Con artist Laure Ash pulls off a diamond robbery during the Cannes film festival. After double-crossing her associates she flees to Paris where she assumes another identity. Seven years on she resurfaces as the wife of the American ambassador to France where she is photographed by a Spanish photographer, Nicolas. This sets off .. Read more
| Starring | Rebecca Romijn, Antonio Banderas, Peter Coyote, Eriq Ebouaney |
|---|---|
| Director | Brian De Palma |
| Genres | Drama, Thriller |
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One of suspense stylist Brian De Palma's best over-the-top doodles on the B-movie film noir form, this cool, erotically charged déjà-vu Euro-thriller is a sumptuously elegant treat from its wordless lesbian encounter beginning at the Cannes Film Festival to its cleverly twisted end. Can reclusive French Ambassador's wife Rebecca Romijn-Stamos hide her former identity as a jewel thief when secret snaps taken by paparazzi photographer Antonio Banderas alert her former partners in crime into reclaiming stolen diamonds? Complete with a mind-bending last-act shift in reality that many will find a complete cheat, De Palma's audaciously seductive deception is a bold and imaginative exercise in film-making craft and devious sleight-of-hand audience manipulation, laced with his usual tongue-in-chic trademarks. And Romijn-Stamos makes a perfect, icy, duplicitous blonde heroine in the best Hitchcock tradition.
Welcome to the parallel universe of the great Brian De Palma.This is
De Palma it his unique best in the mindzone of Dressed to Kill,Obsession, Blow Out and Body Double and definately not Mission
Impossible or Bonfire of the Vanities. It has all the De Palma
trademarks ie. erotica,dream sequences,Hitchcockian twists etc etc. Foremost it is brillantly filmed and its hypnotic quaiities will thrill you
to the ' De Palmaian ' ending. Welcome back to the master.
This is a fantastic movie. How come this was never a massive success. Well made, great script and storyline, good pacing and superb settings with interesting camera shots and unusual direction. It is the storyline that makes this film such a title contender. It's intelligent, clever and makes you think. With great twists and suprises. But ... what makes this film fantastic is the direction. On one hand it is a tribute to classic french film and suspense thriller on the other it is fanastic, as in it's characters aren't quite believable. It's a little too fanastic asking the audience to suspend belief in reality, which up to that certain point in the film had been stuck to. Still, this is one film I would recommend and one I plan to watch again. Definitely the best movie out of the 90+ I've seen so far this year.
Having read the review posted here and then having watched this marvelous movie, I just had to respond. Without giving too much away for those yet to see it, the last 10 minutes is what the whole film is about. There are wonderful visual clues scattered throughout the film, hinting at what is actually going on. Visually and musically the film is stunning. Watch it once, then watch it again. Then watch the DVD extras where Director Brian De Palma throws a lot of light on what he was trying to achieve. The film is a masterpiece of Film Noir. One to be watched again and again, and definitely NOT stupid.
Having read the review posted here and then having watched this marvelous movie, I just had to respond. Without giving too much away for those yet to see it, the last 10 minutes is what the whole film is about. There are wonderful visual clues scattered throughout the film, hinting at what is actually going on. Visually and musically the film is stunning. Watch it once, then watch it again. Then watch the DVD extras where Director Brian De Palma throws a lot of light on what he was trying to achieve. The film is a masterpiece of Film Noir. One to be watched again and again, and definitely NOT stupid.
"Femme Fatale" was rather underestimated when it first came out.
No wonder, the film has a totally unexpected twist that goes against any current Hollywood ending.
It also has a very ammoral - and extremely sexy- main character. In years to come, it might be regarded as a forgotten classic. It sure deserves to be.
Welcome to the parallel universe of the great Brian De Palma.This is
De Palma it his unique best in the mindzone of Dressed to Kill,Obsession, Blow Out and Body Double and definately not Mission
Impossible or Bonfire of the Vanities. It has all the De Palma
trademarks ie. erotica,dream sequences,Hitchcockian twists etc etc. Foremost it is brillantly filmed and its hypnotic quaiities will thrill you
to the ' De Palmaian ' ending. Welcome back to the master.
