Seminal moment in music superbly recreated
Eroica review
- 8
- 0
10th September 2005
At the pinnacle of classical music stand two giants, Mozart the most consummate musician the world will ever know and Beethoven the worlds greatest musical creative genius.
Ian Hart surmounts the challenge of creating the turbulent and usually desperately unhappy Beethoven brilliantly in a career best performance.
Beethoven wrote his symphonies in pairs, the odd numbers being great forward developments in symphonic writing, matched by the more relaxed even numbered symphonies.
In the course of this rehearsal we glimpse all the aspects of Beethovens life, his passionate but hopeless love affairs, his poverty, his aggressive assertiveness of his genius that won him few friends where he needed them most, the first signs of his total deafness and a precursor of the long illnesses of his later life.
In Harts performance we see all this tragedy, and also glimpse the astounding way it was turned into works of genius by Beethovens indomitable spirit. The more he suffered the greater his music became, culminating in the sublime late string quartets.
Absolutely every actor in the film, even the silent part of a maid, plays their part and contributes to the whole. Direction, setting and period orchestral playing is nigh flawless.
