Winner of the 2005 Grand Prix at the Cannes Film Festival, the film tells the story of Don Johnston (Bill Murray), a man overflowing with wealth but void of emotion. On the day that his most recent girlfriend (Julie Delpy) has given up on him for good, he learns, through an anonymous letter, that he might be the father of a 19-.. Read more
| Starring | Bill Murray, Jeffrey Wright, Sharon Stone, Tilda Swinton |
|---|---|
| Director | Jim Jarmusch |
| Genres | Comedy |
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The latest from cult American independent director Jim Jarmusch resembles a comedy with all the punchlines removed. That may not sound like a great night out, but this somber, wry... read more »
With BROKEN FLOWERS, Jim Jarmusch's sly, touching new film, Bill Murray reaffirms his status as the quietest comic actor in movies today
BROKEN FLOWERS exudes some of the twinkle-eyed, deadpan humor from LOST IN TRANSLATION... FLOWERS is smartly observational
Bill Murray turns in another understated performance this time for Jim Jarmusch in Broken Flowers. Murray stars as the unfortunately named Don Johnston, a sort of latter day Don Juan whos comfortable life is turned slightly askew when he receives a letter informing him he has an eighteen year old son from a former conquest. As the letter is unsigned Don inflicts on himself an odyssey through the past to find the truth.
Broken Flowers has been described as Jarmuschs most commercial film yet. Though this is true, viewers may find the directors choice of long static shots and preference to leave major plot points unanswered slightly infuriating. Murry is superb as Don but one wonders how long this style of acting or non-acting can be stretched before audiences become indifferent.
As with previous Jarmusch features, it is the secondary characters that are most successful. Sharon Stones trailer trash mother accompanied by jailbait daughter Lolita is inspired and Jeffrey Wrights detective and Ethiopian jazz obsessed neighbour is a standout.
While intermittently amusing, Broken Flowers does not compare favourably with previous Murry films such as Rushmore and Lost in Translation but will not tarnish his recent movie-making renaissance.
I think Jarmusch decided to give us a glimpse of some interesting characters, humorous lines and, just to tease us even further, fabulous acting and then leave us to make up a story all by ourselves.
To create a film which is blatantly devoid of a plot or storyline is just not fair. Sure you can think ... well maybe this meant that and that meant this ... but that's just as boring as someone asking you to figure out their dream for them.
I was so disappointed at the end of this movie I shouted at my TV, something I haven't done since I saw Pearl Harbour.
You've got to hand it to Bill Murray: he's made a career, and presumably a lot of money, from being a half-trick wonder - a character actor with one single expression, that of a slightly cross, constipated Beagle.
There are, I imagine, loads of Americans who - bless 'em - confuse this with acting or talent or SOMETHING. Good for them, if they genuinely have the stomach for this blankness. It's NOT INTERESTING.
That there are lovely women actually willing to throw themselves at a Bill Murray character (as opposed to Bill Murray, movie star) is inconceivable to any man - well, this one, anyway.
Having just ripped this film to shreds, I have to say that it isn't as bad as, for example, 'Lost in Translation', perhaps because of the variety and quality of the actresses involved, though for all the promotion they're in fact rather underused; and at least it doesn't have that film's disagreeable let's-laugh-at-foreigners attitude.
But you really have to be a Bill Murray fan to tolerate this film; if you're not, or are indifferent, give it a miss.
In a similar vein to Lost in Translation, we follow Bill Murray on a road trip to track down the woman from his past who may be the mother of his son.
This is definitely one for Bill Murray fans. If you thought Lost in Translation was over rated, give this a miss! Nice to see some fine 40s actresses, but none of them are full utilized - particularly disappointing is the 2 line appearance of our own Tilda Swinton, one of the most interesting actresses around, but hardly worth naming in the cast here.
Quite slow moving, but with some nicely comic moments, this was an ok film, but I hope Bill Murray goes for a different sort of film soon - one that involved him doing something other than deadpan, and not having young girls falling all over him!!!! Girls, do you really think Bill Murray is sexy?? I think not...
