Two features. Youth gangs took over the slums of Rio de Janiero during the 1960s and didn't relinquish their stronghold until the mid-1980s. Only a sucker wouldn't have turned to crime and this is exactly how naive teen Rocket (Alexandre Rodrigues) views himself in 'City Of God'. His attempts in illegal activity fail as he .. Read more
| Starring | Matheus Nachtergaele, Seu Jorge, Alexandre Rodrigues, Leandro Firmino da Hora |
|---|---|
| Director | Katia Lund, Fernando Meirelles |
| Genres | Drama, Thriller, World Cinema |
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Inspired by Paulo Lins's fact-based novel, this three-act chronicle of gangland rivalry on the streets of Rio de Janeiro resists the temptation to glamorise crime, as so many New York Mob movies have done. Yet director Fernando Meirelles's audacious visual style may disconcert those expecting a neorealistic approach to the story of a teenage hoodlum's rise and fall. Comparisons with GoodFellas are certainly valid, as the often explosive and meticulously designed action spans the late 1960s to the early 1980s. But the no-holds-barred authenticity of the non-professional juvenile cast and Meirelles's edgy social commitment make it a wholly unique experience.
In essence, this resembles many slickly-made Hollywood gangland drug dramas: what sets it apart is the age of its swaggering, gun-toting street kids Ð many are barely teenagers Ð and the vitality of the acting from its non-professional cast.
I have to be honest I put the film on and saw the subtitles, played around on the DVD trying to find the english soundtrack, no joy. Oh well might as well keep it on while I finish my cup of tea. Two hours later I sat there gob smacked. The photograpthy throughout was superb, acting just as good. But its the story that grips you, from start to finish. Reading the subtitles is no longer a chore. If you have never watched a subtitled movie before (like myself) I can wholeheartedly recommend giving this one a go!
What an absolutely fantastic experience. This film well deserves its place in the top 100 films of all time. Made with complete unknowns, without flashy effects and wads of cash, but instead use's a brilliant story to keep you transfixed from start to finish.
The way the story was set out, reminded me a little of a brailian pulp fiction, but without the tarantino dialouge.
Looking at the reviews, a lot of people found this film depressing, I have to say I didn't in the slightest. It did have some subtle black humour in there that lightened it, and the ending was quite uplifting, with a little bit of black around the edges.
The documentary in the extra's was a different story this was black from start to finish, and is definately worth a look, it holds no punches and tells it as it is.
Take a look today, you'll never forget it
This is without a doubt the best film i have seen all year. It shows the true the story of a group of young kids growing up in the slums in Rio. It has a little mix of Stand by Me, Lord of the Flies and Pulp Fiction all rolled into one. This film is completely breath-taking from start to its gruesome finish.
If you don't have a strong gut then its not for you as there are some extremely violent scenes, and you have to keep in mind all the time that they are just kids.
The directing is superb, the story is told from one young lad's point of view about several different people with the excellent use of flashbacks. The story itself is an amazing one - this is a must-see film. (Even though it is in portugese).
This story told over two decades of Brazilian child street gangs is not for the faint hearted. It is, however, riveting viewing.
While it is stylistic with its story line and depiction of violence, the film never loses its ability to move you with the heart breakingly tender years of the protagonists and the courses that their lives take.
The story revolves around one of the most chilling villains I have seen created in recent cinema.
Even if you do not usually try foreign films - give this one a chance you will not be diappointed.
This film is very interesting!
It is extremely well acted and written and is very compulsive viewing.
It is very violent in places, and is extremely well put together, with a clever narration and structure, which is somewhat similar to Pulp Fiction.
I thoroughly enjoyed it and it is one of the more interesting and original films I have seen for a long time.
It is a must see, and makes a nice change from some of the drab films we see from Hollywood as well.
Go and see for yourself!
I have to be honest I put the film on and saw the subtitles, played around on the DVD trying to find the english soundtrack, no joy. Oh well might as well keep it on while I finish my cup of tea. Two hours later I sat there gob smacked. The photograpthy throughout was superb, acting just as good. But its the story that grips you, from start to finish. Reading the subtitles is no longer a chore. If you have never watched a subtitled movie before (like myself) I can wholeheartedly recommend giving this one a go!
