Jean-Jacques Beineix's debut film is a stylish, hilarious, and audacious thriller that had many critics comparing Beineix's innovative technique to that of Orson Welles at the time of the film's release. DIVA stars Frederic Andrei as Jules, a young Parisian messenger who is obsessed with a beautiful American opera singer who .. Read more
| Starring | Richard Bohringer, Dominique Pinon, Wilhelmenia Fernandez |
|---|---|
| Director | Jean-Jacques Beineix |
| Genres | Drama |
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Jean-Jacques Beineix's debut film is a stylish, hilarious, and audacious thriller that had many critics comparing Beineix's innovative technique to that of Orson Welles at the time of the film's release. DIVA stars Frederic Andrei as Jules, a young Parisian messenger who is obsessed with a beautiful American opera singer who refuses to make recording of her performances. Determined to capture her voice on tape, Jules manages to make an excellent recording of her which is promptly stolen from him and replaced with a tape that incriminates a French politician, causing Jules to become of a pair of French hitmen. Featuring a quirky sense of humor, enormous visual style, wonderful music, and an unforgettable subway motorcycle chase scene, DIVA is among the best and most influential films of the 1980s.
| Starring | Richard Bohringer, Dominique Pinon, Wilhelmenia Fernandez |
|---|---|
| Director | Jean-Jacques Beineix |
| Studio | OPTIMUM RELEASING |
| Run time | DVD: 1 hr 53 mins |
| Certificate | |
| Genres | Drama |
| Language | English |
| Released | DVD: 03 May 2004 Production year: 1981 |
| Format | DVD |
Considered one of the masterpieces of cinéma du look (the name given to French films of the 1980s in which style took precedence over content), Diva marked the directorial debut of Jean-Jacques Beineix. It's a dazzling job, brimful with bravura camera movements and ultra-chic images. The tale of two tapes (one a bootlegged recording of an opera star, the other incriminating evidence against a police inspector) rather gets lost as Beineix experiments with styles ranging from the Feuillade serials of the early years of the last century to the New Wave of the 1950s and 1960s. Yet this remains compelling viewing, if only for the amazing performance of Dominique Pinon (Delicatessen).
Marvellous amalgam of sadistic thriller and fairytale romance, drawing on a wild diversity of genres from film noir to... read more on Time Out
Saw this at the cinema when it first came out and thought it was wonderful. Twenty something years later and a lot of the gloss has worn off. I guess we were all dazzled by the then ultra cool attitude and stylish visual pop-culture flourishes. It has all been done so many times since then, with so much more panache, flair and technical excellence, that what was once beguiling now seems rather pedestrian. There are still some delightful moments of wit (the onion chopping scene, the Gitane-Bleu pad, the goon who doesn't like anything, Ayatollah the cat), Wilhemenia Fernandez's opera singer is wonderful and that voice is out of this world. But the pace is often plodding, the editing somewhat clunky, the colour is garish, the characters seem desperately pretentious rather than effortlessly cool, the 'stupid' french cops are about as funny as Cannon and Ball and what was once chic tongue in cheek irony now comes across as a lack of realism which takes all the tension out of what was meant to be a slick little thriller. One for the film studies course rather than an entertaining evening.
Here is a film with a delightfully spurious plot that allows us to wallow in glorious sets that are decaying, the agents in the film are all free and step beyond the normal behaviours and ethics, to exist in a passionate and obsessive way that is remarkably well acted and a pleasure to witness.
Other luxuries include: Wilhelmina Wiggins Fernandez, a real-life opera singer in her only film role, playing a wonderful Cynthia Hawkins, an outstanding motorcycle sequence through the heart of Paris and the resolution of the film which is something special.
A great part of this film, renowned as cool and essential viewing in the 80s, is the directors ability to engage his audience in his remarkably joyous visual depth. A film thats hard to be unaffected by.
My only gripe is the subtitling is a little hard to read at times.