No, No, No, and just to make sure you dont misinterpret my message No, again. My two housemates actually banned me from having the independent freedom and right to choose a DVD again because of this film, and I dont think they were joking
which to be honest, now seems fair enough. Please do NOT get this film. I just wasted just over ninety minutes of my life watching it and I will never get them back
.I could write ninety minutes worth of scathing review about this film and it would probably be more interesting.
Okay, okay, Ill get to actually reviewing the film, but be warned the plot of Broken Flowers is thinner than one of Kate Mosss nostril hairs. So, here goes. Bill Murray plays Don Johnston (thats right with a T, hilarious isnt it?!) A retired yet seemingly wealthy enough man, who can afford to while his days away, lay on the sofa, endlessly watching old films. Now, somehow he also seems to have an equally endless list of ex-girlfriends and on the day his current lover (Sherry) Julie Delpy), walks out on him, an anonymous pink letter arrives, from one of his exes proclaiming that some twenty years ago, she became pregnant, that he was the father and the resourceful son had set out to try and find the identity and whereabouts of his dad. Old Don Juanston (see what I did there?) has a neighbour who is a private detective or amateur sleuth of some kind, (I really cant remember as I had partially switched off), called Winston (Jeffrey Wright), - who takes it upon himself to help, by asking Donny boy to write a list of ex-girlfriends (initially an inexplicably long list)which through some kind of elimination process gets narrowed down to four names. Winston takes it upon himself to researches flight details, car hire accommodation etc for Don. Donny boy then visits these four women unannounced to see if he can figure out or if they admit to being the sender of the letter. Thats the plot. I was going to write, thats the plot in a nutshell, but that literally is the plot.
Cue lots of slow, very little happening - except Bill Murray travelling shots, extended silences, the odd facial expression but basically still nothing actually happening.
Its a terrible film and an excuse for Jim Jarmusch to indulge himself in being a pretentious film maker. And for equally, if not more pretentious people to pretend Oh yuh, like, god. Its amazing when in reality nothing happens, there are a few small subtle jokes but you really have to probably be watching the film AND still be listening to spot them.
I think the film is trying to rely on being a bit quirky, showing people as a bit oddball and highlight their idiosyncrasies, but it really isnt enough to constitute the plot of a film. Also, do you remember I told you the anonymous letter was pink? Well youre supposed to (I guess) be on the look out for pink things throughout the film to try to guess which the mother may actually be. So, obviously Bill Murrays character notices these pink things almost everywhere, yep another world beater.
I know its a crazy, wacky, out-there idea, but I like a film where something actually happens, plot that is based on more, than a couple of odd people and a very tiny handful of weakfish observations/gags.
I once read somewhere (it may have been Harold Pinter I cant be bothered to research it) stating that a story should start with a brick smashing through a window meaning to emphasise the fact that you need to grip the audience from the start. This film gripped me alright with uncontrollable rage and anger, that I had chosen such a poor film and Im normally placid. The last fight I had was when I was seven and that was because Daniel Thirkettle pulled my best cardie. I dont mind telling you, the ire I felt at this film easily surpassed that incident. Oh yeah the film also stars Sharon Stone,Frances Conroy, Alexis Dziena, Christopher McDonald, Jessica Lange
Chloe Sevigny and Tilda Swinton im losing too much enthusiasm to tell you what roles they play and what they do, but the chances are they didnt do anything. Have I been scathing enough? Scathe, scathe, scathe
..just needed to make sure. If you have seen this film and think I am being harsh, Im sorry, so Ill add something positive about this film (I want to say the great moment when the films over) but instead I will just mention that Broken Flowers did win the 2005 Grand Prix at the Cannes Film Festival
presumably this title is some kind of euphemism for Emperors new clothes award in films, as I cant think of one single reason that this film would win
..please NEVER watch it.
