BEST documents the life of George Best (John Lynch), the first British football superstar, whose rise marked the game's transition from professional sport to national obsession. From his introduction to Manchester United at age 17 to his later struggle with the pressures of stardom, this programme reveals the man behind the game. Read more
| Starring | Clive Anderson, Roger Daltrey, Sophie Dahl, Jerome Flynn |
|---|---|
| Director | Mary McGuckian |
| Genres | Drama |
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There's nothing like a good film, and this shoddy biography of soccer genius George Best is nothing like a good film. Normally, it's the match scenes that let football films down: you either have actors who can't play, or players who can't act. Ironically, though, Best's match scenes, a blend of grainy original footage and cleverly integrated re-creations, are one of its few plus points. The bulk of the film, however, focuses on George's downward spiral into alcoholism and unfulfilled potential. It's muddled in structure, melodramatic in direction and boringly repetitive. Worse still, it offers no real insight into George's flawed genius. A quality cast includes Ian Bannen, Ian Hart, Patsy Kensit, Linus Roache and Roger Daltrey, but they've little to work with: the storyline's episodic, the script poor. John Lynch is 20 years too old to play young George, while Jerome Flynn, as Bobby Charlton, looks more like his brother Jack. There may have been magic in George's boots, but precious little has rubbed off on this movie.
A narrative that sticks to the facts, following Best from his early days to his later incarnation as an after-dinner entertainer in the 90s, but offering very little insight into the man or his problems.
From the opening - a studio mock-up ringing to awkward laughter, where an embarrassed George Best (Lynch, subdued),... read more on Time Out
George Best remains one of the greatest footballers to have ever played the beautiful game. But this film following the rise and fall of Northern Ireland's... more
I am a big fan of George Best and was so looking forward to this film. But what a disappointing film this is....
We all know he had his flaws but ...
more
I am a big fan of George Best and was so looking forward to this film. But what a disappointing film this is....
We all know he had his flaws but ...
more
Totally miscast. Dreadful depiction of the flawed genius that was George Best.
George Best remains one of the greatest footballers to have ever played the beautiful game. But this film following the rise and fall of Northern Ireland's... more
I am a big fan of George Best and was so looking forward to this film. But what a disappointing film this is....
We all know he had his flaws but ...
more
I am a big fan of George Best and was so looking forward to this film. But what a disappointing film this is....
We all know he had his flaws but ...
more
Totally miscast. Dreadful depiction of the flawed genius that was George Best.
Expected more of Bestys life story whilst growing up, but unless you are a Man Utd fan, which i'm not, this film won't interest you.
There's nothing like a good film, and this shoddy biography of soccer genius George Best is nothing like a good film. Normally, it's the match scenes that let football films down: you either have actors who can't play, or players who can't act. Ironically, though, Best's match scenes, a blend of grainy original footage and cleverly integrated re-creations, are one of its few plus points. The bulk of the film, however, focuses on George's downward spiral into alcoholism and unfulfilled potential. It's muddled in structure, melodramatic in direction and boringly repetitive. Worse still, it offers no real insight into George's flawed genius. A quality cast includes Ian Bannen, Ian Hart, Patsy Kensit, Linus Roache and Roger Daltrey, but they've little to work with: the storyline's episodic, the script poor. John Lynch is 20 years too old to play young George, while Jerome Flynn, as Bobby Charlton, looks more like his brother Jack. There may have been magic in George's boots, but precious little has rubbed off on this movie.
A narrative that sticks to the facts, following Best from his early days to his later incarnation as an after-dinner entertainer in the 90s, but offering very little insight into the man or his problems.
From the opening - a studio mock-up ringing to awkward laughter, where an embarrassed George Best (Lynch, subdued),... read more on Time Out