Elmer Gantry is a charming, fast-talking con, working the road as a traveling salesman in the 1920s. Burt Lancaster stars as the elusive Gantry in this charismatic adaptation of Sinclair Lewis's 1927 novel. When Gantry runs across a group of traveling evangelists, he charms their saintly leader, Sister Susan Falconer (Jean .. Read more
| Starring | Burt Lancaster, Jean Simmons, Dean Jagger, Arthur Kennedy |
|---|---|
| Director | Richard Brooks |
| Genres | Drama |
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Seldom does the cinema see such a perfect match of star and role as here, with Burt Lancaster as author Sinclair Lewis's con man who finds evangelism as easy to sell as vacuum cleaners. Lancaster rightly won the best actor Oscar for the finest performance of his career, while the film itself lost out to The Apartment, but Elmer Gantry did pick up Oscars for director Richard Brooks's screenplay and for musical comedy star Shirley Jones's supporting turn as vengeful prostitute Lulu Bains. Also brilliantly cast is co-star Jean Simmons as Sister Sharon Falconer, whose sincerity, like Gantry's, is never questioned. John Alton's colour photography is superb, but it's Brooks's handling of the key scenes that makes this film a Hollywood classic. Long, certainly, but deeply satisfying and richly rewarding, this is a truly great movie — the subject and tone of which caused some to shun it on its original release.
A 'controversial' look at revivalist religion which, with the passing of the years, is unlikely to raise many eyebrows.... read more on Time Out
Mainly gripping but overlong exposé of commercialized small-town religion.
Amazing film - very dated now but I found it fasinating looking back to how things used to
be - or how Hollywood viewed them - if you have seen Steve Martins film "leap of faith" that
has simular ideas/plot to this film in a more modern setting. That said I really enjoyed this
film and it has some great acting too.
This caused a bit of a flurry back in 1960 with its then rather frank depiction of sex - lead character Gantry is a loose man with loose morals and a way with the ladies, particularly prostitutes. And it's also noted for Lancaster's big, bombastic performance as the charismatic evangelist who flies by the seat of his pants, nicely matched up with Simmons' more holy variety. But it's a long, bloated affair and very starchy too that has moments of power but seems to spend too much of its time screaming in our face.
very enjoyable,great film,Burt lancaster at his best.
This caused a bit of a flurry back in 1960 with its then rather frank depiction of sex - lead character Gantry is a loose man with loose morals and a way with the ladies, particularly prostitutes. And it's also noted for Lancaster's big, bombastic performance as the charismatic evangelist who flies by the seat of his pants, nicely matched up with Simmons' more holy variety. But it's a long, bloated affair and very starchy too that has moments of power but seems to spend too much of its time screaming in our face.
Not seen on TV for a while, this is one that Id wanted to see in full for years which really demonstrates the value of the DVD hire system (well done there, whoever you are for putting this one on the list).
Pleased to report that it did not disappoint at all. Burt Lancaster is terrific, some really good set pieces, great dialogue and the whole thing looks good.
Which really brings us to the director Richard Brooks and a recommendation that you check out this underrated Hollywood-based writer/director. His name does not currently rank with the nomenclature of Tennessee Williams, Sinclair Lewis, Trumann Capote and Evan Hunter which represents the decorated alternative Hollywood nor with our own Joseph Conrad but perhaps it will when someone gets round to a retrospective and stands his work one alongside each other.
Too lofty? Well then take a look at Shirley Jones as Lulu Baines when she tucks those dollar bills in the safest bank in America youd better believe therell be no withdrawals today
..
Amazing film - very dated now but I found it fasinating looking back to how things used to
be - or how Hollywood viewed them - if you have seen Steve Martins film "leap of faith" that
has simular ideas/plot to this film in a more modern setting. That said I really enjoyed this
film and it has some great acting too.
This caused a bit of a flurry back in 1960 with its then rather frank depiction of sex - lead character Gantry is a loose man with loose morals and a way with the ladies, particularly prostitutes. And it's also noted for Lancaster's big, bombastic performance as the charismatic evangelist who flies by the seat of his pants, nicely matched up with Simmons' more holy variety. But it's a long, bloated affair and very starchy too that has moments of power but seems to spend too much of its time screaming in our face.
very enjoyable,great film,Burt lancaster at his best.
Endless. I know that the Bible is a very long book, but that is no excuse for this interminable movie.
It was clearly meant to be very controversial, and very earnest - a Hollywood reverential approach to a "great work" by an American author. But it got lost along the way, with poor plot development, insipid performance from Jean Simmons, a manic and rather over-stylised (but Oscar-winning) star turn from Lancaster, and a story that seems too timid to criticise or to endorse.
Try the far superior John Huston movie, "Wise Blood" for something similar but better.
Not seen on TV for a while, this is one that Id wanted to see in full for years which really demonstrates the value of the DVD hire system (well done there, whoever you are for putting this one on the list).
Pleased to report that it did not disappoint at all. Burt Lancaster is terrific, some really good set pieces, great dialogue and the whole thing looks good.
Which really brings us to the director Richard Brooks and a recommendation that you check out this underrated Hollywood-based writer/director. His name does not currently rank with the nomenclature of Tennessee Williams, Sinclair Lewis, Trumann Capote and Evan Hunter which represents the decorated alternative Hollywood nor with our own Joseph Conrad but perhaps it will when someone gets round to a retrospective and stands his work one alongside each other.
Too lofty? Well then take a look at Shirley Jones as Lulu Baines when she tucks those dollar bills in the safest bank in America youd better believe therell be no withdrawals today
..
Seldom does the cinema see such a perfect match of star and role as here, with Burt Lancaster as author Sinclair Lewis's con man who finds evangelism as easy to sell as vacuum cleaners. Lancaster rightly won the best actor Oscar for the finest performance of his career, while the film itself lost out to The Apartment, but Elmer Gantry did pick up Oscars for director Richard Brooks's screenplay and for musical comedy star Shirley Jones's supporting turn as vengeful prostitute Lulu Bains. Also brilliantly cast is co-star Jean Simmons as Sister Sharon Falconer, whose sincerity, like Gantry's, is never questioned. John Alton's colour photography is superb, but it's Brooks's handling of the key scenes that makes this film a Hollywood classic. Long, certainly, but deeply satisfying and richly rewarding, this is a truly great movie — the subject and tone of which caused some to shun it on its original release.
A 'controversial' look at revivalist religion which, with the passing of the years, is unlikely to raise many eyebrows.... read more on Time Out
Mainly gripping but overlong exposé of commercialized small-town religion.