A Vietnamese film about three sisters who meet up on the anniversary of their mother's death and the secrets, misunderstandings and deceptions that make up their relationships Read more
| Starring | Chu Hung, Tran Nu Yen-Khe, Hai Ngo Quang, Nhu Quynh Nguyen |
|---|---|
| Director | Tran Anh Hung |
| Genres | Drama |
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A Vietnamese film about three sisters who meet up on the anniversary of their mother's death and the secrets, misunderstandings and deceptions that make up their relationships
| Starring | Chu Hung, Tran Nu Yen-Khe, Hai Ngo Quang, Nhu Quynh Nguyen, Khanh Le |
|---|---|
| Director | Tran Anh Hung |
| Studio | ARTIFICIAL EYE |
| Run time | DVD: 1 hr 52 mins |
| Certificate | |
| Genres | Drama |
| Language | DVD: Vietnamese |
| Subtitles | DVD: English |
| Released | DVD: 25 Mar 2002 Production year: 2000 |
| Format | DVD |
Returning to the languid intensity of The Scent of Green Papaya after the bristling vibrancy of Cyclo, Vietnamese director Tran Anh Hung has produced another film of immense beauty and psychological significance. But it's also a tad convoluted and precious. There is such a focus on aquatic symbolism and the essence of ritual that it's easy to become distracted from the problems facing three Hanoi sisters, each of whom is guarding a secret. Both Le Khanh and Nguyen Nhu Quynh impress as wronged wives, but only Tran Nu Yen Khe's ambiguous relationship with her brother is untainted by sophisticated soap operatics.
Tran's third feature, the polar opposite of Cyclo, has a very Asian concern with 'face' - with the importance of... read more on Time Out
A beautiful, languid film, full of light and subtle colour. It compels you to adjust your pace to that of a very different world. This in turn rewards the viewer with a truly satisfying experience.
My first Vietnamese film, I needed to watch it twice to understand what was going on; but for me, that isn't a criticism; it was worth it. The story hangs together well, reminded me of Won Kar Wai films, which I like very much.
It was in Breakfast of Champions that Kurt Vonnegut imagined life on a planet devoid of all plants and animals save humanoids. These humanoids took pleasure in (to our minds) an exotic, even aberrant form of pornography. It wasn't the sexual act that repelled and transfixed them. It was images of food and eating. For an hour and a half, the movie camera barely strayed from close ups of lips, teeth, and bobbing Adam's apples as a family pigged out over a simulated meal. At the film's climax,... Read more