Baise-Moi

This angry, aggressive film explores female empowerment in terms of an equal right to revel in guilt-free sex and perform random acts of violence. It's a reasonable enough premise, particularly as Karen Bach and Raffaëla Anderson embark on their spree partly as a reaction to Anderson's rape. But while co-directors Virginie Despentes and Coralie Trinh Thi employ a rigorously grungy style to deglamorise the duo's brutal amorality (a tactic that is reinforced by the superficial characterisation of their victims), they also refuse to examine their motives, with the result that their actions become increasingly gratuitous and, therefore, less political or potent.