Luchino Visconti's striking adaptation of Thomas Mann's DEATH IN VENICE follows the sickly composer, Gustav von Aschenbach (Dirk Bogarde). As the film begins, Aschenbach is arriving by steam boat in Venice from Munich. He is deeply distracted, nervous, uncomfortable, and conflicted. Nonetheless, he settles into a breathtaking .. Read more
| Starring | Dirk Bogarde, Bjorn Andresen, Silvana Mangano, Mark Burns |
|---|---|
| Director | Luchino Visconti |
| Genres | Gay/Lesbian |
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Luchino Visconti's striking adaptation of Thomas Mann's DEATH IN VENICE follows the sickly composer, Gustav von Aschenbach (Dirk Bogarde). As the film begins, Aschenbach is arriving by steam boat in Venice from Munich. He is deeply distracted, nervous, uncomfortable, and conflicted. Nonetheless, he settles into a breathtaking seaside resort, where he fixates on Tadzio (Bjorn Andresen), an angelic blond Polish boy who is there with his family. While flashbacks to happy times spent with his wife and small daughter fill in some of the blanks of Aschenbach's personal past, others recall Aschenbach's harsh and competitive friend, Alfred (Mark Burns), who criticised Aschenbach's music for being overly perfected and thus lacking in beauty and passion. Through these flashbacks, it becomes evident that Aschenbach feels defeated in both his personal and his professional lives. The film uses very little dialogue, relying largely on the characters's facial expressions to communicate the tortured mentality of the protagonist, the curious vanity of young Tadzio, and the precocious airs of the bourgeois women who parade the Venetian beaches in taffeta, bonnets, and parasols. As Aschenbach's infatuation with Tadzio grows beyond his control, he learns that, "Venice is gripped by pestilence," and the city is being sequestered to prevent the spread of a cholera outbreak. With concentrated, languid pacing, a colour scheme consisting of bold blacks and stark whites that are a constant reminder of the inevitable, and some hauntingly surreal scenes, DEATH IN VENICE captures the poignancy of Mann's novel with a sharp, sinister, and unwavering accuracy.
| Starring | Dirk Bogarde, Bjorn Andresen, Silvana Mangano, Mark Burns, Marisa Berenson |
|---|---|
| Director | Luchino Visconti |
| Studio | WARNER HOME VIDEO |
| Run time | DVD: 2 hrs 5 mins |
| Certificate | |
| Genres | Gay/Lesbian |
| Language | DVD: English |
| Released | DVD: 12 Apr 2004 Production year: 1971 |
| Format | DVD |
Former matinée idols Dirk Bogarde and Silvana Mangano increased their standing with art house audiences after this sumptuous reworking of Thomas Mann's novella. Bogarde's composer (he was an author in the original) arrives in Venice amid rumours of a cholera epidemic, troubled that he can no longer experience emotion, but the sight of Mangano's teenage son (Bjorn Andresen) stirs feelings that have long lain dormant. Director Luchino Visconti was a master of colour composition and here he has created a haunting work that is as operatic as it is cinematic. It is perhaps too sedate in places, but Pasquale De Santis's shimmering photography more than compensates.
Bogarde's appearance was based on Gustav Mahler, whose behaviour had helped inspire the novella. His part was a gruelling one, almost silent and requiring everything to be expressed by the eyes. Mahler's music adds a depth to this extended fable, enriche
'In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period of artistic and personal stress. But he finds no peace there, for he soon develops a troubling attraction to an adolescent boy, Tadzio, on vacation with his family. The boy embodies an ideal of beauty that Aschenbach has long sought and he becomes infatuated. However, the onset of a deadly pestilence threatens them both physically and represents the corruption that compromises and threatens all ideals.'
Last year, I saw this film for the first time, and it has remained in my mind since. The film I saw was a restored version, and in a large theatre. It is a visually stunning (these words really are apt), with incredible tension and beauty throughout the movie. A true classic.
You kind of want to hurt the bumbling fool, he is so obnoxious. Well acted though, and great scenes of teh Lido