Bill Murray is a great actor, whos in my opinion going to waste, Groundhog day was probably his finest hour (I am not sure about lost in translation I had an overriding memory of it being pretty boring but everyone seems to rave about it, so perhaps I do need to give it another watch but Im pretty sure it was a case of nothing really happening again)
I cant help thinking that my review is going to have the adverse effect and people will now want to watch it to see if its as bad as I said it was
.well I tried to warn you, Im damned if I do, damned if I dont !
Bill Murray turns in another understated performance this time for Jim Jarmusch in Broken Flowers. Murray stars as the unfortunately named Don Johnston, a sort of latter day Don Juan whos comfortable life is turned slightly askew when he receives a letter informing him he has an eighteen year old son from a former conquest. As the letter is unsigned Don inflicts on himself an odyssey through the past to find the truth.
Broken Flowers has been described as Jarmuschs most commercial film yet. Though this is true, viewers may find the directors choice of long static shots and preference to leave major plot points unanswered slightly infuriating. Murry is superb as Don but one wonders how long this style of acting or non-acting can be stretched before audiences become indifferent.
As with previous Jarmusch features, it is the secondary characters that are most successful. Sharon Stones trailer trash mother accompanied by jailbait daughter Lolita is inspired and Jeffrey Wrights detective and Ethiopian jazz obsessed neighbour is a standout.
While intermittently amusing, Broken Flowers does not compare favourably with previous Murry films such as Rushmore and Lost in Translation but will not tarnish his recent movie-making renaissance.
I think Jarmusch decided to give us a glimpse of some interesting characters, humorous lines and, just to tease us even further, fabulous acting and then leave us to make up a story all by ourselves.
To create a film which is blatantly devoid of a plot or storyline is just not fair. Sure you can think ... well maybe this meant that and that meant this ... but that's just as boring as someone asking you to figure out their dream for them.
I was so disappointed at the end of this movie I shouted at my TV, something I haven't done since I saw Pearl Harbour.
You've got to hand it to Bill Murray: he's made a career, and presumably a lot of money, from being a half-trick wonder - a character actor with one single expression, that of a slightly cross, constipated Beagle.
There are, I imagine, loads of Americans who - bless 'em - confuse this with acting or talent or SOMETHING. Good for them, if they genuinely have the stomach for this blankness. It's NOT INTERESTING.
That there are lovely women actually willing to throw themselves at a Bill Murray character (as opposed to Bill Murray, movie star) is inconceivable to any man - well, this one, anyway.
Having just ripped this film to shreds, I have to say that it isn't as bad as, for example, 'Lost in Translation', perhaps because of the variety and quality of the actresses involved, though for all the promotion they're in fact rather underused; and at least it doesn't have that film's disagreeable let's-laugh-at-foreigners attitude.
But you really have to be a Bill Murray fan to tolerate this film; if you're not, or are indifferent, give it a miss.
I was really excited about this film. I loved Bill Murray's performance in 'Lost in Translation' and I hoped for the same here. Be warned. This film is slow, unenvolving and boring. There is the occasional moment of beauty and brilliance but they disappear in a self-satisfied, lazy film.
This film is ace, and dead funny, however fraught with danger. It's one of those Lo-Fi comedies typical of Wes Anderson and I could imagine a lot of people thinking it's probably the worst film they've ever seen.......so be warned. I'm a fan of those type of films so loved this. Bill Murray is amazing as the aging playboy forced to get in touch with some old flames in search of his nineteen year old son - one of which is Sharon Stone who puts in a cracking performance, as does Alexis Dziena who plays her ultra flirtaious 16 year old daughter. It's packed full of awkward silences and uncomftable social situations that will have you either laughing out loud or climbing the walls due it's cringe-worthy-ness. Like I said.....this film is ace
I was hoping for so much more from this, the trailer looked so good. For once Bill Murray is just too deadpan. I love this guys films they're always entertaining but I just couldn't get into this at all, just wanted to slap him. It's like a really boring Lost In Translation, similar pace but the story just misses something somewhere. I wouldn't watch this again. It's not all bad & i'm sure theres people out there that love this, just not me
I know that this film is liked by the 'professional' critics but I didn't enjoy it at all. I found long shots of Don (Bill Murray) doing nothing much except looking morose tedious in the extreme. He was supposed to have been a Don Juan in his younger days but with his lack of charisma I found this very hard to believe. The women in the film were brilliant without exception and could all have benifited from more screen time.
