trademark self-deprecative, depressive humour -- constantly self-referencing, coming out with witty remarks and amusing sketches as only he can. Also, it's just so INVENTIVE. You get a real sense of a director who is simply improvising, almost like watching Woody himself on stage in front of a live audience. It's a quality that very few of his movies I've seen have possessed, and that's why I think this is easily his best work.
Was disappointed by this film it drags and doesn't ever quite seem to get to the point.
I would not recommend this unless you are a Woody Allen fan.
Up until this, I had only ever seen Woody Allen films that I was disappointed with, films that were almost funny, almost touching, but definitely missing something. Annie Hall completes the picture for me, I now understand why Allen is so well regarded, and why each new film breeds the anticipation that this could be his comeback to form, his comeback to Annie Hall.
The film is very amusing, very human and very easy to identify with. I challenge anyone not to think this film is really about them. It has become one of my favourite films.
Woody Allen is someone I've heard of but never seen. Curiosity made me select this film, but I couldn't stand more than the first fifteen minutes or so.
I don't know if Woody Allen himself is a thoroughly irritating person, but the subject of the film certainly was. There are plenty of people like him in real life to be actively avoided, why torture myself by watching him on a film.
No thanks.
Annie Hall is a must see movie for anyone who likes one liners and politically incorrect humor. Woody Allen does an excellent job in this film without coming across in a hateful manner. We need more of these types of films.
A great one line quote "I would not want to join any organisation that had me as a member" Brilliant!!!
We just did not like the style of this movie - talking to camera. Sorry
Woody Allen does what Woody Allen does, self obsession, intense dull periods, repeated lines that track from film to film. One to miss
Clearly a forgotten classic. Too many quotable scenes and lines to mention! And Paul Simon is in it. And Jeff Goldblum too, albeit briefly.
I rented this movie because it was listed in one of the 'must-watch' movie for all movie enthusiasts. There are some interesting parts but most of it just didn't get me, I kept on going to the kitchen without even bother pausing my dvd player. It probably was a hit during that era (70s), because not many movies are made that way. Watch it if you want to see the retro fashin and homes. ;P
I have been meaning to see this for years. What a great film - the comedy felt very fresh and there are great performances from Woody Allen and Diane Keaton. Recommended.
Although Woody Allen had still to acquire great technical strength as a film-maker, this was the movie where he found his own singular voice, a voice that echoes across events with a mixture of exuberance and introspection. Peppered with hilarious, snappy insights into the meaning of life, love, psychiatry, ambition, art and New York, this comic delight also gains considerably from the spirited playing of Diane Keaton as the kooky innocent from the Midwest, and Woody himself as the fumbling New York neurotic. The narrative runs parallel to the real-life relationship between the two leads (Keaton's father's name was Hall), and the film scooped four Oscars, including best film and screenplay (co-written with Marshall Brickman) for Allen, and best actress for Keaton.
Semi-serious collage of jokes and bits of technique, some of the former very funny and some of the latter very successful. For no very good reason it hit the box-office spot and turned its creator, of whom it is very typical, from a minority performer to
These were the days when Allen was still a comedian who happened to make films, rather than the comic film-maker he... read more on Time Out
Included in the New York Times "10 BEST FILMS OF 1977"