A modern vampire tale, elevated from the usual trappings of fangs and garlic, Cronos is living evidence that the vampire movie is disturbingly undead, stylishly reworking the ancient themes of dread and desire in a sophisticated and unique way. Packed with startling imagery and a strong visual style, Cronos is a fascinating .. Read more
| Starring | Ron Perlman, Frederico Luppi, Claudio Brook |
|---|---|
| Director | Guillermo del Toro |
| Genres | Horror |
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A modern vampire tale, elevated from the usual trappings of fangs and garlic, Cronos is living evidence that the vampire movie is disturbingly undead, stylishly reworking the ancient themes of dread and desire in a sophisticated and unique way. Packed with startling imagery and a strong visual style, Cronos is a fascinating fantasy from Mexico which pumps new blood into the old vampire legend.
| Starring | Ron Perlman, Frederico Luppi, Claudio Brook |
|---|---|
| Director | Guillermo del Toro |
| Studio | OPTIMUM RELEASING |
| Run time | DVD: 1 hr 28 mins |
| Certificate | |
| Genres | Horror |
| Released | DVD: 06 Feb 2006 Production year: 1993 |
| Format | DVD |
Luppi, an elderly antiques dealer, discovers a gold gizmo which a mysterious alchemist had hidden inside a statue... read more on Time Out
Being the huge fan of del Toro that I am, this was required viewing. Del Toro started out in film at the tender age of 8, having already devoted his life to horror, he started filming homemade horror films. From this firm foundation he moved into special effects for the horror films/programs being made in the area. He eventually moved into directing TV programs, and from here he moved to his first feature length film, Cronos.
Cronos is the story of an aging antique seller, Jes?s Gris, who one day finds an ancient amulet within one of his antiques. It doesn't take long for curiosity to get the best of him and he begins to take a closer look at the amulet, what he finds begins to send his life into a whole new direction.
With Cronos, Del Toro strips down the idea of Vampires and takes it down to its bare bones, no sexiness, all blood. With this stripped down take on vampires, it allows for a slow paced horror film to take place, leaving the viewer to unravel whats taking place, rather than have shoved down their throat with nudity and pointless scenes.
Del Toro's direction here is refreshing, taking in the surroundings of the characters and setting the scene without slowing the pace of the film down too much. This is not only Del Toro's first film, but its also a very early work of the highly regarded Director of Photography, Guillermo Navarro, who manages to take this film to another level with some beautiful shots.
My only real gripe about this film is that its characters seem a little out of place and, well, for want of a better term, stereotypical. Perlman plays the muscle, as usual, and though he is great as Angel, he seems to be just thrown into the blender with the other characters.
Overall, the films vision and slight uniqueness pulls it through, but, its really no match for Del Toro's later film, The Devil's Backbone.
Being the huge fan of del Toro that I am, this was required viewing. Del Toro started out in film at the tender age of 8, having already devoted his life to horror, he started filming homemade horror films. From this firm foundation he moved into special effects for the horror films/programs being made in the area. He eventually moved into directing TV programs, and from here he moved to his first feature length film, Cronos.
Cronos is the story of an aging antique seller, Jes?s Gris, who one day finds an ancient amulet within one of his antiques. It doesn't take long for curiosity to get the best of him and he begins to take a closer look at the amulet, what he finds begins to send his life into a whole new direction.
With Cronos, Del Toro strips down the idea of Vampires and takes it down to its bare bones, no sexiness, all blood. With this stripped down take on vampires, it allows for a slow paced horror film to take place, leaving the viewer to unravel whats taking place, rather than have shoved down their throat with nudity and pointless scenes.
Del Toro's direction here is refreshing, taking in the surroundings of the characters and setting the scene without slowing the pace of the film down too much. This is not only Del Toro's first film, but its also a very early work of the highly regarded Director of Photography, Guillermo Navarro, who manages to take this film to another level with some beautiful shots.
My only real gripe about this film is that its characters seem a little out of place and, well, for want of a better term, stereotypical. Perlman plays the muscle, as usual, and though he is great as Angel, he seems to be just thrown into the blender with the other characters.
Overall, the films vision and slight uniqueness pulls it through, but, its really no match for Del Toro's later film, The Devil's Backbone.