ARARAT, Atom Egoyan's mysterious drama about the horrors of the largely unknown Armenian genocide in Turkey, unrolls through a film within the film (also titled ARARAT). Jumping back and forth in time, Egoyan weaves together the lives of several people. Ari (Arsinee Khanjian), an art historian, is an advisor on the film. Her .. Read more
| Starring | David Alpay, Eric Bogosian, Charles Aznavour |
|---|---|
| Director | Atom Egoyan |
| Genres | Drama |
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ARARAT, Atom Egoyan's mysterious drama about the horrors of the largely unknown Armenian genocide in Turkey, unrolls through a film within the film (also titled ARARAT). Jumping back and forth in time, Egoyan weaves together the lives of several people. Ari (Arsinee Khanjian), an art historian, is an advisor on the film. Her son Raffi (David Alplay) is part of the film crew. When Raffi travels to Armenia to gather some additional footage, he is detained by a customs agent (Christopher Plummer) and remains in custody for most of the film. Meanwhile, Raffi's stepsister and girlfriend Celia (Marie-Josee Croze) is haunted by her father's suicide. These and other stories within ARARAT are ostensibly linked through the film within a film. Yet, it is each character's quest for truth which binds them thematically and drives the plot. The film is populated with thematic twins, as each character's individual struggle is mirrored in the plight of the other characters. Egoyan works from his own script relying heavily on references to Arshile Gorky's painting The Artist and his Mother and Clarence Ussher's historical document, AN AMERICAN PHYSICIAN IN TURKEY.
| Starring | David Alpay, Eric Bogosian, Charles Aznavour |
|---|---|
| Director | Atom Egoyan |
| Studio | MOMENTUM PICTURES |
| Certificate | |
| Genres | Drama |
| Language | DVD: English |
| Released | DVD: 13 Oct 2003 Production year: 2002 |
| Format | DVD |
Even in a world seemingly inured to atrocity, how can the crime of genocide be so easily forgotten? That's the question posed by this angry diatribe against the actions of Turkey, which, in 1915, slaughtered over a million of its ethnic Armenian population. Turkey has never apologised and — until now — the world has overlooked the tragedy. It's brought to our attention here by Canada's most respected writer/director, Atom Egoyan (who is of Armenian descent). Beginning with a film-maker's attempt to shoot a movie about the massacre in Turkey, Egoyan fashions a complex story that flashes back and forth in time, revealing the events leading up to the slaughter and its impact on subsequent generations. The movie-within-a-movie storyline has a real morbid grip, and utilises some horrifyingly effective imagery, but the labyrinthine plot tends to diminish our emotional response to the outrage, as we are constantly distanced from the event by the convoluted chronology of the piece.
"...Egoyan creates a dense system of poetic correspondence by editing across time frames, and the impression one has of archetypes echoing through the ages is irresistibly poignant..."
Shindlers List took a genocide and made it understandable through its terrifying horror. This took a similar genocide, with its no less brutality and beastliness, with all the horror of a nation turning upon the defenceless that it should be protecting, and trivialised it with a rather stupid story line about a did he or didn't he try to smuggle heroin through customs in film cases.... My wife is Armenian, she felt disappointed and let down.
Shindlers List took a genocide and made it understandable through its terrifying horror. This took a similar genocide, with its no less brutality and beastliness, with all the horror of a nation turning upon the defenceless that it should be protecting, and trivialised it with a rather stupid story line about a did he or didn't he try to smuggle heroin through customs in film cases.... My wife is Armenian, she felt disappointed and let down.