The second film in Terence Davies’s autobiographical series is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Read more
| Starring | Carl Chase, Freda Dowie, Pete Postlethwaite, Angela Walsh |
|---|---|
| Director | Terence Davies |
| Genres | Drama |
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The second film in Terence Davies’s autobiographical series is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family.
| Starring | Carl Chase, Freda Dowie, Pete Postlethwaite, Angela Walsh, Dean Williams, Lorraine Ashbourne, Sally Davies, Drew Schofield, Debi Jones |
|---|---|
| Director | Terence Davies |
| Studio | BFI |
| Run time | DVD: 1 hr 25 mins Watch now: 1 hr 25 mins |
| Certificate | DVD: |
| Genres | Drama |
| Language | DVD: English Watch Online: English |
| Released | DVD: 30 Jul 2007 Watch now: 19 Jun 2009 Production year: 1988 |
| Watch now | Subscribe and watch this as part of an unlimited package. |
| Format | DVD |
Through a fragmented series of almost ritualistic gatherings drawn from his own family's memories of the '40s and '50s,... read more on Time Out
A collection of autobiographical scenes, not always in chronological order, depicting director Davies' post-war (WW2) youth. The ever-reliable Pete Postlethwaite is only one of an excellent cast, and the whole thing has undeniable and raw emotional power. It's a bit like a pub singalong meets Ken Loach. Riveting.
A collection of autobiographical scenes, not always in chronological order, depicting director Davies' post-war (WW2) youth. The ever-reliable Pete Postlethwaite is only one of an excellent cast, and the whole thing has undeniable and raw emotional power. It's a bit like a pub singalong meets Ken Loach. Riveting.
The city is Liverpool. The time is the past. In particular, the past recalled by filmmaker Terence Davies, who was born there in 1945 and lived there for the next 28 years. This is not exactly uncharted territory for Davies, whose feature films Distant Voices, Still Lives (1988) and The Long Day Closes (1992) are also autobiographical evocations of his childhood, growing up the youngest of ten in a working class Roman Catholic family. (His short films, known collectively as “The Terence... Read more