What an absolutely fantastic experience. This film well deserves its place in the top 100 films of all time. Made with complete unknowns, without flashy effects and wads of cash, but instead use's a brilliant story to keep you transfixed from start to finish.
The way the story was set out, reminded me a little of a brailian pulp fiction, but without the tarantino dialouge.
Looking at the reviews, a lot of people found this film depressing, I have to say I didn't in the slightest. It did have some subtle black humour in there that lightened it, and the ending was quite uplifting, with a little bit of black around the edges.
The documentary in the extra's was a different story this was black from start to finish, and is definately worth a look, it holds no punches and tells it as it is.
Take a look today, you'll never forget it
This is without a doubt the best film i have seen all year. It shows the true the story of a group of young kids growing up in the slums in Rio. It has a little mix of Stand by Me, Lord of the Flies and Pulp Fiction all rolled into one. This film is completely breath-taking from start to its gruesome finish.
If you don't have a strong gut then its not for you as there are some extremely violent scenes, and you have to keep in mind all the time that they are just kids.
The directing is superb, the story is told from one young lad's point of view about several different people with the excellent use of flashbacks. The story itself is an amazing one - this is a must-see film. (Even though it is in portugese).
This is the film that embarrasses Hollywood and its lacklustre blockbusters of 2003, by a show of verve and excitement from a cast plucked from the streets of Brazil. It will scare you with the gangsters casual throwaway attitude to life. But in the midst of all the violence is an inspiring story of one person drive to find a better life. It deserves as wide an audience as it can get.
Flawless! One of the best movies I've ever seen and no less a production for resisting the temptation to glorify criminality. As well as magnificent acting and direction the soundtrack is wonderfully appropriate and remains a constant reminder of a truly great production.
A word used too easily these days but sometimes no other word seems to fit. This film really is great. It draws you in so much that you soon forget that you're reading subtitles. The pace is just right and the characters are all memorable. Definately one you'll want to watch again.
"City of God" is a fantastic social comment in the same way that Golding's Lord of the Flies gives us an incite into the innate nature of man at his absolute worst. Without hyperbole it gives a kind of fly-on-the-wall perspective of the forces that drive people who are drowning in the waters of poverty. This hits home and is all the more shocking because you quickly realise that this is not a world of fiction but a docu-soap of 'modern' Latin America. You get to see not only that boys will be boys but more importantly that boys will be ruthless and evil if survival depends on it
Without giving anything away, this film, though strong in content, has to be one of the best films of the decade. This reminded me of an old film called 'Pixote' which delivered a similiar sort of impact, it still is one of the few films that has stayed in my memory all those years ago. The acting, action and dialogue is so bloody real. If this does not win a few awards then there is no justice.
A fascinating, Tarantino-esque, gang film... a complex character introduction at the beginning soon unravels to bring the various components and their significance to each other together. A film that doesn't try to hide the abject poverty & seediness of 60's/70's Brazilian ghetto life and what the kids are prepared to do to save themselves from it. A violent, sometimes funny, and often tragic depiction of this environment makes this film simply unmissable...even if you don't like reading sub titles!!
The sweet/sour ending is a creative surprise and to find that the characters are actually based on real people, albeit in a heavily dramatised screenplay, ensures that this film is worthy of the 5* rating I give it.
I don't give praise lightly. This is an excellent film that tackles a geosociological problem in much the same way as Traffic did but so much more sucessfully. Beautifully told in retrospect, the editing is sharp and original, the performances understated and believeable.
The documentary as bonus material is also fascinating after watching the film. There's no light at the end of the tunnel but isn't that always the way with real life?
Inspired by Paulo Lins's fact-based novel, this three-act chronicle of gangland rivalry on the streets of Rio de Janeiro resists the temptation to glamorise crime, as so many New York Mob movies have done. Yet director Fernando Meirelles's audacious visual style may disconcert those expecting a neorealistic approach to the story of a teenage hoodlum's rise and fall. Comparisons with GoodFellas are certainly valid, as the often explosive and meticulously designed action spans the late 1960s to the early 1980s. But the no-holds-barred authenticity of the non-professional juvenile cast and Meirelles's edgy social commitment make it a wholly unique experience.
In essence, this resembles many slickly-made Hollywood gangland drug dramas: what sets it apart is the age of its swaggering, gun-toting street kids Ð many are barely teenagers Ð and the vitality of the acting from its non-professional cast.