In this French suspense drama directed by Anne Fontaine (DRY CLEANING), Charles Berling stars as Jean-Luc, an established physician whose comfortable, middle-class existence is thrown into turmoil by the reappearance of his absentee father Maurice (veteran French actor Michel Bouquet). Maurice had abandoned his family decades .. Read more
| Starring | Michel Bouquet, Charles Berling, Amira Casar, Natacha Regnier |
|---|---|
| Director | Anne Fontaine |
| Genres | Drama, World Cinema |
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Screenwriter Jacques Fieschi seeks to replicate the intensity achieved in his collaborations with Claude Sautet in this simmering, but largely superficial study of bourgeois manners. Charles Berling is suitably uptight as the successful Parisian physician whose confidence is dented by the return of his father, Michel Bouquet, who abandoned the family years before to tend the sick in the Third World. Director Anne Fontaine captures the mix of envy, respect and animosity that fuels the relationship. But she leaves Berling's wife, Natacha Régnier, on the periphery, when her hesitant reaction might have provided an emotional counterbalance to the psychological posturing.
This is a nicely shot piece with a faint story line, the story of a man's (lack of) relationship with his father. It is typical in that not a lot happens ... more
At 40 Jean-Luc (Berling) would seem to have it all. The great job, the money, the house, the beautiful wife (Regnier), the beautiful bit on the side (Amira ... more
I was mesmerised by this beautiful and extraordinary film. It's an exploration of the relationship between the son, his wife, and his father, who returns ... more
This is a nicely shot piece with a faint story line, the story of a man's (lack of) relationship with his father. It is typical in that not a lot happens ... more
This falls perfectly within the swathe of publicly funded film-making through which France sustains its Proustian inheritance. Home grown efforts like this ... more
This is a nicely shot piece with a faint story line, the story of a man's (lack of) relationship with his father. It is typical in that not a lot happens ... more
At 40 Jean-Luc (Berling) would seem to have it all. The great job, the money, the house, the beautiful wife (Regnier), the beautiful bit on the side (Amira ... more
I was mesmerised by this beautiful and extraordinary film. It's an exploration of the relationship between the son, his wife, and his father, who returns ... more
This falls perfectly within the swathe of publicly funded film-making through which France sustains its Proustian inheritance. Home grown efforts like this ... more
When I finally got around to putting the DVD on I was not disappointed. The subtle, and therefore believable, characterisation executed formidably by every ... more
An excellent portrayal of the relation between a father and son. A strong story line with excellent acting.
Dark, depressing and a bit confusing. Maybe I watch too many 'American blockbusters' as my FRENCH boyfriend tells me, but I didn't particularly ... more
Did the appalling lighting not bother anyone else? All the main characters consistently had gleaming eyes which made them look either dead, blind or mad. In ... more
The main characters both irritated me but I was interested all the way through.
Some exceptional acting, yet my what a boring film. I fell asleep both times I tried to watch it. But maybe I'm just too 'lower decks' for this kind... more
Screenwriter Jacques Fieschi seeks to replicate the intensity achieved in his collaborations with Claude Sautet in this simmering, but largely superficial study of bourgeois manners. Charles Berling is suitably uptight as the successful Parisian physician whose confidence is dented by the return of his father, Michel Bouquet, who abandoned the family years before to tend the sick in the Third World. Director Anne Fontaine captures the mix of envy, respect and animosity that fuels the relationship. But she leaves Berling's wife, Natacha Régnier, on the periphery, when her hesitant reaction might have provided an emotional counterbalance to the psychological posturing.