An English stuntman arrives to do a car crash sequence. Liliane falls for him and Alphonse is abandoned. The director explains that the crash is to be in "la nuit Americaine" - that is simulated night filmed in the daytime by use of filters. The rejected Alphonse wants to leave the film but is consoled by Julie who finds .. Read more
| Starring | Jacqueline Bisset, Valentina Cortese, Dani, Alexandra Stewart |
|---|---|
| Director | Francois Truffaut |
| Genres | World Cinema |
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An English stuntman arrives to do a car crash sequence. Liliane falls for him and Alphonse is abandoned. The director explains that the crash is to be in "la nuit Americaine" - that is simulated night filmed in the daytime by use of filters. The rejected Alphonse wants to leave the film but is consoled by Julie who finds herself in his arms and then his bed.
| Starring | Jacqueline Bisset, Valentina Cortese, Dani, Alexandra Stewart |
|---|---|
| Director | Francois Truffaut |
| Certificate | |
| Genres | World Cinema |
| Language | DVD: English, French |
| Released | DVD: not available Production year: 1973 |
| Format | DVD |
Everything that could possibly go wrong on François Truffaut's film-within-the-film, Meet Pamela, does so in spades in this exhilarating, Oscar-winning celebration of the movie-making process. Yet Truffaut's harassed character battles on in the search for meaningful art. Regular collaborator Jean-Pierre Léaud is on cracking form as the actor who falls passionately in love with leading lady Jacqueline Bisset, who spoofs her own image to perfection. There are also lovely supporting turns from Valentina Cortese and Nathalie Baye, while novelist Graham Greene (billed as Henry Graham) pops up in a cameo that was something of a practical joke at Truffaut's expense.
Immensely enjoyable, richly detailed, insider's-eye-view of the goings-on in a film studio. A fun film with melodramatic asides.
This is a fictional film about the making of a fictional film. There could just as easily have been a documentary crew filming the 'real' filming of the fictional crew filming the fictional film.... but maybe it is fortunate for the crew and cast that there wasn't since filmmaking turns out to be a messy affair!
What we get is as close to seeing how movies are really made as we are likely to get without being on set for 6 weeks.
On one level it is a straightforward story of the filmmaking process; on another, its the story of the film script they are shooting, and on yet another, its all about the weird unreal world of the actors, director and crew mambers whose own lives and loves intermingle and influence the other levels.
It's exquisitely crafted, very funny and tragic, and it reveals that films are not made by directors or 'auteurs' after all. Since this is a Francois Truffaut film (he of 'Cahiers du Cinema' fame and the whole auteur / director as God movement in France) this is a telling revelation.
What we see is a ruthlessness and focus on the part of the 'fictional' director in the film of the film (played of course by Truffaut himself) who steals, borrows and manipulates all around him to get his fictional film onto (fictional?) celluloid.
Intruiging and well worth seeing!
Director, stars and crew assemble to film what is clearly a rather stodgy melodrama and everything goes wrong. Since Truffaut appears as a version of himself, this must go down as a significant technical achievement. It breezes along with interesting and amusing characters and fascinating insights into the tricks of the trade. Movie fans will love it.