Federico Fellini's Oscar-nominated 8 1/2 is a masterpiece of storytelling and cinema. The most autobiographical of Fellini's films, the plot of which concerns a 43-year-old film director who is having a midlife crisis, it is a career benchmark for this magnificent Italian New Wave director. Beautifully choreographed with .. Read more
| Starring | Marcello Mastroianni, Claudia Cardinale, Anouk Aimee, Sandra Milo |
|---|---|
| Director | Federico Fellini |
| Genres | Drama, World Cinema |
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Federico Fellini's Oscar-nominated 8 1/2 is a masterpiece of storytelling and cinema. The most autobiographical of Fellini's films, the plot of which concerns a 43-year-old film director who is having a midlife crisis, it is a career benchmark for this magnificent Italian New Wave director. Beautifully choreographed with flashbacks, dream sequences, exaggerated fantasy scenes, and magical surrealist episodes, 8 1/2 is one of the richest, most exuberant movies ever made, in the mode of Fellini's artfully abstract LA DOLCE VITA and AMARCORD.
Guido Anselmi (Marcello Mastroianni) is at a crisis point in his life and his work; in the opening sequence, Guido, suffocating, is caught in traffic with the windows of his car locked shut. He climbs out of the sunroof and literally rises up over the highway into the clouds, seemingly free, when he realises there's a rope tied around his ankle that is violently pulling him back to earth. Cutting from this dream to the health spa where Guido is trying to recapture his creativity and write the screenplay for his next film, his vices become clear: Guido is self-absorbed, and he's distracted by the fabulous cast of actresses, intellectuals, and eccentrics who have joined him at the spa. Additionally he struggles with Freudian complexes about his wife (Anouk Aimee), his lover (Sandro Milo), his ideal woman (Claudia Cardinale), and his dead parents; and his repressive Catholic guilt follows him everywhere like a haunting mist.
| Starring | Marcello Mastroianni, Claudia Cardinale, Anouk Aimee, Sandra Milo, Rossella Falk, Barbara Steele, Madelene Lebeau |
|---|---|
| Director | Federico Fellini |
| Studio | NOUVEAUX PICTURES |
| Run time | DVD: 2 hrs 18 mins |
| Certificate | |
| Genres | Drama, World Cinema |
| Language | Italian |
| Released | DVD: 26 Mar 2001 Production year: 1962 |
| Format | DVD |
The passage of time has not been kind to what many view as Fellini's masterpiece. Certainly Di Venanzo's high-key... read more on Time Out
I wouldnt go so far as to say this is a bad film, but Id certainly say its appeal would be limited to a very small audience. Those who like art house pictures will find this self-indulgent romp a delight, however the flipside is that those who dont would probably sooner do themselves serious self harm than watch all two hours of 8 ½.
Personally, I found the showy manner in which the film was shot rather tiresome after a while and would have preferred Fellini to prove his abilities as a film-maker in a fuller sense e.g. by making more than a cursory attempt of entertaining the audience, rather than somewhat arrogantly assuming that such things were below him (after all, it is a skill in itself).
In particular, his reputation for intelligent filmmaking was nowhere evident in the script for all its artifice it remains the one unambiguous thing about the film since he is quite incapable of subtle, nuanced self-analysis. This will sorely disappoint those who remember Fellinis intelligent plotting and his ability to both shock and delight with equal ease in La Dolce Vita.
It is (of course) beautifully/pretentiously shot, incomprehensibly scripted and, to a great extent, plotless. However, to criticise it on these counts would be unfair these are not Fellinis criteria. The pleasure of the film is in appreciating the cinematography and the references to Fellinis work, not in the film itself.
one of fellini's best film
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