In this riveting look at military life during the Vietnam conflict, Stanley Kubrick, who made the powerful antiwar classics PATHS OF GLORY (WWI) and DR. STRANGELOVE (the cold war), once again explores the behavior of men in battle. FULL METAL JACKET, adapted from Gustav Hasford's novel THE SHORT TIMERS, is broken down into two .. Read more
| Starring | Matthew Modine, Adam Baldwin, Vincent D'Onofrio, R. Lee Ermey |
|---|---|
| Director | Stanley Kubrick |
| Genres | Action/Adventure, Drama |
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Stanley Kubrick's penultimate film is a harrowing, foul-mouthed and violent Vietnam War drama. But, unlike the rainforest horrors of Apocalypse Now or Platoon, Kubrick's film begins with a long training camp sequence in America before moving to a bombed-out Vietnamese city. While its message is simple — innocent young Americans are taught to be machine-like killers — its technique is extraordinary. Because Kubrick refused to travel any distance, it was shot entirely in Britain, with palm trees uprooted from Spain and Matthew Modine and a cast of relative unknowns uprooted from Hollywood. Renting a disused gasworks in Beckton, east London, Kubrick created a huge and spectacular outdoor set, though some sequences, it must be said, lack tropical realism. The performances are superb, especially Lee Ermey as the drill sergeant with a colourful vocabulary, Vincent D'Onofrio as the pathetic Private Pyle and Modine as the cynical recruit called Joker.
Smartly ordered but rather ordinary and predictable war film to come from one of the cinema's acknowledged masters after seven years of silence.
The first half of Kubrick's movie steers clear of South East Asia altogether, focusing on the dehumanising training... read more on Time Out
Cinema doesn't get much better than this.
The film is effectively in 2 parts. The first shows the marine recruits in training, having every last bit of individuality trained and bullied out of them. Brutal.
The second half is in nam on tour. Beautifully shot.
.......finally a director who was prepared to make a film that shows the truth about the hypocracy of the vietnam war and one that doesn't show the americans as heros for a change!
Thank you Stanley Kubrick - the master!
The first half of the film is superb and shows the (essential) dehumanising of ordinary men to turn them into soldiers, killers; able to perform their task without a thought. The casting of a former marine drill instructor is inspired. The first scene, even with the recruits have their hair shaved off, starts this process off.
The final scene of this half shows the progress that the recruits have made. The second, slightly weaker half focuses on combat with the sudden violence, confusion and boredom of being in the field. Kubrick looks at what happens to men under such strain. Some men cope, some dont, some die and others kill.
A top piece of film making, even my wife enjoyed it!
no matter how many times i see this film i still find the beginning really sad as the trainee soilder loses the plot although its not hard to see why, very touching. The acting is excellent with real emotion running through, drawing your own emotions through the many twists and lives of the young soilders whom live and fight the terri ble war.
The first half is effective enough (although the skies give the Hertfordshire set away!)
In the second Kubrick relies almost entirely on long dolly shots along tracks, which become very repetitious. (Unintentional?) lens flare, sudden jarring lighting changes and, after very effectively dispensing with music throughout the film, suddenly the orchestra strikes up in the last ten minutes.
Not much in the way of characterisation, or insight other than the stunningly obvious "war is hell".
Cinema doesn't get much better than this.
The film is effectively in 2 parts. The first shows the marine recruits in training, having every last bit of individuality trained and bullied out of them. Brutal.
The second half is in nam on tour. Beautifully shot.
.......finally a director who was prepared to make a film that shows the truth about the hypocracy of the vietnam war and one that doesn't show the americans as heros for a change!
Thank you Stanley Kubrick - the master!
The first half of the film is superb and shows the (essential) dehumanising of ordinary men to turn them into soldiers, killers; able to perform their task without a thought. The casting of a former marine drill instructor is inspired. The first scene, even with the recruits have their hair shaved off, starts this process off.
The final scene of this half shows the progress that the recruits have made. The second, slightly weaker half focuses on combat with the sudden violence, confusion and boredom of being in the field. Kubrick looks at what happens to men under such strain. Some men cope, some dont, some die and others kill.
A top piece of film making, even my wife enjoyed it!
From beginning to end this is one of the finest films, let alone a fine war film.
