Eloge De L'Amour cover art

Eloge De L'Amour Details

2001 DVD Certificate PG.gif
  • Rated:
  • 50
  • from 599 members

From Jean-Luc Godard comes Eloge de l'amour, an intelligent, visually ravishing, witty meditation on life, love and popular culture. Shot in a dazzling combination of luminous black and white celluloid and state of the art colour saturated digital video, Eloge de l'amour concerns an author (Bruno Putzulu) and the beautiful .. Read more

Starring Bruno Putzulu, Cecile Camp, Jean Davy, Claude Baignieres
Director Jean-Luc Godard
Genres Drama, World Cinema

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Eloge De L'Amour

From Jean-Luc Godard comes Eloge de l'amour, an intelligent, visually ravishing, witty meditation on life, love and popular culture. Shot in a dazzling combination of luminous black and white celluloid and state of the art colour saturated digital video, Eloge de l'amour concerns an author (Bruno Putzulu) and the beautiful young woman (Cecile Camp) he is considering for a part in a project he is writing which deals with the four key moments of love. Convinced that he may have met the woman before, we travel back two years in time to a series of interviews with an elderly couple who fought in the Resistance. Could this be where the enigmatic pair first met? Looking back to his past by shooting on the streets of Paris for the first time since Masculin Feminin, Eloge de l'amour also finds the celebrated, cutting edge director and cineaste with his eyes firmly on the future, probing new compositions of sound and image and redifining the very language of cinema. Eloge de l'amour possesses more ideas and originality in a single frame than most films manage in their entirety.

Starring Bruno Putzulu, Cecile Camp, Jean Davy, Claude Baignieres, Audrey Klebaner, Jeremy Lippman, Philippe Lyrette, Francoise Verny
Director Jean-Luc Godard
Studio OPTIMUM HOME ENTERTAINMENT
Run time DVD: 1 hr 34 mins
Certificate DVD Certificate PG.gif
Genres Drama, World Cinema
Language French
Subtitles English
Released DVD: 25 Mar 2002
Production year: 2001
Format DVD
  • Critics' reviews (4) of Eloge De L'Amour

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  • 5 stars out of 5

    Already renowned for a career studded with memorable and revolutionary work, Jean-Luc Godard has produced an experimental meditation on the nature of love which ranks as one of his finest achievements. It's essentially a Teach Yourself Guide to the stylistic gimmicks — non-linear narrative, unusual editing techniques, varying visual textures — and ideological concerns — the “Hollywoodisation” of culture, the elusiveness of history and memory — that have pre-occupied the maverick maestro throughout his life. The consciously convoluted story concerns film-maker Bruno Putzulu's attempt to study the four stages of love — meeting, passion, separation and reconciliation — through the eyes of three couples. The contrast between the melancholic monochrome of the opening section and the lustrous high-resolution digital colour of the conclusion would have been enough to set it apart. But Godard's precise dissection of American cultural arrogance and the sly asides on the nature of heroism and the value of history lend a razor-sharp edge to what is, quite simply, a latterday masterpiece.

    • Radio Times
  • "...The performances are fresh and uninhibited....ELOGE DE L'AMOUR is its director's most substantial feature for some time..."

    • Sight and Sound
  • Most helpful member's review of Eloge De L'Amour

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  • 7 out of 8 people found this review helpful

    Rated - 3 stars

    In praise of what??

    This is a thick, multi-layered film that is not really a film more a meditation on both film, what it means to tell a story and how a story relates to life. There is a constant stream of information coming from the screen and the soundtrack and they don?t always correspond. In other words the screen is showing you one thing whilst the soundtrack tells you another, it might even be telling you several things as sounds and voices are overlaid onto each other. In addition it is not a linear story, if indeed it is a story at all in the conventional sense. Just to illustrate this every so often throughout the film a man appears who is reading a book which consists entirely of blank pages. In places Godard shows his old mischievous side as in the scene where a tall American woman wearing an above the knee skirt gets into a Lotus Elise - modestly.

    Broadly speaking the film is in two parts, the first black and white, the second in colour. The first part is about young people playing in the film, the second about old people remembering the beginning of the story of what might be the film. And throughout the adults try to make the film and philosophise about both art and film and about what someone called the American colonisation of our subconscious. If you like the film goes backwards whilst going forwards.

    It helps to have seen a fair amount of Godard?s earlier films so that you have an idea of what to expect but even so it is a difficult film to understand because it is saturated with references to other movies, to books, to philosophy and past history and to try and fit it together is hard work. I?ve seen it twice now and I am going to have to watch it again because I know I haven?t grasped it all yet and in fact I?m still not sure if there is all that much there to be grasped hence the indeterminate 3 stars.

      • William Johnson from leamington
  • Most recent members' review of Eloge De L'Amour

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  • 7 out of 8 people found this review helpful

    Rated - 3 stars

    In praise of what??

    This is a thick, multi-layered film that is not really a film more a meditation on both film, what it means to tell a story and how a story relates to life. There is a constant stream of information coming from the screen and the soundtrack and they don?t always correspond. In other words the screen is showing you one thing whilst the soundtrack tells you another, it might even be telling you several things as sounds and voices are overlaid onto each other. In addition it is not a linear story, if indeed it is a story at all in the conventional sense. Just to illustrate this every so often throughout the film a man appears who is reading a book which consists entirely of blank pages. In places Godard shows his old mischievous side as in the scene where a tall American woman wearing an above the knee skirt gets into a Lotus Elise - modestly.

    Broadly speaking the film is in two parts, the first black and white, the second in colour. The first part is about young people playing in the film, the second about old people remembering the beginning of the story of what might be the film. And throughout the adults try to make the film and philosophise about both art and film and about what someone called the American colonisation of our subconscious. If you like the film goes backwards whilst going forwards.

    It helps to have seen a fair amount of Godard?s earlier films so that you have an idea of what to expect but even so it is a difficult film to understand because it is saturated with references to other movies, to books, to philosophy and past history and to try and fit it together is hard work. I?ve seen it twice now and I am going to have to watch it again because I know I haven?t grasped it all yet and in fact I?m still not sure if there is all that much there to be grasped hence the indeterminate 3 stars.

      • William Johnson from leamington
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Rating breakdown

599 Member ratings
  • 100
49
  • 90
28
  • 80
54
  • 70
60
  • 60
91
  • 50
75
  • 40
69
  • 30
65
  • 20
70
  • 10
38

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    • From Jean-Luc Godard comes Eloge de l'amour, an intelligent, visually ravishing, witty meditation on life, love and popular culture. Shot in a dazzling combination of luminous black and white ...