This is a fantastic movie. How come this was never a massive success. Well made, great script and storyline, good pacing and superb settings with interesting camera shots and unusual direction. It is the storyline that makes this film such a title contender. It's intelligent, clever and makes you think. With great twists and suprises. But ... what makes this film fantastic is the direction. On one hand it is a tribute to classic french film and suspense thriller on the other it is fanastic, as in it's characters aren't quite believable. It's a little too fanastic asking the audience to suspend belief in reality, which up to that certain point in the film had been stuck to. Still, this is one film I would recommend and one I plan to watch again. Definitely the best movie out of the 90+ I've seen so far this year.
Having read the review posted here and then having watched this marvelous movie, I just had to respond. Without giving too much away for those yet to see it, the last 10 minutes is what the whole film is about. There are wonderful visual clues scattered throughout the film, hinting at what is actually going on. Visually and musically the film is stunning. Watch it once, then watch it again. Then watch the DVD extras where Director Brian De Palma throws a lot of light on what he was trying to achieve. The film is a masterpiece of Film Noir. One to be watched again and again, and definitely NOT stupid.
Undoubtedly one of the worst films I have ever seen. Verging on the comical - unintentionally of course!
I didn't know what to expect from this film but it turned out to be a very watchable thriller. Okay, the pacing was much more European than American but it was an intriguing storyline with quite anunpredictable plot. The ending is a little too protracted but well worth a bag of popcorn!
I thought this would be rubbish... BUT its not.
Well worth viewing, suprising twists seeing is believing.
Director Brian De Palma states his intentions in the first frames of the film as a television is showing the nearly perfect film noir Double Indemnity watched by Laure (Romijn-Stamos) lying topless on a hotel bed.
But this is the film noir brought up to date, the erotic Romijn-Stamos character must not be confused with Barbara Stanwyck in 1944, Laure is a woman with balls that does not need a man to carry out crimes for her.
Ebouaney and Henry make fine villains as Laures accomplices for the wonderfully ingenious heist that opens the film.
When paparazzi Nicolas (excellently played by Banderas) appears he is not an accomplice but more of a nuisance that is ruthlessly used.
De Palma has a wonderful feel for framing his action, and the photography is first class, and the important soundtrack is also very good.
This is a compelling re-working of the film noir, only slightly flawed by some impossible coincidences in the early part of the film and a surprise twist towards the end that De Palma agrees some people will like, others hate.
But these are minor flaws, a great film not be missed.
Good thriller with the delightful Rebecca Romijn-Stamos being both decorative and
interesting as a character. I liked the way the plot played with time.
"Femme Fatale" was rather underestimated when it first came out.
No wonder, the film has a totally unexpected twist that goes against any current Hollywood ending.
It also has a very ammoral - and extremely sexy- main character. In years to come, it might be regarded as a forgotten classic. It sure deserves to be.
Stylishly crafted film which somehow left me curiously very underwhelmed. The plot seemed unlikely to begin with and wasn't really explained until the end, and the coincidence of a beautiful woman having an exact double was very far fetched. Which all made it very difficult to follow, for me anyway, and I felt very uninvolved. Full of glitzy action but hollow.
One of suspense stylist Brian De Palma's best over-the-top doodles on the B-movie film noir form, this cool, erotically charged déjà-vu Euro-thriller is a sumptuously elegant treat from its wordless lesbian encounter beginning at the Cannes Film Festival to its cleverly twisted end. Can reclusive French Ambassador's wife Rebecca Romijn-Stamos hide her former identity as a jewel thief when secret snaps taken by paparazzi photographer Antonio Banderas alert her former partners in crime into reclaiming stolen diamonds? Complete with a mind-bending last-act shift in reality that many will find a complete cheat, De Palma's audaciously seductive deception is a bold and imaginative exercise in film-making craft and devious sleight-of-hand audience manipulation, laced with his usual tongue-in-chic trademarks. And Romijn-Stamos makes a perfect, icy, duplicitous blonde heroine in the best Hitchcock tradition.