In the long ago days before video when access to anything but first-run Hollywood movies was limited to repertory houses and college film societies, Hal Ashby's HAROLD AND MAUDE, while not what one would call an underground film, achieved cult status, becoming one of the most popular American films of its time. It is, .. Read more
| Starring | Bud Cort, Ruth Gordon, Cyril Cusack, Vivian Pickles |
|---|---|
| Director | Hal Ashby |
| Genres | Comedy |
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Call it bad taste, but rarely has such a strange love affair been presented so charmingly as the one here between morbid young Harold (Bud Cort) and 79-year-old concentration camp survivor Maude (Ruth Gordon). Depressed by life, and rejected by his wealthy mother (Vivian Pickles), the death-fascinated Harold drives a hearse to funerals, meets the skittish Maude, and falls in love. A cult classic, the film started life as a graduate thesis by Colin Higgins, whose landlady helped him to set it up for direction by Hal Ashby. The performances are a delightful bonus in a movie that, for all its eccentricities, likes people.
Often hilarious black comedy for those who can stand it; the epitome of bad taste, splashed around with wit and vigour, it became a minor cult.
Like Bob Rafelson, a director similarly obsessed with the trials and tribulations of the children of the rich, Ashby... read more on Time Out
A little dated now but Hal Ashbys comedy about a maudlin young man and his relationship with a young-at-heart octagenarian is short, sweet and leaves you ... more
Those of you familiar with the work of Hal Ashby (Being There, The Last Detail, Coming Home) will be aware that he was something of an idealist, a maverick ... more
One of the most unusual love stories that I've ever seen, as a young man (about 20) falls in love with a woman of 79. Although it may sound strange, the ... more
it's all jerky and you can't watch it as a result. really annoying etc.
Excellent 70's Black Comedy great performances all round, Soundtrack entirely by Cat Stevens, quite a sweet movie...
If you haven't seen this...
more
A little dated now but Hal Ashbys comedy about a maudlin young man and his relationship with a young-at-heart octagenarian is short, sweet and leaves you ... more
Those of you familiar with the work of Hal Ashby (Being There, The Last Detail, Coming Home) will be aware that he was something of an idealist, a maverick ... more
One of the most unusual love stories that I've ever seen, as a young man (about 20) falls in love with a woman of 79. Although it may sound strange, the ... more
I seriously suspect this really is Cameron Diaz's favourite film as she rants incessantly about how good it really is in "There's Something about ... more
Some people claim that this is the best movie they have ever seen, it changed their lives etc. I decided I had better things to do with my time, after seeing ... more
Excellent 70's Black Comedy great performances all round, Soundtrack entirely by Cat Stevens, quite a sweet movie...
If you haven't seen this...
more
Oh dear.... I don't like a cult film. My street cred is slipping to zero. But I have to admit it, I was bored and irritated by this pretentious little ... more
The soundtrack really spoils this film, I kept hitting the mute button whenever i heard yet another boring Cat Stevens song,
sorry, i don't think this film is as good as everyone claims, i found it boring and uninsightful
Ruth Gordon and Bud Cort give excellent performances in this tale of death obsessed characters which fall in love. The film starts off very comedic and ... more
Call it bad taste, but rarely has such a strange love affair been presented so charmingly as the one here between morbid young Harold (Bud Cort) and 79-year-old concentration camp survivor Maude (Ruth Gordon). Depressed by life, and rejected by his wealthy mother (Vivian Pickles), the death-fascinated Harold drives a hearse to funerals, meets the skittish Maude, and falls in love. A cult classic, the film started life as a graduate thesis by Colin Higgins, whose landlady helped him to set it up for direction by Hal Ashby. The performances are a delightful bonus in a movie that, for all its eccentricities, likes people.
Often hilarious black comedy for those who can stand it; the epitome of bad taste, splashed around with wit and vigour, it became a minor cult.
Like Bob Rafelson, a director similarly obsessed with the trials and tribulations of the children of the rich, Ashby... read more on Time Out