An acclaimed story of secrets, passion and betrayal, based on the novel by H.E. Bates. Read more
| Starring | Ben Chaplin, Embeth Davidtz, Tom Bell, Gemma Jones |
|---|---|
| Director | Christopher Menaul |
| Genres | Drama |
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An acclaimed story of secrets, passion and betrayal, based on the novel by H.E. Bates.
| Starring | Ben Chaplin, Embeth Davidtz, Tom Bell, Gemma Jones, James Purefoy, Greg Wise, Kenneth Anderson |
|---|---|
| Director | Christopher Menaul |
| Studio | WALT DISNEY STUDIOS HOME ENTERTAINMENT |
| Run time | DVD: 1 hr 51 mins |
| Certificate | |
| Genres | Drama |
| Language | DVD: English |
| Released | DVD: 05 Apr 2004 Production year: 1996 |
| Format | DVD |
The title promises a feast, but this melancholy story set in 1890s England offers slim pickings. Embeth Davidtz plays a young woman deserted by her lover (Greg Wise) who is taken in by a rural family, headed by Tom Bell. There she befriends his three sons and, when two of them go to war, falls for the youngest — simple-minded Con (Ben Chaplin) — with whom she enjoys limited happiness. Christopher Menaul directs this Merchant Ivory production, adapted from the novel by HE Bates, with an inappropriate emphasis on melodramatic flourishes.
Dismissed from her job when she's found to be pregnant, and subsequently miscarrying, young Bella Ford (Davidtz) is in... read more on Time Out
Based on H E Bates book of the same name,it was a relatively faithful interpretation of his original story.
The characterisations are good and the locations and filming are of a high standard.
The orginal story was set on the Northamptonshire/Bedfordshire borders. The two towns in his book were Rushden and Bedford.
In the film, the location was somewhat vague and the arrival of a GWR steam train didn't help to promote an East Midlands identity!
But all in all, it was a good story well told.
The tensions in the family were all well observed and at times suitably under played, allowing the audience to reach their own conclusions about the rivalary and jealousy that existed.
If the film was re-made now, it would suffer from the current trend to over dramatise. The strength of the film is that it quite simply tells a good story, which is was Bates' greatest talent.
In so doing, it enables the audience to become comfortable, rather than voyeuristic, observers - identifying with the dynamics and tensions of family life.
Some of the locations are quite beautiful and the unhurried approach to telling the story, allows the audience to linger long enough to feel that we know the people and places.
Good film, well made. Recommended.