Two bikers set off in search of the 'real' America. Originally released in 1969, Easy Rider is widely regarded as the original 'road movie' and, based on the cult following it developed, it was soon copied by other hollywood studios. Read more
| Starring | Peter Fonda, Dennis Hopper, Jack Nicholson |
|---|---|
| Director | Dennis Hopper |
| Genres | Action/Adventure, Drama |
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Road movies were never the same after this. As laid-back as the machines straddled by Dennis Hopper and Peter Fonda in their search for the real America, and as hip as a whole drop-out generation, this magical mystery tour of the USA has a casual conviction that outstrips Hopper's own on-the-run direction to touch a mythic nerve. Jack Nicholson's boozy lawyer successfully articulates the yearning of the alienated young. That the film ends in sullen and sudden death raises it to the power of allegory, and its success proved there was an audience and a need that the box-office pundits didn't even know existed. As a result, the studios tried desperately to repeat its low-budget magic, but failed. It just didn't equate with the usual Hollywood formula; it had created its own.
Happening to please hippies and motor-cycle enthusiasts as well as amateur politicians, this oddball melodrama drew freakishly large audiences throughout the world and was much imitated though never equalled in its casual effectiveness.
'Some day I'd like to see some of this country we're travelling through' says one of the fugitive couple in They Live... read more on Time Out
what was this all about
i had heard how great this 'cult' movie was and was looking forward to watching it, but what a pile of rubbish.
There was no point to it and absolutely bugger all happens....boring
This has to be one of my all time favourites.
Easy Rider plays homage to the 50's westerns and also carries a stong message about cultural tentions in middle America.
Hopper's direction here is second to none. This film was ahead of its time, not least for its use of experimental editing techniques.
..impact if you actually watched more or less in the years it was released.
I understand the moral/story that the film tries to convey,but in this present time it has less emotional pact.
Jack Nicholson steps in and the movie becomes instantly more watchable.
The character he portrays also grounds the film a bit more.
If you're a hippy at heart this'll be very enjoyable.
The older generation might get strong feelings of nostalgia.
Having waited nearly 40 years to see this movie and living with its reputation as an iconic statement of its generation I'm afraid it's a case of the 'King's New Clothes'
There's a great soundtrack and the old Steppenwolf number is still stirring and I guess the film is worth it for Jack Nicholson's perfomance alone.
In fact Jack is the only one on screen that's acting and bringing quirky life to a stereotype (and a stereotype even then). Peter Fonda sleepwalks through the movie looking cool and for the rest character development etc is nil.
The plot is flimsy and direction relies on set piece statements to deliver the message - this is wooden and unfortunately most of the dialogue is delivered as a mumble.
When the film ends I get more of an impression that the writers, director and crew just plain ran out of ideas and glued in a drug/dream sequence in New Orleans followed by the big (or rather small) bang ending.
Nice to see Phil Spector and Toni Basil (remember 'Hey Mickey')in cameo roles but like I said great soundtrack pity about the rest.
I have just watched this film after middle America voted Bush back in. Watched in this context, it is apocalyptic. What is really a social essay on 1960's intolerance resonates very, very loudly in 2004 to such an extent that I found it quite chilling to watch.
what was this all about
i had heard how great this 'cult' movie was and was looking forward to watching it, but what a pile of rubbish.
There was no point to it and absolutely bugger all happens....boring
This has to be one of my all time favourites.
Easy Rider plays homage to the 50's westerns and also carries a stong message about cultural tentions in middle America.
Hopper's direction here is second to none. This film was ahead of its time, not least for its use of experimental editing techniques.
..impact if you actually watched more or less in the years it was released.
I understand the moral/story that the film tries to convey,but in this present time it has less emotional pact.
Jack Nicholson steps in and the movie becomes instantly more watchable.
The character he portrays also grounds the film a bit more.
If you're a hippy at heart this'll be very enjoyable.
The older generation might get strong feelings of nostalgia.
The music the open road, the freedom...this film gives such good 'vibes' throughout. It's
what makes the ending even more shocking and even a bit soul-destroying. Recommend
to anyone who wished they had grown up in the 60s!
Oh dear: to think we once thought this was a significant work of art with an important message! 35 years on it is clearly no more than a drug-influenced load of self-important tosh. And so boring...this could be the ultimate answer to anyone who still believes that drugs expand the mind.
This film is an all time classic, can't believe it's taken me so long to watch it. Jack Nicholson lights up the screen, very well acted.
It's a good film, considering how they made it, not much money, not many idea's ... just drove about the place and taped stuff. So yeah, I'd recommend it, if you're nostalgic about the summer of love and the hippy revolution and flower power and the weed liberator.
Peter Fonda is too stiff and conscious. He really should have been re-cast. The choppers are amazing and landscape shots are breath taking. Hopper is at his best, charismatic, humorous, care-free and personifies free-love and rock n' roll!
Film is a little slow at times, interesting camera shots, experimental, pushing the boundaries.
classic film liked it when i saw it at the pictures when it first came out ,and i still liked it
A classic cult movie of the late 60's. The bikes, the music and the freedom ...
A bit dated by today's standards - younger generations might wonder what this movie was all about?
Nevertheless, I enjoyed the movie when it first came out and again the other night - Excellent!
Having waited nearly 40 years to see this movie and living with its reputation as an iconic statement of its generation I'm afraid it's a case of the 'King's New Clothes'
There's a great soundtrack and the old Steppenwolf number is still stirring and I guess the film is worth it for Jack Nicholson's perfomance alone.
In fact Jack is the only one on screen that's acting and bringing quirky life to a stereotype (and a stereotype even then). Peter Fonda sleepwalks through the movie looking cool and for the rest character development etc is nil.
The plot is flimsy and direction relies on set piece statements to deliver the message - this is wooden and unfortunately most of the dialogue is delivered as a mumble.
When the film ends I get more of an impression that the writers, director and crew just plain ran out of ideas and glued in a drug/dream sequence in New Orleans followed by the big (or rather small) bang ending.
Nice to see Phil Spector and Toni Basil (remember 'Hey Mickey')in cameo roles but like I said great soundtrack pity about the rest.
Road movies were never the same after this. As laid-back as the machines straddled by Dennis Hopper and Peter Fonda in their search for the real America, and as hip as a whole drop-out generation, this magical mystery tour of the USA has a casual conviction that outstrips Hopper's own on-the-run direction to touch a mythic nerve. Jack Nicholson's boozy lawyer successfully articulates the yearning of the alienated young. That the film ends in sullen and sudden death raises it to the power of allegory, and its success proved there was an audience and a need that the box-office pundits didn't even know existed. As a result, the studios tried desperately to repeat its low-budget magic, but failed. It just didn't equate with the usual Hollywood formula; it had created its own.
Happening to please hippies and motor-cycle enthusiasts as well as amateur politicians, this oddball melodrama drew freakishly large audiences throughout the world and was much imitated though never equalled in its casual effectiveness.
'Some day I'd like to see some of this country we're travelling through' says one of the fugitive couple in They Live... read more on Time Out
"...There's nothing safe about Hopper's directorial debut....A pointedly bad trip..."
"...Marvelous outdoor photography..." -- 3 1/2 out of 4 stars..."