In THE CITY OF LOST CHILDREN, an imaginative fantasy from the creators of DELICATESSEN, a prematurely aging mad scientist named Krank (Daniel Emilfork) kidnaps children so he can steal their dreams. However, Krank runs into trouble when his henchmen grab Denree (Joseph Lucien), a little boy whose adopted brother, One (Ron .. Read more
| Starring | Ron Perlman, Daniel Emilfork, Judith Vittet, Dominique Pinon |
|---|---|
| Director | Jean-Pierre Jeunet, Marc Caro |
| Genres | Sci-Fi/Fantasy, World Cinema |
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Ron Perlman, still best known as Vincent in the TV series Beauty and the Beast stars in this sinister fantasy adventure from French directors Jean-Pierre Jeunet and Marc Caro, who, with their extraordinary Delicatessen, set new standards for dark fables. This surreal tale is an astonishing eye-opener from its nightmare opening to the climactic battle, as carnival strongman One (Perlman) leads the fight against the evil Krank (Daniel Emilfork), who steals children's dreams. For those who thought films could do nothing new, prepare to be surprised.
"...A stunningly surreal fantasy, a fable of longing and danger, of heroic deeds and bravery, set in a brilliantly realized world of its own. It is one of the most audacious, original films of the year..."
A child smiles delightedly in his toy-filled room as Santa emerges from the chimney-piece, but joy turns to terror as... read more on Time Out
Now this is my kind of film! Twisted, freaky, surreal as a turkey dancing the bolero, and wonderfully macabre. The City of Lost Children really is a wonderful film. The City of Lost Children is one of those preciously rare films where for the first fifteen minutes, you?re sat there going ?What the hell?!?. But unlike those films, with The City of Lost Children, you?re sat there going ?What the hell?!? for the whole film. I do surreal, I really, really do? but this film takes it to another level! This film aint for the kinda person who finds the plot of A Nightmare on Elm Street taxing. That kind of person, in their tragically dull and ignorant way, would most definitely not understand and would simply say this film is ?rubbish?. I pity them.
The characters range from evil Siamese twin women to a brain in a jar to five inept clones who argue about who was the first to a nutter with a hypnotic accordion to a nymphet who makes Natalie Portman in Leon look normal to an evil midget woman devoted to a messed up old man who is dying because he can?t dream. With the main character being the big bad from Blade II as a mentally challenged Circus strongman who?s little brother is stolen by the messed up old man who is dying because he can?t dream. Care Bears the Movie, this aint.
The music is haunting, freaky, and downright spine tingling, especially that scary, scary accordion. Ugh! Sends shivers down my spine thinking about it. Now *that* is the testament of a good score for a movie.
Darkly directed, set in a fantastical world, with a genius casting supervisor coupled with Jean-Paul Gaultier as the costume designer: you have a very, very stylised and distinctive ?look? to this film. And that look is freaky.
Normally, I really hate dubbed foreign films. There is so much stuff out there that has lousy, 99% of the time unemployed, talentless ?actors? doing voiceover after voiceover that doesn?t fit the lip synch. However, this the one film where the dubbing ADDS to the film! Yes, I personally feel that it adds. Because the film is so wonderfully surreal, the dubbing serves to exaggerate and emphasise this! Whether it was meant to, I don?t know, but for me, for one time only: dubbing rocks!
So to wrap up, did I mention this film is freaky? This is a film for the intelligent, the slightly twisted, and the kinda person that likes their humour dark and their plotlines a little different. That?s me. If that?s you too, watch it; if it aint, you?ll hate this film and simply won?t get it.
If you liked Amelie or Delicatessen, you may like this movie. Reminds me very much of Delicatessen. Set in an alternate future, unusual characters, and story.
Note:This is a French speaking film overdubbed with English(done well). Would have preferred the French speaking version or a choice of.
