In this infamous film version of the popular French comic strip by Jean-Claude Forest, Jane Fonda plays the sexy yet innocent space-age heroine of the year 40,000 A.D. who never gets herself into a situation that requires too much clothing. BARBARELLA opens with the titular heroine stripping down to nothing in zero gravity .. Read more
| Starring | Jane Fonda, John Philip Law, David Hemmings, Anita Pallenberg |
|---|---|
| Director | Roger Vadim |
| Genres | Sci-Fi/Fantasy |
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The famed French comic strip comes to glorious psychedelic life in director Roger Vadim's 41st-century space opera. Once you get past Jane Fonda's infamous antigravity striptease however, the script turns rather dull and the imaginative sets steal the whole show as Fonda's nubile intergalactic bimbo experiences close encounters of the sexually bizarre kind. A pleasure machine, cannibalistic dolls and Anita Pallenberg's Black Queen help ease the verbal vacuum in Vadim's relentless visual assault, which is sure to delight some and prove tiresome to others.
Campy and slightly sick adventures with angels and other space people, from a highly censorable comic strip; some ingenious gadgetry and design, but not much of interest in the foreground.
Vadim kicks off his adaptation of Jean-Claude Forest's 'adult' comic strip by stripping Fonda starkers. From there on... read more on Time Out
Id normally run a million miles from anything described as Sci-Fi/Fantasy. Am I the last person in the world never to have seen any of the Star Wars films?
But Jane Fonda camps this film up from the first minute of dialogue. The irony may be laid very thick with a heavy trowel here, but it suits me just fine. Id forgotten the secret password for the underground rebels Llanfairpwllg
etc. Cant imagine where Roger Vadim got that from maybe it was David Hemmings idea.
Of course the DVD gives every schoolboy at heart the opportunity to freeze frame through the infamous opening sequence with Barbarella disrobing, but what little could be exposed is hidden by the Titles. Jane Fonda not only looks gorgeous in this film, she also sounds like the sort of woman you could never say no to :o).
Although a classic, the film shows its age and is tame in all respects by todays standards. Still amusing in parts however and Jane Fonda is still pretty as ever!
A film thats hard to recommend but also hard to criticize, it just is what it is - a light hearted sci-fi reflecting society, film making and tastes of its day.
I concur with the other reviews here in that the film is probably best viewed after a few beers!
This is a good cheesy sci-fi movie. To try and explain the plot or comment on the acting/special effects, would be a pointless exercise. Because they are all meaningless, this film is purely a vehicle to get Jane Fonda (wow what a woman) into as many figure hugging revealing costumes as possible and just as quickly back out of them. The film has its tongue firmly in its cheek and definitely has lashings of 60s psychedelia thrown in, to make this a trippy sexy romp. This is worth seeing for no other reason than the opening credits, one of the greatest title sequences ever, let me give you a hint (Jane Fonda-Spacesuit-Slow zero gravity strip = Naked). Hire this it ain't a smart movie but boy is it fun.
One of my all time favourite movies!
I love the extremely camp, un-PC, highly stylised, retro grooviness of this film.
Anita Pallenberg is fantastic as the Great Tyrant, Queen of Sogo.... a great adversary to Fonda's 'whiter than white' Barbarella.
I could watch it again and again... and do! Cult stuff!
Best line: "An Angel does not make love, an angel is love".... "Then you're a dead duck!".
This is a cult classic and not just for those viewers who want to really see where Jane Fonda began before she became Mrs Ted Turner and beyond, then this is something to sit back and enjoy. The fact that it's a strange, indulgent trip into 60s psychedelia and the probable design inspiration for Austin Powers is something worth watching for as well.
Id normally run a million miles from anything described as Sci-Fi/Fantasy. Am I the last person in the world never to have seen any of the Star Wars films?