With its examination of the thoughts and feelings of the actual soldiers involved, all the way from raw recruit, it gives a realism sometimes missing from war films. Taking this step it also engenders real feeling towards the central characters, meaning that you actually feel something when the bullets start to fly.
One of the true must-see films whether a fan of the director or genre, or not.
Excellent war movie from Kubrick here, and you can definetly tell it's his movie and contains much of his trademark whackiness. Character development suffers in this film which is odd as it's not the average war film full of heroics and explosions (e.g. blackhawk down)but actually quite slow paced. Much of the film is devoted to a training camp and irocicly is probably the 5 star third of the film. This in not a bad thing but much of the screen time is devoted to what happens rather than the charcters themselves, reult being you know almost nothing about the lead (Joker) and nothing about the rest. This makes it harder to connect with the characters. Thee film is a great one, but it's not Apocolypse Now either. 4 stars.
This film is magnificent as the perfect caricature of the insanity of war, a spot-on jab at the mindlessness of it all. One of the two films I can remember that I watched so many times that I actually wore the videotape so thin it snapped in the machine (the other was Pulp Fiction).
The soldiers we see from the beginning are treated like animals, and animals they become, as we observe their lives after they finish their training and head out to the Vietnam War.
Some beautifully shot scenes - as always, the set and backdrops are right on, and the environment Kubrick creates is beyond perfection, especially in Vietnam, in the second half of the film.
Considering the entire film was shot in Hertfordshire and Cambridgeshire, the Vietnam constructs are particularly impressive, and the casting is flawless. Each and every character has their own unique facets, which we grow to love or hate (or most likely a little of both). Modine is excellent, and the casting of Ermey is, as always genius. Originally not intended to be in the film, he was merely on set (being a former drill instructor having served one and a half tours in Vietnam) to advise the actor on how to play the part, but did such a good job that he was hired to play the part himself.
A work of the master, one of Kubrik's best. I can't recommend this film enough.
10/10 - One of the best.
The first half is effective enough (although the skies give the Hertfordshire set away!)
In the second Kubrick relies almost entirely on long dolly shots along tracks, which become very repetitious. (Unintentional?) lens flare, sudden jarring lighting changes and, after very effectively dispensing with music throughout the film, suddenly the orchestra strikes up in the last ten minutes.
Not much in the way of characterisation, or insight other than the stunningly obvious "war is hell".
One of the most amazing pieces of cinema ever made! Film is split into 2 parts, the first hilarious yet brutal with a shock ending, the second, a lesson in war film making with yet again another disturbing and uncomfortable conclusion. Great soundtrack from the time and a slightly haunting score almost match what is going on on the screen! One of my favourite films of all time!
Perhaps, in its time, this film worked as a social commentary.
Perhaps in the 1970's U.K. this film tugged on our conscious, but I'm afraid post Iraq 'we are a bit more sophisticated.'
I've never understood that 'phrase' when politicians use it today, but now having seen this film I sort of understand where they are coming from.
Perhaps notable as the first 'war commentary' film
A valiant attempt of its era, but says nothing compared to today's issues.
There are far better Vietnam war films
Awsome film, very well acted by all the cast, lovely little pockets of scathely humor too.
Language is VERY course though, makesure the children are asleep!
Stanley Kubrick's penultimate film is a harrowing, foul-mouthed and violent Vietnam War drama. But, unlike the rainforest horrors of Apocalypse Now or Platoon, Kubrick's film begins with a long training camp sequence in America before moving to a bombed-out Vietnamese city. While its message is simple — innocent young Americans are taught to be machine-like killers — its technique is extraordinary. Because Kubrick refused to travel any distance, it was shot entirely in Britain, with palm trees uprooted from Spain and Matthew Modine and a cast of relative unknowns uprooted from Hollywood. Renting a disused gasworks in Beckton, east London, Kubrick created a huge and spectacular outdoor set, though some sequences, it must be said, lack tropical realism. The performances are superb, especially Lee Ermey as the drill sergeant with a colourful vocabulary, Vincent D'Onofrio as the pathetic Private Pyle and Modine as the cynical recruit called Joker.
Smartly ordered but rather ordinary and predictable war film to come from one of the cinema's acknowledged masters after seven years of silence.
The first half of Kubrick's movie steers clear of South East Asia altogether, focusing on the dehumanising training... read more on Time Out