In Gus Van Sant's GERRY, a film more concerned with atmosphere and visual breadth than with story or plot, a frivolous hike through the desert evolves into an existential journey for two young men. The film features only two characters, both named Gerry and played by the film's co-creators Casey Affleck and Matt Damon. Driving .. Read more
| Starring | Matt Damon, Casey Affleck |
|---|---|
| Director | Gus Van Sant |
| Run time | 98 mins |
| Genres | Drama |
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Given the public predilection for fast-paced, effects-heavy event pictures, Gus Van Sant couldn't have crafted a more uncommercial film than this. Co-written by Van Sant and joint leads Matt Damon and Casey Affleck, it follows two friends — both called Gerry — who embark on a wilderness trail only to get hopelessly lost in the harsh terrain without any provisions. Unwinding at a snail's pace, with the most simplistic of storylines and barely any dialogue, this audacious allegory is either pretentious twaddle or a poetic masterpiece, depending on personal taste. While the duo does nothing more action-packed than trudge towards potential doom, their predicament becomes riveting, made additionally entrancing by dreamy cinematography, breathtaking landscapes and hallucinatory cloud formations. An acquired taste for sure, but a meditative marvel nonetheless.
"...One of the most intriguing American films of the year... Mesmerising and extraordinarily tense... A glorious off-beat original..."
I have always been of the opinion that slow doesn't always have to mean boring. Judgement At Nurmeberg, Dances With Wolves, JFK, are all excellent examples of slow-burning, thought provoking film making at its best.
The main problem with Gerry is not that it is slow, but rather that it is contradictory, and loses us, the viewers, at the pivotal moments.
Rather like the film, the storyline is simple. Two friends, Matt Damon and Casey Affleck, lose their car in the desert, and cannot find it. It may sound like not a lot happens, and not a lot does. But then, this is the beauty of the film.
It feels much longer than its length, and despite its simplicity, seems to require great concentration and attention. Lingering shots of desert, of changing skylines and stretches of rock, while possibly misplaced in other movies, only serve to support what is a calm and often solemn ambience.
But, what ruined it for me was this: After an hour and a half of blissful, thoughless, dreamy and poetic film, I was suddenly thrown a curveball. I had to think. And this, coming out of the blue, ruined what was otherwise a serene viewing experience. It was like someone suddenly watched the film float past and said 'Wait! We need an ending!'
Sadly, they should've chosen a little more wisely, as Gerry can only be ranked amongst the 'almosts'.
One of the most 'arthouse' films I've ever seen, 'Gerry' walks the tightrope between artistic genius and unwatchable rubbish. Reportedly filmed with no plan, script or plot written, it's the story of two friends who get lost in the desert. What follows is an hour and a half of jaw-droppingly beautiful cinematography with little to no narrative or dialogue. Worth watching for the visually arresting camera shots alone, both Damon and Affleck put in excellant turns as Gerry and Gerry. Their few lines of dialogue are for the most part entertaining, but it's their physical acting that shines, brilliantly depicting the increasing desperation and despair that the pair sink into as their fate becomes more and more hopeless. In equal parts boring, stunning, pointless and profound.
"Boring, complacent and criminally lucky to have got away with everything so far." That was David Thomson's scathing verdict on Ben Affleck in his "Biographical Dictionary of Film" in 2004. It was Ben's "annus horribilis": the year that his planned wedding to J-Lo fell apart. The year that saw him bounce back from the mortifying Gigli debacle with two more back-to-back duds: Surviving Christmas and Jersey Girl. He was considered such box-office poison his cameo in Elektra wound up on the... Read more