But Jane Fonda camps this film up from the first minute of dialogue. The irony may be laid very thick with a heavy trowel here, but it suits me just fine. Id forgotten the secret password for the underground rebels Llanfairpwllg
etc. Cant imagine where Roger Vadim got that from maybe it was David Hemmings idea.
Of course the DVD gives every schoolboy at heart the opportunity to freeze frame through the infamous opening sequence with Barbarella disrobing, but what little could be exposed is hidden by the Titles. Jane Fonda not only looks gorgeous in this film, she also sounds like the sort of woman you could never say no to :o).
Although a classic, the film shows its age and is tame in all respects by todays standards. Still amusing in parts however and Jane Fonda is still pretty as ever!
A film thats hard to recommend but also hard to criticize, it just is what it is - a light hearted sci-fi reflecting society, film making and tastes of its day.
I concur with the other reviews here in that the film is probably best viewed after a few beers!
This is a good cheesy sci-fi movie. To try and explain the plot or comment on the acting/special effects, would be a pointless exercise. Because they are all meaningless, this film is purely a vehicle to get Jane Fonda (wow what a woman) into as many figure hugging revealing costumes as possible and just as quickly back out of them. The film has its tongue firmly in its cheek and definitely has lashings of 60s psychedelia thrown in, to make this a trippy sexy romp. This is worth seeing for no other reason than the opening credits, one of the greatest title sequences ever, let me give you a hint (Jane Fonda-Spacesuit-Slow zero gravity strip = Naked). Hire this it ain't a smart movie but boy is it fun.
This is a cult classic and not just for those viewers who want to really see where Jane Fonda began before she became Mrs Ted Turner and beyond, then this is something to sit back and enjoy. The fact that it's a strange, indulgent trip into 60s psychedelia and the probable design inspiration for Austin Powers is something worth watching for as well.
One of my all time favourite movies!
I love the extremely camp, un-PC, highly stylised, retro grooviness of this film.
Anita Pallenberg is fantastic as the Great Tyrant, Queen of Sogo.... a great adversary to Fonda's 'whiter than white' Barbarella.
I could watch it again and again... and do! Cult stuff!
Best line: "An Angel does not make love, an angel is love".... "Then you're a dead duck!".
What a great movie! If you are expecting CG at it's best then don't watch this movie, but if you want tongue in cheek humour with what was at the time very open sexual references then watch this movie.
I remember as a youngster in the '70s coming home early from the pub on a Friday night to catch this on late night BBC2 or ITV, so I find it difficult to comment on this without feelings of nostalgia. It is great to see Jane Fonda in action before she got into 'serious issues' and the DVD print is nice, glossy and colourful.
I know this movie is supposed to be a classic - and I can see lots of examples in later movies that have obviously been inspired by Barbarella. However, there comes a point where the 'special effects' are *so* dated that they detract from everything else and this is the case here. Even given that this is supposed to be a kitsch film, the dialogue is stilted and poorly delivered throughout. A large dose of Jane Fonda in her prime compensates somewhat! Overall, if you have nothing else to do, then this could be a pleasant way of spending an hour or so - but don't expect riveting entertainment.
A bit dated by todays standards but enjoyable all the same.
not really my cup of tea,but good sets and visuals.worth it alone for jane fonda.worth a go!
The famed French comic strip comes to glorious psychedelic life in director Roger Vadim's 41st-century space opera. Once you get past Jane Fonda's infamous antigravity striptease however, the script turns rather dull and the imaginative sets steal the whole show as Fonda's nubile intergalactic bimbo experiences close encounters of the sexually bizarre kind. A pleasure machine, cannibalistic dolls and Anita Pallenberg's Black Queen help ease the verbal vacuum in Vadim's relentless visual assault, which is sure to delight some and prove tiresome to others.
Campy and slightly sick adventures with angels and other space people, from a highly censorable comic strip; some ingenious gadgetry and design, but not much of interest in the foreground.
Vadim kicks off his adaptation of Jean-Claude Forest's 'adult' comic strip by stripping Fonda starkers. From there on... read more on Time Out