If you enjoy watching paint dry then this is the film for you!
Lauded as it was with critical praise, I expected great things from this work. Sadly, the praise seems to have been misplaced, as this film was a tedious crawl through an uninspiring series of characters. Murray was unengaging and limp, hamstrung by an underwritten script. The supporting characters were undeveloped and served merely as a convenient way of shoehorning other famous faces into the plot. Count Daddy's final thought: Another over-hyped drama that leaves you feeling short-changed - just like the feeling you had after you'd seen Lost in Translation.
Until recently, it seemed that the definitive image that would spring to the minds of film fans whenever Bill Murray was mentioned, was destined to be that of the zany Ghostbuster, Dr Peter Venkman, dripping with Stay-Puft marshmallow at the end of Ivan Reitmans, 80s comedy sci-fi romp. Or perhaps Carl Spackler nuking gophers in Caddyshack. Would this have been a bad thing? Probably not, but for a while there, it was starting to look like these would be the only significant memories we would have of him.
Then along came Lost In Translation and with it, Murrays long overdue return to the top of his game. His deadpan expressions and almost imperceptible looks of bewilderment were ideally suited to this role and, while it may sound like a contradiction in terms, this masterclass in understatement brought the character, and the film to life.
Broken Flowers continues in the same vein. Murray plays Don Johnston (With a t), an ageing lothario who made his money in computers and now seems content to watch old black and white movies on his flatscreen TV. Until one day, he receives an anonymous letter from an ex-girlfriend warning him that the son he never knew he had, may be coming to track him down. Even this doesnt really seem to pique Dons interest too much. It eventually takes Winston, Dons pot-smoking, amateur sleuth neighbour to rouse him from his carefree lifestyle and persuade him to take to the road to track down his ex girlfriends and find the source of the letter.
A road movie plot follows, with Don discovering that all of his exes (including the excellent Jessica Lange as Carmen and Laura, played by Sharon Stone) have moved on with their lives, with varying degrees of success. Finding himself confronted variously with new age veterinary practices, violence, general weirdness and, in perhaps the films finest moment, flirty advances from the appropriately named Lolita, Murrays character takes it all in his stride with the same bemused, almost-but-not-quite-blank expression that had me laughing out loud several times.
Like Don, this film is easy going, laid back and entertaining. As with Lost in Translation, Broken Flowers charm comes from the main character finding himself in an unfamiliar, uncomfortable situation and how he deals with it. It never quite reaches the same heights though, perhaps because an American suburbia cant really compare with modern-day Japan as an environment for a fish-out-of-water comedy. Nevertheless, this film left me satisfied, amused and not a little moved.
Draw a ven diagram. Put 'Scrooged' in the circle on the left, and 'Life Aquatic' in the circle on the right. 'Broken Flowers' is the circle in the middle. Good film, frustrating ending.
The latest from cult American independent director Jim Jarmusch resembles a comedy with all the punchlines removed. That may not sound like a great night out, but this somber, wry... read more »
With BROKEN FLOWERS, Jim Jarmusch's sly, touching new film, Bill Murray reaffirms his status as the quietest comic actor in movies today
BROKEN FLOWERS exudes some of the twinkle-eyed, deadpan humor from LOST IN TRANSLATION... FLOWERS is smartly observational
Don Johnston (Bill Murray) listless, retired computer wiz looks on as his lover (Julie Delpy) moves out,... read more on Time Out
BROKEN FLOWERS is a rare film that richly rewards the attention it demands
A joy from start to finish