Based on the life of real-life British gang boss, Charlie Richardson, who, along with his brother, Eddy, ruled the criminal underworld of South London in the early 1960s, the story charts what happens when Charlie gets involved with a South African businessman Richard Waldeck... Read more
| Starring | Luke Goss, Steven Berkoff, Leslie Grantham, Anita Dobson |
|---|---|
| Director | Malcolm Needs |
| Genres | Drama |
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Former Spandau Ballet stars Gary and Martin Kemp famously played Ronnie and Reggie in Peter Medak's intelligent crime drama, The Krays. Here, one-time Bros sensation Luke Goss takes on the role of Charlie Richardson, the gang boss who terrorised London south of the river during the same period of the 1960s. This bloody, brutal biopic has a banged-up Richardson reminiscing, in flashback, about the days when pliers, planks and electrodes were the tools of his trade. Malcolm Needs's film is a mishmash of styles, morally questionable, and rather too prone to that certain brand of claret and shooters crim-speak. But it's slickly made, Goss is good, and the brief support turns from Leslie Grantham, Anita Dobson and Steven Berkoff bring credibility to the drama. So, although the film is no Godfather, it's no crime either.
Wow, and you thought Bros were crap singers , well you should see one of those suckers act !!!
This is miscasting on an epic scale, imagine Vinny Jones as Ghandi and you're in the right neighbourhood.
The direction and editing are appalling. The story jumps from one event in Richardson's life to another, from childhood to prison and back again without any sense of cohesion. On the plus side the 'Mockney' accents are hilarious and the 'acting' is so wooden we kept looking for the strings.
I only watched this movie a few days ago and I remember thinking at the time that it wasn't so bad but I can't remember much about it at all and I guess that pretty much sums it up. Nothing stands out really. Kinda like an extended episode of Eastenders with a bit of swearing and Violence (Dirty Den's actually in it).
The arrival of this film may mean that we are finally out of the shadow of Lock Stock, a film which seemed to spawn a thousand awful imitators trying to cash in on the "cor blimey" gravy train.
Charlie doesnt play that game and although it is at times almost naively favourable to Richardsons cause, its still very watch able. Following the other London familys rise to power told through flash backs from Charlies trail, it has an almost goodfellers edge to the piece. Luke Goss is looking more and more like he has a career in the film industry and the casting (especially Stephen Berkoff) for the most part is spot on. Most of all however, the film benefits from staying away from the kind of rent-a-quote, unfeasibly word perfect monologues that eventually brought Guy Ritchies cinematic world crashing down around Vinnies ears.
Its no Mr In-between thats true, but this is finally a watch able British gangster film.
Terrible film, awful acting, no plot. Clearly edited by the chap who lets people in to the cinema-the next scene to turn up gets the next slot. Mock interviews with friends just look hackneyed. The crudeness of language only works to make matters worse; the 'actors' clearly felt that abuse and vulgarity compensated for the need to portray their charachters in any depth at all. If in doubt, swear and walk away looking disinterested. A sort of Hugh Grant with attitude. Don't waste however long you can stand to look at it of your life on this DVD trash. Don't know how it ended-never made it past Charlie sorting out the head of BOSS. Very likely lads.
Some of the acting is truly awful. However Goss is better than i thought he would be. He is actually really good. The story is based on a real guy who was a south london criminal. The screenplay is rubbish. A TV film really. Don't waste a selection on it wait for it on TV
Wow, and you thought Bros were crap singers , well you should see one of those suckers act !!!
This is miscasting on an epic scale, imagine Vinny Jones as Ghandi and you're in the right neighbourhood.
The direction and editing are appalling. The story jumps from one event in Richardson's life to another, from childhood to prison and back again without any sense of cohesion. On the plus side the 'Mockney' accents are hilarious and the 'acting' is so wooden we kept looking for the strings.
I only watched this movie a few days ago and I remember thinking at the time that it wasn't so bad but I can't remember much about it at all and I guess that pretty much sums it up. Nothing stands out really. Kinda like an extended episode of Eastenders with a bit of swearing and Violence (Dirty Den's actually in it).
The arrival of this film may mean that we are finally out of the shadow of Lock Stock, a film which seemed to spawn a thousand awful imitators trying to cash in on the "cor blimey" gravy train.
Charlie doesnt play that game and although it is at times almost naively favourable to Richardsons cause, its still very watch able. Following the other London familys rise to power told through flash backs from Charlies trail, it has an almost goodfellers edge to the piece. Luke Goss is looking more and more like he has a career in the film industry and the casting (especially Stephen Berkoff) for the most part is spot on. Most of all however, the film benefits from staying away from the kind of rent-a-quote, unfeasibly word perfect monologues that eventually brought Guy Ritchies cinematic world crashing down around Vinnies ears.
Its no Mr In-between thats true, but this is finally a watch able British gangster film.
didnt think I was going to like this film, especially after reading who was in it, heard lots of bad things about it, I thought it was a great film, good story bit of violence, what else do you need?
what a waste of time this film is. poor scripts and the plot doesnt even follow. felt nothing for the main character who is described as a perfect gentleman but was sent down for 4 counts of gbh hahaha-absolute crap
Could not take Luke Goss seriously. Leslie Grantham / Dirty Den straight from Eastenders (same quality acting!).
The film started very slow, but gained some momentum towards the end. Would be a good film if re-cast.
Some of the acting is truly awful. However Goss is better than i thought he would be. He is actually really good. The story is based on a real guy who was a south london criminal. The screenplay is rubbish. A TV film really. Don't waste a selection on it wait for it on TV
Terrible film, awful acting, no plot. Clearly edited by the chap who lets people in to the cinema-the next scene to turn up gets the next slot. Mock interviews with friends just look hackneyed. The crudeness of language only works to make matters worse; the 'actors' clearly felt that abuse and vulgarity compensated for the need to portray their charachters in any depth at all. If in doubt, swear and walk away looking disinterested. A sort of Hugh Grant with attitude. Don't waste however long you can stand to look at it of your life on this DVD trash. Don't know how it ended-never made it past Charlie sorting out the head of BOSS. Very likely lads.
If you've seen the 'Long Firm' on TV this is in the same style. Mr Goss is excellent!
Being a South East London Boy & knowing the history of the Richardson's I sat down to watch what I thought would be a good film only to be sucked in by the opening scenes thinking that I was watching a BBC documentary. Then Matt Goss of Bros appeared and I nearly ejected and posted back immediately. Luckily I carried on to see some excellent acting by MG who carried the film along with several other unknowns. Yes, the violent scenes were graphically portrayed but necessary.
Former Spandau Ballet stars Gary and Martin Kemp famously played Ronnie and Reggie in Peter Medak's intelligent crime drama, The Krays. Here, one-time Bros sensation Luke Goss takes on the role of Charlie Richardson, the gang boss who terrorised London south of the river during the same period of the 1960s. This bloody, brutal biopic has a banged-up Richardson reminiscing, in flashback, about the days when pliers, planks and electrodes were the tools of his trade. Malcolm Needs's film is a mishmash of styles, morally questionable, and rather too prone to that certain brand of claret and shooters crim-speak. But it's slickly made, Goss is good, and the brief support turns from Leslie Grantham, Anita Dobson and Steven Berkoff bring credibility to the drama. So, although the film is no Godfather, it's no crime either.