Manipulative English mercenary Sir William Walker (Marlon Brando) is posted to a Portuguese colony in the Caribbean. Once there he uses his skills to engineer a slave revolt as part of his calculated plans for the English to seize control of the colony. Read more
| Starring | Marlon Brando, Sal Marquez, Renato Salvatori |
|---|---|
| Director | Gillo Pontecorvo |
| Genres | Drama |
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Manipulative English mercenary Sir William Walker (Marlon Brando) is posted to a Portuguese colony in the Caribbean. Once there he uses his skills to engineer a slave revolt as part of his calculated plans for the English to seize control of the colony.
| Starring | Marlon Brando, Sal Marquez, Renato Salvatori |
|---|---|
| Director | Gillo Pontecorvo |
| Studio | ORBIT MEDIA LTD. |
| Run time | DVD: 1 hr 53 mins |
| Certificate | |
| Genres | Drama |
| Language | English |
| Released | DVD: 27 Sep 2004 Production year: 1969 |
| Format | DVD |
Even at the height of his stardom, Marlon Brando was prepared to take chances by accepting challenging roles. In this attack on colonial manipulation — a period swashbuckler with attitude — he plays a cynical British secret agent who ignites a Caribbean island revolution against the ruling Portuguese, who are using slave labour on a sugar-cane plantation. It's clumsily handled at times by Italian director Gillo Pontecorvo, who made the remarkable documentary-style epic The Battle of Algiers, but it still has scenes of enormous visual power. Brando is, as they used to say, magnificent, and also a lot slimmer than he is today!
Like other Pontecorvo films, Burn has the feel almost of a documentary at moments, even though set in the 1840s. The narrative is broken and laconic, with an even surlier Marlon Brando than ever taking a stern and unattractive lead. For realism and information about a
period in Caribbean colonial history (the film reflects events of the times) Burn is fascinating and the film does grip, but sometimes feels a bit unearthly and distant from emotion.
Like other Pontecorvo films, Burn has the feel almost of a documentary at moments, even though set in the 1840s. The narrative is broken and laconic, with an even surlier Marlon Brando than ever taking a stern and unattractive lead. For realism and information about a
period in Caribbean colonial history (the film reflects events of the times) Burn is fascinating and the film does grip, but sometimes feels a bit unearthly and distant from emotion.
The Coen brothers' have bagged their first number one on the US box office chart, with their new film Burn after Reading. Starring Brad Pitt, George Clooney and John Malkovich, the comedy-drama pulled in some $19.4 million (£10.7 million) during its first weekend on release. It represents the biggest-ever box office haul for the Coen bothers, following on from the huge critical success of their previous movie No Country For Old Men which claimed four Academy Awards. Second position... Read more