Detective Nishi has just lost his infant daughter and is about to lose his wife to a fatal illness. He is advised by the doctors to take her home so she can die in peace. Nishi also finds out his partner Horibe has been seriously wounded and may be confined to a wheelchair. Nishi visits Horibe who says that he would like to .. Read more
| Starring | 'Beat' Takeshi Kitano, Kayoko Kishimoto, Ren Osugi, Susumu Terajima |
|---|---|
| Director | 'Beat' Takeshi Kitano |
| Genres | Drama, Thriller, World Cinema |
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Detective Nishi has just lost his infant daughter and is about to lose his wife to a fatal illness. He is advised by the doctors to take her home so she can die in peace. Nishi also finds out his partner Horibe has been seriously wounded and may be confined to a wheelchair. Nishi visits Horibe who says that he would like to take up painting but cannot afford the hobby. Nishi borrows money from the yakuza to supply his friend with paint and to support a young policeman's widow whose husband was killed during an arrest. Haunted by the death surrounding him, Nishi carries out a plan to right the wrongs in his life. Having quit the police force, Nishi buys an old taxi, repaints it to resemble a police cruiser, and then single-handedly robs a bank. He promptly uses the money to repay the yakuza and to take his dying wife on a trip that will give her a taste of happiness.
| Starring | 'Beat' Takeshi Kitano, Kayoko Kishimoto, Ren Osugi, Susumu Terajima |
|---|---|
| Director | 'Beat' Takeshi Kitano |
| Studio | MOMENTUM PICTURES |
| Run time | DVD: 1 hr 39 mins |
| Certificate | |
| Genres | Drama, Thriller, World Cinema |
| Language | DVD: Japanese |
| Subtitles | DVD: English |
| Released | DVD: 26 Feb 2001 Production year: 1997 |
| Format | DVD |
With its fragmentary structure intended to resemble the fireworks (the literal translation of Hana-Bi) of the title, this is definitely a detective film with a difference. Winner of the Golden Lion at Venice, it's a lyrical, compassionate tale as ex-cop Takeshi Beat Kitano (who also directs) seeks to care for both his dying wife and his partner, disabled while chasing a criminal. To counteract the grim reality of Kitano's problems back in the city there are lengthy passages of contemplative silence and pastoral vistas, as well as symbolic paintings commenting on the action. Although there are still explosive sequences of gun-play, this is a far cry from earlier Kitano films such as Sonatine.
Kitano's Venice prize-winner mixes tenderness, violence and droll humour. A recently retired cop drifts towards a... read more on Time Out
This is beautiful. It is both ultra violent and yet very tender. A hard cop's wife is dying of Leukemia which isn't good and also he's being hunted by the Yakuza for a debt, which is also not nice. Some amazingly tender moments - like when she steals his cake. Superb. Lots of arty bits too and some nice music - all of which done by Beat himself. He surely must be one of the most talented people alive.
Hollywood should take note that the best films of the last decade are being made overseas and groundbreaking Japanese films like Visitor Q, Audition, Battle Royale and Hana Bi are dumping on American cinema from a great height.
Takeshi Kitano once again pulls out one of his now trademark 'steel exterior masking inner turmoil' performances. But then, why stray from a winning formula?! Shockingly violent in places, surprisingly tender in others, the zen-like stillness of Kitano's camera might not be to everyones liking but it certainly keeps things edgy and unpredictable. Not as good as Sonatine then, but definately up there with his best work.