If you have seen and enjoyed Delicatessen this film is for you. If you have seen and enjoyed any of Terry Gilliam's films, particularly Brazil, this is for you. If you don't like your fantasies dark, sinister, visually rich and very funny, or you expect a plot that makes real-world sense, watch something else, you would not enjoy this.
"It's hard to be original." Quoting one of the characters quite out of context, this film takes a kitchen sink-full of phantastical stock elements and disproves this by producing something like a demented version of Oliver, without the singing.
Finally, Jeunet and Caro have handled the intmacy between a streetwise little girl and a dimwitted strongman with incredible sensitivity. I don't think anyone else could get away with this. (Credit to the actors also, of course).
i think this film needs a bit more clarity. it's a big idea but the stroytelling - the script, needs a bit more work
Like a drug-induced love-child of Amelie and Oliver Twist, this one is strictly for those who love adult fairy tales. As such myself, I was definitely not disappointed. Very, very unusual, creative, imaginative and well-acted. The sets alone are worth a view. I only knocked one star off for the fact it was badly dubbed... as another reviewer notes, it would have been so much better in French with subtitles. C'est la vie!
Now this is my kind of film! Twisted, freaky, surreal as a turkey dancing the bolero, and wonderfully macabre. The City of Lost Children really is a wonderful film. The City of Lost Children is one of those preciously rare films where for the first fifteen minutes, you?re sat there going ?What the hell?!?. But unlike those films, with The City of Lost Children, you?re sat there going ?What the hell?!? for the whole film. I do surreal, I really, really do? but this film takes it to another level! This film aint for the kinda person who finds the plot of A Nightmare on Elm Street taxing. That kind of person, in their tragically dull and ignorant way, would most definitely not understand and would simply say this film is ?rubbish?. I pity them.
The characters range from evil Siamese twin women to a brain in a jar to five inept clones who argue about who was the first to a nutter with a hypnotic accordion to a nymphet who makes Natalie Portman in Leon look normal to an evil midget woman devoted to a messed up old man who is dying because he can?t dream. With the main character being the big bad from Blade II as a mentally challenged Circus strongman who?s little brother is stolen by the messed up old man who is dying because he can?t dream. Care Bears the Movie, this aint.
The music is haunting, freaky, and downright spine tingling, especially that scary, scary accordion. Ugh! Sends shivers down my spine thinking about it. Now *that* is the testament of a good score for a movie.
Darkly directed, set in a fantastical world, with a genius casting supervisor coupled with Jean-Paul Gaultier as the costume designer: you have a very, very stylised and distinctive ?look? to this film. And that look is freaky.
Normally, I really hate dubbed foreign films. There is so much stuff out there that has lousy, 99% of the time unemployed, talentless ?actors? doing voiceover after voiceover that doesn?t fit the lip synch. However, this the one film where the dubbing ADDS to the film! Yes, I personally feel that it adds. Because the film is so wonderfully surreal, the dubbing serves to exaggerate and emphasise this! Whether it was meant to, I don?t know, but for me, for one time only: dubbing rocks!
So to wrap up, did I mention this film is freaky? This is a film for the intelligent, the slightly twisted, and the kinda person that likes their humour dark and their plotlines a little different. That?s me. If that?s you too, watch it; if it aint, you?ll hate this film and simply won?t get it.
If you liked Amelie or Delicatessen, you may like this movie. Reminds me very much of Delicatessen. Set in an alternate future, unusual characters, and story.
Note:This is a French speaking film overdubbed with English(done well). Would have preferred the French speaking version or a choice of.
If you have seen and enjoyed Delicatessen this film is for you. If you have seen and enjoyed any of Terry Gilliam's films, particularly Brazil, this is for you. If you don't like your fantasies dark, sinister, visually rich and very funny, or you expect a plot that makes real-world sense, watch something else, you would not enjoy this.
"It's hard to be original." Quoting one of the characters quite out of context, this film takes a kitchen sink-full of phantastical stock elements and disproves this by producing something like a demented version of Oliver, without the singing.
