In 1865, Civil War hero Lt. John Dunbar asks to be reassigned to the western frontier before it disappears. At his isolated post he develops a relationship with the peaceful Lakota Sioux and a white woman who lives among them, finding greater kinship with them than with his own people. Read more
| Starring | Kevin Costner, Rodney A. Grant, Mary McDonnell, Gordon Tootoosis |
|---|---|
| Director | Kevin Costner |
| Genres | Action/Adventure |
loading...
In 1865, Civil War hero Lt. John Dunbar asks to be reassigned to the western frontier before it disappears. At his isolated post he develops a relationship with the peaceful Lakota Sioux and a white woman who lives among them, finding greater kinship with them than with his own people.
| Starring | Kevin Costner, Rodney A. Grant, Mary McDonnell, Gordon Tootoosis, Graham Greene, Wes Studi |
|---|---|
| Director | Kevin Costner |
| Studio | PATHE DISTRIBUTION |
| Run time | DVD: 2 hrs 53 mins Blu-ray: 3 hrs 47 mins |
| Certificate | |
| Collections | 100 Wild Westerns |
| Genres | Action/Adventure |
| Language | DVD: English Blu-ray: English |
| Released | DVD: 23 Apr 2001 Blu-ray: 26 Oct 2009 Production year: 1990 |
| Format | DVD |
Or you can rent each disc individually:
Kevin Costner's directorial debut, the first western to win the best picture Oscar for 60 years, is a heartfelt attempt to create a frontier epic and to atone for Hollywood's shameful depiction of native American life. Costner himself plays the depressed, battle weary Union officer John Dunbar, a Civil War hero who, given the choice, opts for a remote posting in South Dakota to see the frontier before it disappears. After befriending the Sioux Indians he decides to join them, and marries Stands with a Fist (Mary McDonnell), a white woman also adopted by the tribe. Although the film is three hours long, Costner directs his pet project with a clear passion for the subject, and in so doing proves that epic westerns can still work if their heart is in the right place, the characters are real, and the cinematography is stunning — take a bow Dean Semler, another deserving winner of one of the seven Oscars awarded to Costner and company. Costner demythologises the westerns made by such directors as John Ford (for instance, much of the dialogue is in the Lakota Sioux language) to re-create the genre and present a wistful and poignant look at a way of life and a people that have all but disappeared. Admirably supported by fellow Oscar nominees Graham Greene, as Kicking Bird, and the brilliant McDonnell, Costner gives Dunbar an essential decency with which viewers cannot fail to empathise, right up until the moving climax. A marvel from beginning to end.
A liberal Western Ð the Indians (or Native Americans) are the good guys Ð sentimental and over-long, but nonetheless affecting. A version of 'the director's cut' was promised for videocassette, with a running time of 240 minutes.
Kevin Costner has always been one of those actors you either love or hate, much like the singing and celebrity of Victoria Beckham or Marmite.
It is unfortunate then, that it is these personal feelings which cloud judgement about whether or not to see a film. Because, in a time when the idea of race relations is once again at the forefront of the news, this simple story of a man open to change can tell us a lot.
Lt John Dunbar (Coster) is a civil war hero. Given the choice of outpost as a reward for a selfless act on the battlefield, he picks the furthest place he can find, the prairee. Also known as Indian country.
Far from being the war-mongering madmen his superiors are presented as, Dunbar is a quiet, docile man, eager to learn and thoughtful. He writes a diary, in which he places great importance, and when his Indian neighbours first show up, he is scared but also intrigued.
What follows over the next three hours is a beautiful, poetic story of friendship, love and honour amongst men. Costner, in his directorial debut paints a wonderful canvass, rich in colour and tone. Characters are well fleshed out, and all given a story perhaps worthy of a film of their own. He presents the Indians not as hostile, but as a simple, spirtitual people, oppressed and scared.
Dances With Wolves is a rarity. Its beauty and story have rarely been matched in silver screen history, and despite what may have been said, it is my opinion that its Best Film Oscar was well deserved.
I can't say this clearly enough - see this movie.
A strong, beautifully crafted first 45 minutes, in which Costners idealistic soldier finds refuge in an abandoned frontier outpost, is sadly let down by a horribly botched second and third act, for one single reason; its so horribly, sickeningly sentimental.
As opposed to being the pro-native American movie it would so love to be, it emerges almost as an insult to them, as all the Indians are so stereotyped: theyre all honorable, nature-loving saints.
In contrast, Costner paints the cowboys as malicious, all of them fat, ugly, rude and violent.
In the end, the shallow characterization and endless schmaltz means that this multi-Oscar-winning epic has very little emotional sweep to it- and only the picturesque visuals save it from catastrophe.
A film investigating the 2001 Twin Tower attacks in New York City will feature the voices of Hollywood stars Hilary Swank and Kevin Costner. Swank and Costner will be sharing the role of narrator for On Native Soil: The Documentary of the 9/11 Commission Report. Swank, who has won Oscars for her roles in films such as Boys Don't Cry and Million Dollar Baby, said in a statement: "I was in lower Manhattan that horrible day. I was drawn to the project by the amazing stories of the 9/11... Read more