A powerfully graphic film (even though no violence is ever shown on the screen itself) about an Austrian family who goes on a country vacation and become the victims of two cold-blooded psychopaths who are out to torture them with their "funny games." Haneke's point, that fictional violence is as real as the real world's, is .. Read more
| Starring | Susanne Lothar, Ulrich Muhe, Frank Giering, Arno Frisch |
|---|---|
| Director | Michael Haneke |
| Genres | Horror, Thriller, World Cinema |
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A powerfully graphic film (even though no violence is ever shown on the screen itself) about an Austrian family who goes on a country vacation and become the victims of two cold-blooded psychopaths who are out to torture them with their "funny games." Haneke's point, that fictional violence is as real as the real world's, is presented chillingly in this extremely well-acted, yet potentially offensive effort. Weak of stomach, beware.
| Starring | Susanne Lothar, Ulrich Muhe, Frank Giering, Arno Frisch |
|---|---|
| Director | Michael Haneke |
| Studio | PALISADES TARTAN |
| Run time | DVD: 1 hr 44 mins |
| Certificate | |
| Genres | Horror, Thriller, World Cinema |
| Language | German |
| Subtitles | English |
| Released | DVD: 19 Feb 2001 Production year: 1997 |
| Format | DVD |
This controversial, cautionary tale from Austrian director Michael Haneke is lauded in some circles for being an uncompromising study of on-screen violence and, in others, as the worst type of exploitation that panders to the same base instincts it purports to lay bare. It follows two young men who inveigle their way into the holiday home of a middle-class family and subject them to degrading torture and sickening humiliation. Haneke's deconstruction of matter-of-fact terror is radical and thought-provoking, but also too clever by half. Setting out to appal the senses with a catalogue of true horror, Haneke succeeds in his aim with a powerful shockumentary that's hard to watch — deliberately. It's definitely not for the faint-hearted.
A disturbing film, intended as a polemic against film-makers and audiences who enjoy gratuitous violence; the violence here is presented in a way to make it seem painful rather than thrilling.
This film has no redeeming qualities at all - I wouldn't want to waste any more of my life even trying to begin to explain how bad this film is - it was like watching a rusty nail descending through a jar of honey - totally pointless. I only gave it one star because there's no option to give no stars.
I decided to rent this after reading of the relase of the remake shot exactly the same but with mainstream actors.
this film is boundary pushing thought provokingt and althopugh you dont see any gut wrenching screen violence the best horror comes from the mind and Haneke does this like an old pro.
The endsing is not happy but the film as a whole is really well worth watching.
BFI London Film Festival gets underway Thursday, with opening gala Eastern Promises (which we'll be covering when it goes on general release next week). At this stage I've seen just over 30 of the films in the programme. That's a mere drop in the ocean in a festival of this size, but it's enough to be able to pass on a few tips, as well as the odd warning! first films to sell out are always the Galas, in part because less tickets are available to the general public (this is where the festival... Read more