Finally, Jeunet and Caro have handled the intmacy between a streetwise little girl and a dimwitted strongman with incredible sensitivity. I don't think anyone else could get away with this. (Credit to the actors also, of course).
The City of Lost Children gets two platinum stars and also moves up to one of my top ten favorite films of all time. This is a confusing story, from beginning to end it expands your mind, reaches into your nightmares, and creates a story that is part Dark City and part of a novel called 'The Golden Compass' by Phillip Pullman.
Yes, this film was everything and more. Not only visually beautiful, but the creative and symbolic meaning of the actions and words of the characters are 'jaw dropping'. Also, there are so many sub-stories in this film that reminded me of the style that Run Lola Run was done. This is the style that due to a connection of unrelated events something extraordinary happens. Let me give you an example from this film: There is a scene where the girl and One (Ron Pearlman-also a very biblical name) are trying to escape from the two women who want their jewels. There are events that lead from a dog finding its female companion to a boat almost hitting/splitting the women in half. Wild coincidences...imagine this times ten, and you have this film.
I might have enjoyed this film if it had been in its original French with subtitles.
Instead it reminded me of watching Heidi (the old Swiss tv series) all the performances seem wrong, and as this is a 'quirky' French film with lots of fantasy elements it really didn't need performances dubbed in from a back room in Wardour Street.
Please provide a subtitled option!! (the DVD does not allow you to!!)
This is a great film, but what a pity that the DVD didn't have the original French version!
One of my all-time favourite films. Why? Stylistically amazing and unforgettable. Plus, like all good fairy-tales it is magical, unremittingly dark....and you don't want it to end.
If you've only seen 'Amelie' I would recommend the work that Jean-Pierre Jeunet did with Marc Caro...it's a lot darker but with the same sense of mischief and occasional moments of wonderful invention (the flea-cam in this case!).
Yet another strikingly original film from the french film-makers that brought as Amelie and Delicatessen.
What really makes this film is the Production Design, great use of deep colours and the use of the camera is also exceptional.
Dominique pinon is truly exceptional in this as the twins, not only is he amazing, but the rest of the cast are great.
The only thing that lets the film down is, at times, it moves along slowly, but the sheer brilliance of the rest brings you through that. If you enjoyed Delicatessen or Amelie, see this film.
This is just a stunning film, although the only very slight complaint I have is that it's dubbed. Subtitles are fine, really, we can manage them! It's so dark and atmospheric, I saw it at the pics and fell completely in love with Ron Perlman. May even get the back catalogue of Beauty and the Beast at some point!
I highly rec this film if you like odd stuff - and Donnie Darko! It is a bit mad, it's a love or hate thing, but I really LOVE it!
This film is fantastic. Its dark, unsettling, funny, beautiful looking and extremely french. So whatever you do, DON'T GET THE DUBBED VERSION! It's like listening to a bloke down the pub doing a kareoke version of 'J'temme' by Serge Gainsbourg.
Ron Perlman, still best known as Vincent in the TV series Beauty and the Beast stars in this sinister fantasy adventure from French directors Jean-Pierre Jeunet and Marc Caro, who, with their extraordinary Delicatessen, set new standards for dark fables. This surreal tale is an astonishing eye-opener from its nightmare opening to the climactic battle, as carnival strongman One (Perlman) leads the fight against the evil Krank (Daniel Emilfork), who steals children's dreams. For those who thought films could do nothing new, prepare to be surprised.
"...A stunningly surreal fantasy, a fable of longing and danger, of heroic deeds and bravery, set in a brilliantly realized world of its own. It is one of the most audacious, original films of the year..."
A child smiles delightedly in his toy-filled room as Santa emerges from the chimney-piece, but joy turns to terror as... read more on Time Out
A bizarre, hyperactive fantasy that yields many incidental pleasures, although coherence is not among them.
"A vibrant, bubbling cauldron of breathtaking f/x, gross-out humor and in-your-face imagery..."
"...Gleefully evokes a world inspired by carnival grotesquerie..." -- Rating: A-