Actor Matt Dillon (OVER THE EDGE, THE OUTSIDERS) makes his directorial debut with CITY OF GHOSTS, an atmospheric thriller about an American man who finds himself in a very dangerous Cambodia. Dillon plays Jimmy Cremmins, a New York scam artist who has been working as a front man for a phony insurance company established by his .. Read more
| Starring | Matt Dillon, James Caan, Natascha McElhone, Gerard Depardieu |
|---|---|
| Director | Matt Dillon |
| Genres | Thriller |
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Matt Dillon's directorial debut plays like a dark love letter to Cambodia. A slow-burning thriller, it's as beguiled by the country's seedy underbelly as it is by its natural beauty. In a story penned by Dillon with Lost Highway co-writer Barry Gifford, the actor also takes the lead as a conman who flees the US for Cambodia following an insurance scam. Here, passionately detailed visuals present a snapshot of an alien culture, populated by quirky characters who add colour to Dillon's hunt for his shadowy associate James Caan. Though these fleeting figures need more explanation, particularly love interest Natascha McElhone, they provide a surrealistic touch that lifts the tale's overall bleakness. Ultimately the picture lacks the complexity and pacing to really grip, but it's an admirable effort nonetheless.
Old-fashioned, sub-Hemingway, Hollywood tough-guy melodrama that exploits its exotic locations to add novelty to its generic situations and characters.
One of the best movies this year.
This was a slow plodding thriller, very poorly directed. Matt Dillion should concentrate on his acting if this is anything to go by. There is no tension, no spark of activity even when some fast paced action is required, the film just stutters along at the same slow pace throughout.Set in Cambodia, the setting is at least atmospheric, but the acting is, at the best, workmanlike. The direction is not even that. Avoid.
Unfortunately I have been to Cambodia, and this film really reminds me of just what it was like, the danger, the constant uncertainty and the strange beauty that surrounds the place. Great acting all round not just from the americans but also from Depardieu and Skarsgard who for me steals the film. It is a bit slow at times and it is a little bit predicatble, but it is always very well acted and directed. Give it a go!
City of Ghosts is one of those films which looks great to watch, the direction is flawless and the sets and locations are used to maximum effect, especially when you realise Matt Dillon not only starred in this film, but also directed it.
However for all the excellent performances from the actors, plus fine detail in the film and attempts at a gritty portrayal of a poor country, I found the film lacked something.
The whole story never really gripped me, although the characters were good, I never really felt for any of them and could see how the story would unfold a mile off, predicting every plot twist/surprise coming.
All together not a bad film, I certainly didnt feel cheated at losing an hour and a half of my life, Ill definitely be looking out for any other films directed by Matt Dillon, as he seems to have a knack for directing nice looking films.
Lets hope the next one gets a story.
Although not a great film, the casting is good, the locals are played well and restore your faith in humankind (at times), and the cinematography has some great landscape shots. This is why it is worth watching.
However, if you like you thrillers to be fast paced and make you want to work out the twists and not just wait for them to happen, this is not the film for you. It also does not show the best light on being an ex-patriate!
This was a slow plodding thriller, very poorly directed. Matt Dillion should concentrate on his acting if this is anything to go by. There is no tension, no spark of activity even when some fast paced action is required, the film just stutters along at the same slow pace throughout.Set in Cambodia, the setting is at least atmospheric, but the acting is, at the best, workmanlike. The direction is not even that. Avoid.
This was a slow plodding thriller, very poorly directed. Matt Dillion should concentrate on his acting if this is anything to go by. There is no tension, no spark of activity even when some fast paced action is required, the film just stutters along at the same slow pace throughout.Set in Cambodia, the setting is at least atmospheric, but the acting is, at the best, workmanlike. The direction is not even that. Avoid.
Unfortunately I have been to Cambodia, and this film really reminds me of just what it was like, the danger, the constant uncertainty and the strange beauty that surrounds the place. Great acting all round not just from the americans but also from Depardieu and Skarsgard who for me steals the film. It is a bit slow at times and it is a little bit predicatble, but it is always very well acted and directed. Give it a go!
City of Ghosts is one of those films which looks great to watch, the direction is flawless and the sets and locations are used to maximum effect, especially when you realise Matt Dillon not only starred in this film, but also directed it.
However for all the excellent performances from the actors, plus fine detail in the film and attempts at a gritty portrayal of a poor country, I found the film lacked something.
The whole story never really gripped me, although the characters were good, I never really felt for any of them and could see how the story would unfold a mile off, predicting every plot twist/surprise coming.
All together not a bad film, I certainly didnt feel cheated at losing an hour and a half of my life, Ill definitely be looking out for any other films directed by Matt Dillon, as he seems to have a knack for directing nice looking films.
Lets hope the next one gets a story.
All I can really say about this movie there is nothing new to be had. It's quite atmospheric and the acting is okay but overall It is a distinctly average film...
Although not a great film, the casting is good, the locals are played well and restore your faith in humankind (at times), and the cinematography has some great landscape shots. This is why it is worth watching.
However, if you like you thrillers to be fast paced and make you want to work out the twists and not just wait for them to happen, this is not the film for you. It also does not show the best light on being an ex-patriate!
A lazy, laid back film, but still enjoyable.
Intersting to follow, with a different ending.
Not a new plot but well put over.
doesnt have a good story line, could have been alot better.
a vehicle for dillons' ego. might as well have been shot in some hollywood back-lot; cambodia as a country is criminally underused. apparently dillon was inspired by his visit to the country- you would never have guessed............. payday for the rest of the cast.
It's not so crucial, but if you miss the first 10 mins of the film then you'll wonder what's happening during the rest of the film. At the start it all happens very quickly, and make sure you're completely settled down, with no distractions like kids, animals or getting a drink.
Good to have a different storyline.
Matt Dillon's feature film debut as a director sank without trace after its US debut but many worse films have received much better treatment. Granted the plot wanders but most of the cast are fine and the location shot photography of Cambodia provides a nice travelogue to keep interest afloat.
Not as good as THE QUIET AMERICAN, but it should appeal to a similar audience.
Matt Dillon's directorial debut plays like a dark love letter to Cambodia. A slow-burning thriller, it's as beguiled by the country's seedy underbelly as it is by its natural beauty. In a story penned by Dillon with Lost Highway co-writer Barry Gifford, the actor also takes the lead as a conman who flees the US for Cambodia following an insurance scam. Here, passionately detailed visuals present a snapshot of an alien culture, populated by quirky characters who add colour to Dillon's hunt for his shadowy associate James Caan. Though these fleeting figures need more explanation, particularly love interest Natascha McElhone, they provide a surrealistic touch that lifts the tale's overall bleakness. Ultimately the picture lacks the complexity and pacing to really grip, but it's an admirable effort nonetheless.
Old-fashioned, sub-Hemingway, Hollywood tough-guy melodrama that exploits its exotic locations to add novelty to its generic situations and characters.
One of the best movies this year.
Two thumbs up.