Peerless

This is an intensely moving film. It is uncommon to see a film that has a peerless script, groundbreaking directing and wonderfully gifted acting all in one film.

This is Kaufman’s best script to date, combining the ambitiousness of Adaptation and the mind mapping scenario of Being John Malkovich. It merges both, and transcends them, and is probably the finest script he will ever write. Structurally it is watertight, and multiple viewings confirm this. It is always easy for a film with multiple flashbacks to lose itself, or become confusing, but Eternal manages to find a balance not seen since Memento.

Gondry’s cinematic directorial debut is simply a pleasure to watch. He allows the actors a degree of freedom, which helps produce the remarkable acting that they provide. His unique camerawork suits the script perfectly, and one can only hope him and Kaufman can work together again.

Kate Winslet is shockingly good in this film, and Carey is not far behind; although once or twice he strays into his pre-Truman Show sort of role. The rest of the cast is equally strong, with Tom Wilkinson playing his role with a remarkably subtle charisma.

All of these ingredients together provide a highly unusual and rewarding viewing experience.